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About basiltsiokos

Basil Tsiokos is a Senior Programmer for the Sundance Film Festival, focusing on nonfiction features. He was most recently with DOC NYC for nearly a decade, where he served as Director of Programming since 2014, and with the Nantucket Film Festival as its Film Program Director. Prior to those positions, Basil was the longtime Artistic and Executive Director of NewFest. He has been affiliated with Sundance since 2005 as a Programming Associate. Basil serves on the feature nominating committees for the International Documentary Association Awards and Cinema Eye Honors. He has written about documentaries daily since 2010 on what (not) to doc. Basil holds a Masters degree from New York University and two undergraduate degrees from Stanford University.

FID Marseille 2013: Documentary Overview

1368196798fid_marseille-resize-300x210The 24th edition of the International Film Festival-Marseille, commonly known as FID Marseille, begins this Tuesday, July 2 and runs through Monday, July 8. Historically, the event was an exclusively non-fiction festival, but that changed about five years ago when the organizers began to screen fiction work as well, part of a shift in philosophy that aims to break down the differences between the two, champion all film as cinema, and embrace the idea that both forms are equally constructed by filmmakers. This, combined with the festival’s often labyrinthine program notes, sometimes makes it hard to determine what is and is not what most would consider a traditional documentary – clearly part of the festival’s overall point. That said, the following spotlights the new non-fiction (and potentially a few hybrids) that sound most intriguing to me.

joyceanThe International and French Competitions include several world premieres, including: Travis Wilkerson’s LOS ANGELES RED SQUAD: THE COMMUNIST SITUATION IN CALIFORNIA, an exploration of the LAPD’s hunt for communists in the early part of the 20th century; Dora Garcia’s THE JOYCEAN SOCIETY (pictured), about a group of James Joyce amateur scholars; José Luis Torres Leiva’s TO SEE AND TO HEAR, following blind and deaf people as they teach one another how to communicate; and Pierre Creton’s SUR LA VOIE, an observational road movie following two men on separate, but intersecting, paths. Among doc competition entries having their international premieres are Gerardo Naumann and Nele Wohlatz’s RICARDO BÄR, a portrait of an Argentinian village constructed as a film within a film; and João Vladimiro’s LACRAU, an experimental, observational movement away from the city.

uiqOutside of its competitions, FID Marseille’s Parallel Screens offers five sections – this year very loosely inspired by Pasolini’s oeuvre, which is presented in a large retrospective here. Among the newer work are: Pilar Arcila’s COSTEL’S PENDULUM, a portrait of Europe through the experiences of a Romanian Roma and his family; Gereon Wetzel’s CASA PARA TODOS, a meditation on what’s been wrought from Spain’s disastrous real estate speculation; Graeme Thomson and Silvia Maglioni’s IN SEARCH OF UIQ (pictured), an essay on Félix Guattari’s unfilmed sci-fi project; and Salomé Lamas’ NO MAN’S LAND, a character study of a Portuguese mercenary.

fortressThe festival also holds a number of Special Screenings, including partnerships with various organizations and associations. Among these is a series of selections in collaboration with DocAlliance: André Gil Mata’s CAPTIVE, exploring the relationship between a woman and the home she occupied for all of her 91 years; Axel Salvatori-Sinz’s THE SHEBABS OF THE YARMOUK, about the close-knit friends who grew up in a Syrian Palestinian refugee camp; and Klára Tasovská and Lukás Kokes’ FORTRESS (pictured), on the unrecognized sovereign state of Transnistria.

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Special Screening: WILLIAM AND THE WINDMILL

windmillComing to NYC’s Rooftop Films this Tuesday, July 2: WILLIAM AND THE WINDMILL

Ben Nabors’ portrait of a young Malawian man whose life changes after he builds a windmill debuted at SXSW earlier this year, picking up the grand jury prize. It has since gone on to Hot Docs, SF DocFest, Sydney, BAMcinemaFest, and the upcoming Jerusalem Film Festival.

I previously wrote about the doc out of SXSW here.

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On TV & Online: NIÑOS DE LA MEMORIA

ninos de la memoriaComing to WORLD Channel’s Global Voices series this Sunday, June 30: NIÑOS DE LA MEMORIA

María Teresa Rodríguez’s search for El Salvador’s disappeared children made its debut at Ambulante last year. It has screened at numerous universities, as well as at festivals like DOXA, San Diego Latino, Cine+Mas SF, Punta del Este, and Uruguay’s International Festival of Cinema and Human Rights. After its broadcast, the doc will be available for a limited time on WORLD’s website.

The twelve-year Salvadoran Civil War between the military government and leftist guerrillas saw systematic slaughtering of civilians, as well as the seizure of surviving children by soldiers. While some were taken in by military families, others lost their identities in orphanages or through irregular international adoptions during the chaotic time. These disappeared and unaccounted for children of the 1980s, now three decades removed from their biological families, are the focus of Rodríguez’s often moving film, which follows three individuals affected by the conflict: Margarita, a human rights investigator who uses survivor testimony and DNA sampling to try to locate and identify the missing, including her own siblings; Salvador, an older farmer whose family was brutally murdered, save for one lost daughter; and Jamie, who was adopted by an unsuspecting Jewish American family, but hopes to find some connection to lost relatives during her first return trip to El Salvador. There are sadly no miraculous reunions on display here, underscoring the ongoing challenges these subjects, and thousands more, face in reconciling the damage done to their society. A change of political leadership, however, offers some hope that, even thirty years later, progress – and justice – may still be possible.

