Author Archives: basiltsiokos

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About basiltsiokos

Basil Tsiokos is a Senior Programmer for the Sundance Film Festival, focusing on nonfiction features. He was most recently with DOC NYC for nearly a decade, where he served as Director of Programming since 2014, and with the Nantucket Film Festival as its Film Program Director. Prior to those positions, Basil was the longtime Artistic and Executive Director of NewFest. He has been affiliated with Sundance since 2005 as a Programming Associate. Basil serves on the feature nominating committees for the International Documentary Association Awards and Cinema Eye Honors. He has written about documentaries daily since 2010 on what (not) to doc. Basil holds a Masters degree from New York University and two undergraduate degrees from Stanford University.

On DVD/VOD: COLOSSUS

Coming to DVD and VOD today, Tuesday, March 10:
COLOSSUS

Director:
Jonathan Schienberg

World Premiere:
DOC NYC 2018

Select Festivals:
St Louis

About:
A US-born teenager copes with the deportation of his undocumented family members.

The film screened as part of DOC NYC, for which our program notes read:
The personal impact of America’s immigration policies on families is deeply felt in this intimate portrait of 15-year-old Jamil Sunsin and his family. Jamil, born in the US, only finds out his parents and older sister are undocumented when they are deported to Honduras following a routine traffic stop. Traumatized by violence there, Jamil returns to Jersey City to stay with relatives and seek a better life, but this imposed separation weighs heavily on all members of the family.

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Special Screening: MOSSVILLE: WHEN GREAT TREES FALL

Coming to NYC’s Pure Nonfiction series tomorrow, Tuesday, March 10:
MOSSVILLE: WHEN GREAT TREES FALL

Director:
Alexander John Glustrom

World Premiere:
Full Frame 2019

Select Festivals:
DOC NYC, New Orleans, Hot Springs Doc, Washington DC Environmental, BendFilm, Raindance, Durban, Indie Grits, Montclair, Wild & Scenic, Planet in Focus

About:
An intimate profile of one man’s struggle against environmental racism.

The film screened as part of DOC NYC, for which our program notes read:
Mossville, Louisiana, a community founded by formerly enslaved African Americans, was once a thriving, safe haven. Today it’s a breeding ground for petrochemical plants and their spewing black clouds. Many residents are forced from their homes; those that stay suffer from prolonged exposure to contamination and pollution. Amid this chaos stands one man, Stacey Ryan, who refuses to abandon his family’s land and fights for basic human rights in this powerful portrait of resilience.

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Special Screening: CHANGING THE GAME

Coming to NYC’s DCTV Presents screening series tonight, Monday, March 9:
CHANGING THE GAME

Director:
Michael Barnett

World Premiere:
Tribeca 2019

Select Festivals:
Palm Springs, Mountainfilm, Watch Docs, Sidewalk, Virginia, Nashville, Flyway, Guth Gafa, Salem, Frameline, Outfest, BFI Flare

About:
A profile of several trans high school athletes.

Within the gender-segregated world of high school athletics, there are no universal rules about the rights of transgender competitors. Michael Barnett’s sympathetic film chronicles the wins and losses of three such athletes in Texas, Connecticut, and New Hampshire, each contending with rules whose fairness is called into question in one way or another. Texan wrestler Mack is forced to compete in the girls’ division, where he is undefeated, despite his desire to wrestle fellow boys, and receives the vitriol of cis gendered girls’ parents and others for the advantage testosterone affords him. Andraya, a sprinter, is allowed by Connecticut’s more equitable laws to compete against girls, but that doesn’t prevent angry adults from crying foul. In New Hampshire, Sarah, a competitive skier, becomes a transgender rights activist when her state’s laws requires her to have gender reassignment surgery in order to race in the girls’ category. Whether they want to or not, these teens have become public faces of the debate, simply for wanting to participate in the competitive sports their peers take for granted. For them, and their supportive parents, guardians, or coaches, the argument is a simple one – if their gender is to be respected, there cannot be any half-measures – while for their opponents, there are thorny questions of fairness due to physiological advantages or disadvantages of the athletes’ biological sex that cannot be dismissed solely as cut-and-tried transphobia (which also is clearly in evidence, of course). Barnett doesn’t fully explore these difficult quandaries, but his film offers an intimate look at the youth caught within the unfortunate dilemma.

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On VOD: HILLARY

Coming to VOD via Hulu today, Friday, March 6:
HILLARY

Director:
Nanette Burstein

World Premiere:
Sundance 2020

Select Festivals:
Berlin

About:
A revealing portrait of Hillary Rodham Clinton.

I profiled the docuseries before Sundance here.

