Author Archives: basiltsiokos

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About basiltsiokos

Basil Tsiokos is a Senior Programmer for the Sundance Film Festival, focusing on nonfiction features. He was most recently with DOC NYC for nearly a decade, where he served as Director of Programming since 2014, and with the Nantucket Film Festival as its Film Program Director. Prior to those positions, Basil was the longtime Artistic and Executive Director of NewFest. He has been affiliated with Sundance since 2005 as a Programming Associate. Basil serves on the feature nominating committees for the International Documentary Association Awards and Cinema Eye Honors. He has written about documentaries daily since 2010 on what (not) to doc. Basil holds a Masters degree from New York University and two undergraduate degrees from Stanford University.

Special Screening: IN THE GAME

inthegame-magnumComing to NYC’s Bronx Documentary Center as part of their Sports Film Series tomorrow, Saturday, June 18: IN THE GAME

Maria Finitzo’s look at the struggles faced by a low-income students debuted at Madrid last year. Screenings also included Ashland, Documentary Edge, SXSWedu, Minneapolis-St Paul, Hollywood, St Louis, Oaxaca Sports, and the Chicago and Seattle Latino fests.

Set in a primarily Latino inner-city Chicago public high school, Finitzo’s film is ostensibly focused on Kelly High’s girls’ soccer team, who don’t even have a field to practice in and often have to use the hallways because the gym is otherwise engaged. However, this isn’t really a film about sports, or if they win a season, or even a given game. Finitzo instead focuses on the players, and their inspirational father figure of a coach, to comment on the inequities these young women face, not only in school, but in the outside world, because of gender, race, and class, and the resilience they’ve developed to keep going.

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On VOD: A PLACE TO STAND

Place-to-Stand-Johnny-Baca-2Coming to VOD tomorrow, Friday, June 17: A PLACE TO STAND

Daniel Glick’s portrait of a prisoner turned poet premiered in New Mexico in 2014. Festival play has included Boulder, Maui, Sedona, Napa Valley, Santa Fe, and Illuminate. The doc now comes to VOD platforms including iTunes, Google Play, Amazon, Vudu, Youtube, XBOX, Playstation and Cable On Demand.

Jimmy Santiago Baca was sent to the notorious Arizona State Prison to serve five years for theft and drug charges. Hardened by a childhood of abandonment and abuse, he acted out as an adult through violence and aggression, and was given solitary confinement. When a Christian missionary reached out to him via letters, the essentially illiterate Baca became inspired to learn to read. Struggling through the process over a long period, he gained a new perspective and self-confidence, abandoning violence for the power of self-expression. Developing into a poet while still incarcerated, he began to have his work published, and, after his release, he has returned to prisons to lead writing workshops. While Baca’s story of redemption is compelling, Glick tells it in a conventional manner, weighing it down with an excess of narration and talking heads, making for an unfortunately static experience that detracts from the power of the poet’s words.

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In Theatres: MY LOVE, DON’T CROSS THAT RIVER

MyLoveDontCrossThatRiver-thumb-630xauto-55760Coming to theatres tomorrow, Friday, June 17: MY LOVE, DON’T CROSS THAT RIVER

Jin Mo-young’s portrait of an elderly couple debuted at DMZ Docs in 2014, where it won the audience award. Other screenings have included Hot Docs, Los Angeles, Tempo Doc, Visions du Reel, DocAviv, Sydney, BFI London, RIDM, Cork, DOK Leipzig, Moscow, Hamptons, and the New York Asian fests.

Cho Byeong-man, 98, and Kang Kye-yeol, 89, have been married 76 years. Their children and grandkids may occasionally come to visit, but, for the most part, it’s just the two of them, inseparable in their modest country home. When they walk into town, or head out on group outings with other seniors, the loving couple dress in bright matching traditional outfits. They’re prone to playfulness, engaging in snowball or water fights. Cho can’t fall asleep unless he’s touching his beloved Kang, while she requests that he sing for her while she’s using the outhouse late at night to allay her fears. Although Cho tries to stay active, collecting firewood and tending to his beloved dogs, he has started to become short of breath and prone to painful coughing bouts. Over the course of the film, his condition worsens. With no recourse due to his advanced age, relatives descend on the family home to say their farewells, and Kang sadly prepares for the inevitable, slowly beginning to burn some of Cho’s clothes so he has something to wear in the afterlife. Jin’s remarkably crafted, at times magical, portrait offers audiences a brief but enduring glimpse of love, companionship, and mortality.

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On VOD: RAIDERS!

raidersComing to VOD tomorrow, Friday, June 17: RAIDERS!

Jeremy Coon and Tim Skousen’s chronicle of a lifelong obsession debuted at SXSW last year. Other screenings have included DOC NYC, Dallas, Hot Docs, Fantasia, Traverse City, Melbourne, Sidealk, Denver, Rotterdam, and Docs Against Gravity. FilmBuff now releases the film on major VOD platforms.

