Author Archives: basiltsiokos

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About basiltsiokos

Basil Tsiokos is a Senior Programmer for the Sundance Film Festival, focusing on nonfiction features. He was most recently with DOC NYC for nearly a decade, where he served as Director of Programming since 2014, and with the Nantucket Film Festival as its Film Program Director. Prior to those positions, Basil was the longtime Artistic and Executive Director of NewFest. He has been affiliated with Sundance since 2005 as a Programming Associate. Basil serves on the feature nominating committees for the International Documentary Association Awards and Cinema Eye Honors. He has written about documentaries daily since 2010 on what (not) to doc. Basil holds a Masters degree from New York University and two undergraduate degrees from Stanford University.

In Theatres: THE JAZZ LOFT ACCORDING TO W EUGENE SMITH

THEJAZZLOFTACCORDINGTOWEUGENESMITH-KEYComing to theatres tomorrow, Friday, September 23: THE JAZZ LOFT ACCORDING TO W EUGENE SMITH

Sara Fishko’s look at legendary jazz history debuted at the New Orleans Film Festival last year. Its fest circuit also included DOC NYC, Rotterdam, Full Frame, Cleveland, Florida, BAFICI, and the Copenhagen Jazz Film Festival, among other events.

I previously wrote about the film for DOC NYC’s program, saying:
Between 1957 and 1965, former LIFE Magazine photojournalist W Eugene Smith obsessively photographed and taped the goings-on at the dilapidated Sixth Avenue loft he called home. As revealed in this astonishing WNYC-produced time capsule, what he captured is a treasure trove of NYC jazz of that period, including a three-week rehearsal by the legendary Thelonious Monk and jazz and classical music lessons given by the Juilliard-trained Hall Overton.

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In Theatres: GENERATION STARTUP

generation_startup_NEWComing to theatres tomorrow, Friday, September 23: GENERATION STARTUP

Cynthia Wade and Cheryl Miller Houser’s look at young entrepreneurs in Detroit debuted at Traverse City earlier this year. In addition to its limited theatrical release, the film will screen at the upcoming Milwaukee Film Festival and at other special events.

With American entrepreneurship at its nadir, and industry still seeking cheaper labor overseas, the prospects for a lasting economic upswing are uncertain. While Wade and Houser’s film celebrates some of the forward-thinking risk-takers who are trying to launch businesses, it refreshingly doesn’t sugarcoat the obstacles they face. Working in the particularly economically-depressed city of Detroit, the six subjects exploit the advantages of their location while trying to be part of the community that helps to build it back up, but acknowledge that they have an uphill battle to climb. Notably, they also address issues of diversity and the barriers traditionally faced by women and people of color, who often find themselves woefully under-represented relative to white men in startup enterprises. Nevertheless, the film’s cautious optimism gives hope, and potential inspiration, to other would-be innovators.

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In Theatres & On VOD: THE LOVERS AND THE DESPOT

lovers and the despotComing to theatres and VOD tomorrow, Friday, September 23: THE LOVERS AND THE DESPOT

Robert Cannan and Ross Adam’s tale of a dictator’s cinephilia bowed at Sundance earlier this year. Screenings followed at Berlin, Cleveland, RiverRun, IFF Boston, Sarasota, Seattle, DocAviv, and Docs Against Gravity.

I profiled the doc before Sundance here.

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On VOD: RADICAL GRACE

radical-grace-1New to VOD this week: RADICAL GRACE

Rebecca Parrish’s profile of social justice activist nuns debuted at Hot Docs last year. Additional screenings followed at AFI Docs, Chicago, Denver, Athena, Ebertfest, Martha’s Vineyard, and Virginia, among other events. It now comes to iTunes, and expands to Vudu and Google Play next week.

Drawn to address injustice and promote equality, three Roman Catholic nuns find themselves facing censure from the Vatican for what’s viewed as their radical feminism. Over the course of several years, Parrish follows these women as they fearlessly risk their standing in the church to follow their conscience, refusing to bow to pressure as they continue their work, from counseling former prisoners to organizing cross-country Nuns on the Bus tours to support the Affordable Care Act, all against the backdrop of a time of change in Catholic leadership, as Pope Benedict XVI surprisingly resigns and is replaced by the progressive Pope Francis. While conventional in approach, the crowdpleasing film features immediately likeable protagonists, refreshingly positive religious role models who don’t come off as preachy.

