Author Archives: basiltsiokos

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About basiltsiokos

Basil Tsiokos is a Senior Programmer for the Sundance Film Festival, focusing on nonfiction features. He was most recently with DOC NYC for nearly a decade, where he served as Director of Programming since 2014, and with the Nantucket Film Festival as its Film Program Director. Prior to those positions, Basil was the longtime Artistic and Executive Director of NewFest. He has been affiliated with Sundance since 2005 as a Programming Associate. Basil serves on the feature nominating committees for the International Documentary Association Awards and Cinema Eye Honors. He has written about documentaries daily since 2010 on what (not) to doc. Basil holds a Masters degree from New York University and two undergraduate degrees from Stanford University.

In Theatres: GRINGO TRAILS

gringo_trails_1_dynamic_lead_slideComing to theatres this Thursday, September 4: GRINGO TRAILS

Pegi Vail’s exploration of the unintended impact of tourism made its debut at last year’s Margaret Mead Film Festival. It went on to Washington DC’s Environmental Film Festival, Sebastopol Doc, Yale Environmental, Göttingen Ethnographic, Documentary Edge, and Galway, among others.

An exploration of how we tell stories about the places we visit, and of the consequences of that storytelling, Vail’s thoughtful film reveals the footprint of tourism on formerly exotic, remote destinations in Bolivia, Thailand, Mali, and Bhutan. Framing the film is the story of Israeli Yossi Ghinsberg, whose book on surviving alone in the Bolivian Amazon opened up the region to generations of tourists seeking to recapture his experience, as a result transforming the community’s way of life to accommodate them. Vail explores similar unintended developments, as other travelers reveal how formerly pristine hidden gems, known to a select few outsiders, became quickly co-opted and overrun. The tale of Thailand’s Haad Rin beach, a paradise that initially drew a motley group of bohemians but eventually became the site of massive beach parties, serves as the central cautionary tale, while the Kingdom of Bhutan demonstrates an opposite extreme, limiting tourism to high-end travelers in an effort to prevent unwanted cultural encroachment. Along the way, travel writers and ordinary tourist share compelling stories of the delicate balance of sharing their experiences of must-see places while preserving what makes them so special.

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In Theatres: LAST DAYS IN VIETNAM

last days in vietnamComing to theatres this Friday, September 5: LAST DAYS IN VIETNAM

Rory Kennedy’s moving revisitation of the US withdrawal from Saigon bowed at Sundance this January. It went on to screen at Nantucket, Sarasota, deadCENTER, Los Angeles, Martha’s Vineyard, and Ashland, among others.

I profiled the doc before Sundance here.

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On VOD: INREALLIFE

inreallife_03Coming to VOD today, Tuesday, September 2: INREALLIFE

Beeban Kidron’s reactionary look at the Internet had it world premiere at Toronto last year. Other fest screenings have included DOXA, One World, Rendezvous with Madness, Vilnius, and Planete+ Doc. FilmBuff now makes the doc available across VOD platforms.

I included the film in my Toronto coverage here.

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On DVD: UNDER THE ELECTRIC SKY

under the electric skyComing to DVD today, Tuesday, September 2: UNDER THE ELECTRIC SKY

Dan Cutforth and Jane Lipsitz’s look at a massive electronic music festival had its world premiere at Sundance this year. The film has been released in theatres on demand around the country as well as on VOD.

My pre-Sundance profile of the film may be found here.

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Special Screening: OUT IN THE NIGHT

out in the nightComing to NYC’s Maysles Cinema as part of the Doc Watchers series this Thursday, September 4: OUT IN THE NIGHT

blair dorosh-walther’s exploration of injustice faced by a group of African-American lesbians debuted at the Los Angeles Film Festival. It went on to screen at Human Rights Watch, Frameline, and Outfest, with upcoming screenings at New Orleans, Oakland Underground, and LGBT fests in Chicago, Atlanta, and Austin, among others.

I previously profiled the film as dorosh-walther was finishing a successful Kickstarter campaign to complete the story of the “New Jersey 4,” a subset of New Jersey lesbians who became involved in a violent altercation in NYC’s West Village stemming from homophobia, yet found themselves railroaded by the media and the justice system despite clear evidence of self-defense. The filmmaker elicits compelling interviews from the young women and their families, creating a richer sense of their distinct personalities and character, serving as a counterbalance to their sensationalized portrayal as a “gang” that instigated the violence. Covering a lot of ground in a probably too-condensed running time – the incident, the media’s portrayal, the women’s version, portraits of the women and their families, and their fates within the justice system – dorosh-walther nevertheless succeeds in enraging the viewer by laying bare the confluence of racism, sexism, and homophobia that confronted these women and others like them on a regular basis, and which came to a head that night in August 2006. Cogently confronting complex questions of innocence and guilt, the film serves as a provocative indictment of and challenge to tacit, institutionalized inequalities that permit only some to resist maltreatment but insist that others simply acquiesce.