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In Theatres: THE BOOKSELLERS

Coming to theatres tomorrow, Friday, March 6:
THE BOOKSELLERS

Director:
DW Young

World Premiere:
New York Film Festival 2019

Select Festivals:
St Louis, Miami Jewish, RiverRun, Sebastopol Doc, Victoria

About:
An affectionate portrait of NYC’s community of rare book dealers and collectors.

In an age of ebooks and eBay, rare book collecting seems doomed – but there’s still room for hope in DW Young’s loving look at the antiquarian trade. When NYC once boasted hundreds of bookstores, there are now fewer than 80 left, and those who attempt to make a living as bibliophiles face more of a struggle when competing with the instant gratification of online book searching and shopping. The industry has certainly contracted, becoming decidedly more niche in recent decades, but there are still stalwart book dealers trudging along, helping collectors find their treasured tomes, and encouraging younger people to pursue the thrill of the hunt, sometimes in surprising directions. Young’s film may not be the flashiest, and prone to digressions of varying interest, but this fits its general milieu – older, white, rarefied – though an attempt is made to showcase a slow diversification of the field, from more women claiming prominence (they were always in the business, but often sidelined), to people of color and younger individuals carrying on the torch or blazing their own trail. Despite whatever minor shortcomings the film may have technically or structurally, it succeeds in capturing the love of books with infectious charm.

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One World 2020 Overview

Festival:
The 22nd One World International Human Rights Documentary Film Festival

Dates:
March 5-14

About:
Approximately 100 new and recent documentary features screen in this event taking place in Prague and 35 other Czech cities. Continue reading

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On DVD/VOD: SCREAM, QUEEN! MY NIGHTMARE ON ELM STREET

New to DVD and VOD this week:
SCREAM, QUEEN! MY NIGHTMARE ON ELM STREET

Director:
Roman Chimienti and Tyler Jensen

World Premiere:
Cleveland 2019

Select Festivals:
New Orleans, Fantastic Fest, Milwaukee, Sidewalk, Inside Out, Image+Nation, NewFest, Outfest, Frameline, LGBT fests in Portland, Dayton, Copenhagen, and Pittsburgh

About:
A look back at a horror sequel through the eyes of its closeted young queer star.

Following the runway hit A NIGHTMARE ON ELM STREET in 1984, New Line Cinema quickly released a sequel the following year, subtitled FREDDY’S REVENGE. While successful enough at the box office, it had vocal detractors who took issue with its homoerotic/homophobic subtext, though this has, in recent years, also resulted in a resurgence of interest in the film as a queer horror cult classic. Directors Roman Chimienti and Tyler Jensen explore this transformation in the sequel’s reception to some extent, but the focus of their workmanlike doc is squarely on its young lead actor, Mark Patton, the first male “final girl” – the object of the horror film villain’s wrath and its ultimate hero. Like many actors of the time, Patton was not open about his sexuality professionally, and though he saw FREDDY’S REVENGE as his big break, he blamed the film for, essentially, outing him and making him unemployable. While this doesn’t always gel with the history provided here – he did land acting roles after the film, and left acting after his lover died from AIDS complications, and he himself became HIV+ – the sequel has become an albatross. Though he came out of retirement several years ago to participate in fan events, he remains resentful that the film’s gay subtext has been blamed on his performance rather than then script by David Chaskin, and he wants the screenwriter to acknowledge his own role in how the film was received. This hang up at times crosses the line into petulance and takes up too much screen time, unfortunately, detracting from a more interesting look at the reception of the film by queer viewers.

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Tribeca 2020: Features Lineup Announced

The lineup of 114 features has just been announced for the 19th edition of the Tribeca Film Festival, taking place April 15-26. The following list presents the 57 documentary features announced to date, broken down by section: Continue reading

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True/False 2020 Overview

Festival:
The 17th True/False Film Fest

Dates:
March 5-8

About:
Approximately 35 new and recent documentary and hybrid features make up the lineup of this well-loved Columbia MO event. Continue reading

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On DVD/VOD: 1275 DAYS

Coming to DVD and VOD today, Tuesday, March 3:
1275 DAYS

Directors:
Katie Green and Carlye Rubin

World Premiere:
Heartland 2019

Select Festivals:
DOC NYC

About:
An exploration of the impact of juvenile incarceration and harsh sentencing laws.

The film screened as part of DOC NYC, for which our program notes read:
In Elkhart IN, 16-year old Blake Layman attempts to rob a home, only to see his friend and accomplice, Danzele, lose his life to the homeowner’s gun. Even though Blake did not pull the trigger, he faces a 55-year prison sentence under the felony murder rule. Directors Katie Green and Carlye Rubin chart the unwavering efforts of Blake’s mother and his devoted girlfriend to appeal his conviction so that he doesn’t spend a lifetime behind bars for one bad decision.

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