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On DVD: THEY WILL HAVE TO KILL US FIRST

they will haveNew to DVD this week: THEY WILL HAVE TO KILL US FIRST

Johanna Schwartz’s profile of musicians exiled over religion debuted at SXSW last year. Screenings followed at London, Göteborg, the Film Society of Lincoln Center’s Sound + Vision, Hot Docs, Singapore, RIDM, and Durban, among other events.

I previously wrote about the doc here.

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On TV: HUNTWATCH

huntwatchComing to Discovery Impact tomorrow, Thursday, September 22: HUNTWATCH

Brant Backlund’s look at a crusade against seal hunting debuted at DOC NYC last year. Other screenings have included Santa Barbara, Sedona, Boulder, and Newport Beach.

I previously wrote about the film for DOC NYC’s program, saying:
In Canada, seal hunting was historically considered to be a respectable job until people witnessed the graphic images of the practice for themselves on television. Angry and committed to save the seals, Brian Davies, a charismatic young activist, sets out on a crusade that becomes his life’s mission. Using the power of cinematography, celebrity, and science, Davies exposes the cruelty of the hunt while making audiences fall in love with these graceful, vulnerable creatures, as explored in Brant Backlund’s rousing film.

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On DVD: COLLIDING DREAMS

collidingComing to DVD today, Tuesday, September 20: COLLIDING DREAMS

Joseph Dorman and Oren Rudavsky’s examination of the history of Zionism premiered at the New York Jewish Film Festival last year. Screenings followed at Other Israel and at Jewish fests in San Francisco, Toronto, Miami, and Atlanta, among others.

Attempting to cover over one hundred years of a political ideology, Dorman and Rudavsky’s project runs over two hours, yet still feels like it barely scratches the surface. Notably, the film more or less concludes its historical overview with the assassination of Israel’s Prime Minister Yitzhak Rabin, which took place twenty years ago. Beyond the army of talking head experts opining here, more recent viewpoints are chiefly represented through occasional, not particularly illuminating man-on-the-street interviews. Leaving that aside, the film does an admirable job of laying the groundwork for Zionism, locating its emergence as a response to anti-Semitism born of European secular nationalism moreso than religious difference. Tracing the nascent movement’s growth from Jewish Austrian Theodore Herzl’s World Zionist Organization to the eventual British support of a Jewish homeland in Palestine, the film doesn’t dwell on the Holocaust very long before moving on the nation’s establishment and the 1948 war, after which, it’s declared, Zionism paused for a time. Only in the aftermath of the Six Day War, nearly twenty years later, does it emerge, torn in different directions as the contentious issues of settlements, occupation, and a two-state solution come to the fore. As a whole, while it at times feels too academic – the intermittent narration doesn’t help it here – and comes to no clear conclusion, striving as it does for balanced viewpoints, it serves as an informative primer for the complex, ongoing story of the Israeli/Palestinian conflict.

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On VOD: LIFE, ANIMATED

life animatedComing to VOD today, Tuesday, September 20: LIFE, ANIMATED

Roger Ross Williams’ portrait of communication via animated films debuted at Sundance earlier this year, where it picked up an award. It went on to screen at Nantucket, True/False, Hot Docs, Tribeca, Full Frame, Montclair, San Francisco, DocAviv, Transilvania, Sundance London, Los Angeles, Sheffield, and Sydney, among other events.

I profiled the doc before Sundance here.

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On DVD: THE BLACKOUT EXPERIMENTS

blackoutComing to DVD today, Tuesday, September 20: THE BLACKOUT EXPERIMENTS

Rich Fox’s immersive look at a popular horror experience premiered at Sundance earlier this year. It went on to screen at horror and other genre events, as well as the Sydney Underground Film Festival.

I profiled the doc before Sundance here.

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On DVD: THE WITNESS

witnessComing to DVD today, Tuesday, September 20: THE WITNESS

James Solomon’s exploration of the story of Kitty Genovese murder premiered at the New York Film Festival last year. Its fest circuit also included Palm Springs, Big Sky, Boulder, Hong Kong, Sarasota, and Atlanta, among others.

I previously wrote about the doc here.

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