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On DVD: TWO: THE STORY OF ROMAN & NYRO

la-et-mn-two-the-story-review-20131018-001Coming to DVD today Tuesday, September 2: TWO: THE STORY OF ROMAN & NYRO

Heather Winters’ portrait of a gay family debuted at the Nashville Film Festival last year. Screenings followed at several LGBT fests, including Miami, Inside Out, Honolulu, Philadelphia’s QFest, Outfest, Atlanta, and Tampa, as well as Palm Springs, SF Doc Fest, and Arclight DocFest.

Winters’ film is well-meaning and generally inoffensive, offering a look at two gay dads and their twin sons, the products of a surrogate pregnancy. One of the dads, Desmond, is a celebrated songwriter and producer who counts hits by Bon Jovi, Aerosmith, KISS, and Kelly Clarkson in his portfolio. The other dad, Curtis, oddly describes himself as the kids’ “mom,” while the boys themselves are cute enough moppets. Generally, they’re a nice enough family, but aside from the celebrity connections, and some groan-inducing adoption of new Age-tinged Eastern spirituality, there’s nothing interesting, dramatic, or compelling about them that distinguishes Winters’ workmanlike and too-saccharine project from numerous other docs about gay fatherhood, while the involvement of the dads as producers lends an unfortunate vanity project feel to the whole underwhelming affair.

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Toronto 2014: Documentary Overview

tiffFor many in the film industry, the Fall season begins as filmmakers, buyers, sales agents, and programmers converge on the Toronto International Film Festival and sample its nearly 400 offerings. That begins this Thursday, September 4, as the 39th edition of the fest opens. Approximately 35 documentary or hybrid features will screen out of more than 280 feature presentations, while the two-day Doc Conference returns for a sixth year. What follows are highlights of the docs I’m planning to check out while in attendance: Continue reading

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On Cable: LOST FOR LIFE

lost for lifeComing to Lifetime Movie Network tonight, Monday, September 1: LOST FOR LIFE

Joshua Rofé’s portrait of youth facing life behind bars premiered at AFI Docs last year. Further festival screenings included Nantucket, Annapolis, and Middleburg.

I previously wrote about the doc here.

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On DVD/VOD: FOR NO GOOD REASON

fornogoodreason_01Coming to DVD and VOD tomorrow, Tuesday, September 2: FOR NO GOOD REASON

Charlie Paul’s profile of Hunter S Thompson’s illustration partner debuted at Toronto last year. It has also screened at BFI London, Biografilm, Palm Springs, Florida, CPH:DOX, and Dallas, among others.

I previously wrote about the doc out of Toronto here.

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On VOD: BARZAN

Barzan_KeyArtComing to VOD tomorrow, Tuesday, September 2: BARZAN

Bradley Hutchinson and Alex Stonehill’s investigation of a family’s battle with a terrorism accusation had its premiere at Sarasota last year. It went on to Seattle, Woodstock, Warsaw, Heartland, and Tallgrass. It now comes to iTunes, Amazon Prime, Amazon Instant Play, and Vimeo on Demand.

Sam Malkandi, a Kurd who emigrated to Seattle with his family, finds himself caught in a Kafka-esque purgatory of detention without trial after a mention of his childhood nickname, Barzan, links him to al Qaeda. While he denies any involvement with the terrorist organization, offering an unusual but not wholly unbelievable explanation, his case is hopeless when it’s discovered that he falsified information to gain asylum status in the US, and he is eventually deported back to Kurdistan, leaving his wife and children behind. Malkandi is a curious figure, sympathetic but at the same time never fully convincing, a former actor and theatre director whose past willingness to shape his background casts doubt on the testimonials provided by devoted family and friends. This is something the filmmakers perhaps could have teased out a bit more to render this otherwise fairly conventionally approached, interview-driven film with more complexity. Still, they succeed in revealing an intimate portrait of the human cost of the unforgiving War on Terror – something not unique to Malkandi and his family.

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