I previously wrote about the film for DOC NYC’s program, saying:
When three Mississippi preteens set out to pay tribute to their favorite film in 1982, little did they know it would become an obsession that lasted three decades. Committed to making their own version of RAIDERS OF THE LOST ARK, they spent seven eventful summers recreating the epic adventure, shot for shot – with the exception of one scene beyond their scope. When footage of their project surfaces decades later, becoming a sensation, it reignites their drive to finally finish their low-budget masterpiece, no matter what.

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Frameline 2016: Documentary Overview

Frameline Ad3The world’s oldest LGBT film fest, San Francisco’s Frameline, celebrates its 40th anniversary beginning tomorrow, Thursday, June 16. Approximately 70 new and retrospective features will screen through the course of its eleven-night run before it wraps on Sunday, June 26. Highlights of the more than two dozen documentaries on offer follow: Continue reading

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On VOD: RABIN IN HIS OWN WORDS

Rabin_in_his_own_words_720_432New to VOD this week: RABIN IN HIS OWN WORDS

Erez Laufer’s chronicle of the assassinated Israeli prime minister debuted at Haifa last year, where it won the best documentary award. Its circuit has also included Hot Docs, Cleveland, Other Israel, and the Atlanta, Toronto, and Miami Jewish fests.

Constructed almost entirely from archival sources featuring Yitzhak Rabin, including public appearances, interviews, and personal letters, Laufer’s film, per its title, functions as almost an autobiography of the Israeli politician, who was twice elected prime minister, as well as serving as the nation’s US Ambassador and minister of defense. Demonstrating his skillful editing, Laufer directs Rabin’s own voice to relate the leader’s life and career, from personal reflections on a strict upbringing and about meeting his wife, to candid thoughts on his involvement in nation-defining events like the Six Day War as head of the Israeli Defense Forces. Summarizing decades of public service against the backdrop of ever-present tensions or all-out conflict in the Middle East, Laufer uses some shortcuts that may prove unclear to viewers not intimately aware of Israeli politics and history, but, for the most part, the film provides just enough context to remain always engaging. The film is particularly compelling as it lays out Rabin’s contentious diplomatic efforts with the PLO for peace through the Oslo Accords, which sadly led ultraconservative factions to rally against Rabin, inspiring Yigal Amir to assassinate him in 1995.

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Special Screening: LIFE, ANIMATED

life animatedComing to NYC’s Rooftop Films this Friday, June 17: LIFE, ANIMATED

Roger Ross Williams’ look at the transformative power of film on a young autistic man debuted at Sundance earlier this year, where it picked up the US Documentary Directing Award. Screenings have followed at True/False, Hot Docs, Tribeca, Full Frame, Montclair, San Francisco, DocAviv, Transilvania, Sundance London, Los Angeles, Sheffield, Sydney, and the upcoming Nantucket Film Festival.

I profiled the doc before Sundance here.

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Special Screening & In Theatres: TICKLED

tickledComing to NYC’s Rooftop Films this Thursday, June 16 and to theatres this Friday, June 17: TICKLED

David Farrier and Dylan Reeve’s investigation into a stranger-than-fiction web fetish made its debut at Sundance this year. Screenings have followed at True/False, Cleveland, Sarasota, San Francisco, Hot Docs, Montclair, Seattle, Sydney, Auckland, and the upcoming Nantucket Film Festival.

My pre-Sundance profile of the doc may be found here.

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Edinburgh 2016: Documentary Overview

edinbThe Edinburgh International Film Festival celebrates its 70th anniversary beginning tomorrow, Wednesday, June 15. Before it wraps on Sunday, June 26, the event will unspool more than 125 new features, including approximately 30 docs, as well as a host of retrospective offerings. The following offers a brief look at a selection of the nonfiction being presented: Continue reading

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On DVD: INVITATION TO DANCE

Invitation-to-Dance-002Coming to DVD tomorrow, Tuesday, June 14: INVITATION TO DANCE

Christian von Tippelskirch and Simi Linton made its bow at Santa Barbara in 2014. Other fests included Margaret Mead, ReelAbilities, Moscow’s Breaking Down Barriers, and Buffalo.

Collaborating with his subject as co-director, von Tippelskirch reveals the life of disabled rights activist Linton, who lost the use of her legs in a car accident while a college student in 1971. Though already an anti-war activist, she was initially unaware of the burgeoning disability rights movement in America until she found herself excluded from the mainstream due to issues of access. Over time, Linton became an outspoken advocate for equality, regardless of ability, as chronicled here in effective parallel with broader developments in the struggle, such as the passage of the Americans with Disabilities Act. Less successfully integrated is Linton’s belief in the importance of dance in the self-expression of people with disability, and the corresponding progress that has made the performing arts more inclusive – dance sequences here more often feel like random interruptions intended to lend the project an air of artiness rather than an organic element to the proceedings.

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