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On TV: SPECIAL FLIGHT

SpecialFlight1Coming to PBS’s POV this Monday, July 1: SPECIAL FLIGHT

Fernand Melgar’s observational look at Switzerland’s deportation system debuted at Locarno in 2011, where it picked up two awards. Its extensive festival run has included DOK Lepizig, Mumbai, Doclisboa, Doha Tribeca, RIDM, Docpoint, One World, Thessaloniki Doc, Full Frame, BAFICI, Silverdocs, and Dokufest Kosovo.

I previously wrote about the doc out of Silverdocs here.

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In Theatres: THE SECRET DISCO REVOLUTION

secret disco_01Coming to theatres tomorrow, Friday, June 28: THE SECRET DISCO REVOLUTION

Jamie Kastner’s whimsical exposé of the subversive core of ’70s music culture had its world premiere at Toronto last year. It went on to screen at Rotterdam, London, Stockholm, Newport Beach, and Frameline, among other fests.

I included the doc in my Toronto roundup here.

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Karlovy Vary 2013: Documentary Overview

kvmffNearing in on its half-century, Karlovy Vary, set in a beautiful Bohemian spa town in the Czech Republic, launches its 48th edition festival this Friday. The event is among the highest ranked competitive festivals by FIAPF, the International Federation of Film Producers Associations – colloquially referred to as an “A”-list festival – in the ranks of Cannes, Berlin, Venice, and Locarno, among other European powerhouses. Its geographic location allows it to serve as a bridge between Western and Eastern Europe cinema, while its position on the calendar allows it to launch new films outside of the shadow of Cannes and before the busy late Summer/early Fall festivals. Its setting and the weather also serve as a great excuse for a party, as thousands of university students annually backpack to the event to watch some films and drink until the wee hours of the night. With upwards of 180 features in the lineup, it’s easy to see how the event takes over the town, drawing not only students, but a large industry presence as well. While I won’t be attending, the following highlights some of the nearly 40 nonfiction or hybrids that will be screening this year: Continue reading →

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On Cable: THE OUT LIST

out listComing to HBO tomorrow, Thursday, June 27: THE OUT LIST

Timothy Greenfield-Sanders’ cross-section of LGBT life in the US has held sneak previews in New York, Salt Lake City, Miami, Philadelphia, and San Francisco, but makes its official national debut via HBO.

Continuing the set up of Greenfield-Sanders’ previous popular projects, THE BLACK LIST and THE LATINO LIST, which have gone on to spawn sequels, his latest project is effective in its simplicity: beautifully photographed interview subjects, representing both celebrities and everyday folks, directly address the camera about some facet of their lives as it intersects with the LGBT experience. Lady Bunny talks about the freedom of drag, Jake Shears embraces a sense of being an outsider, Larry Kramer reflects on the power of channeled anger in AIDS activism, and Ellen, Neil Patrick Harris, and Cynthia Nixon each address the impact of coming out on their careers. While these more familiar faces help make the project more viable, the non-celebrity participants offer often poignant examples about how their own visibility has helped validate other LGBT people – such as writer Janet Mock inspiring other trans women, sheriff Lupe Valdez being elected in traditionally conservative Republican Dallas, or Afghani-American teacher Wazina Zondon providing a role model for her students. Not surprisingly, and timed to be released the week of the Supreme Court’s decision, many of the interview subjects reference marriage equality, from Dustin Lance Black’s emotional response to the passage of Prop 8, to Suze Orman’s frustration at unfair estate taxes on same-sex surviving spouses, to Christine Quinn’s no-nonsense insistence on the importance of the word “marriage.” By the nature of the project’s survey approach, this can’t go into great depth on any one topic, and can’t hope to be representative of the entire spectrum of the LGBT community, but as a present-day overview of its leading concerns, and a celebration of identity, it serves its purpose well.

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In Theatres & On Cable: GIDEON’S ARMY

gideon's armyComing to NYC’s Quad Cinema this Friday, June 28 and to HBO as part of its annual Docs Summer Series next Monday, July 1: GIDEON’S ARMY

Dawn Porter’s portrait of the struggles of Southern public defenders had its world premiere in competition at Sundance at the beginning of the year, where it picked up the Documentary Editing Award. Since then, the film has screened at Miami, Full Frame, Ashland, Little Rock, AFI Docs, and at various legal conferences.

My pre-Sundance profile of the doc may be found here.

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On VOD: MARRIED AND COUNTING

marriedandcounting3_0Coming to VOD today, Tuesday, June 25: MARRIED AND COUNTING

Allan Piper’s chronicle of the efforts of a gay couple to be married in every state where it’s legal debuted at the FLICKERS: Rhode Island International Film Festival last summer, where it picked up two awards. Other stops on the festival circuit included doc fests like San Francisco and ArcLight, LGBT fests like Seattle, ImageOut, Austin, Out on Film, and Tampa, as well as the upcoming Woods Hole. Just as the nation waits to hear the Supreme Court’s decision on the Prop 8 case, FilmBuff releases the film on iTunes, Amazon Instant Video, Movies on Demand, PlayStation, Nook, Google Play, VUDU, CinemaNow, and XBOX.

Texans Pat and Stephen met in college in the mid-1980s, immediately fell in love, and have been together ever since. When Piper’s film begins in late 2010, the long time New York City residents are unable to be legally married in New York state – proposed marriage equality legislation failing before – so the couple does the next best thing: they make plans to wed in every state where gay marriage is legal. While they explain more than once that they’re doing this to protect themselves as much as possible under current laws, it’s clearly more of a symbolic gesture of protest and of their love for one another. The former because their various marriage ceremonies don’t confer any federal rights, nor are they recognized internationally or in other states, and they want to remind viewers of this; the latter because they are genuinely a sweet couple who want to share their special day(s) with friends around the country. Along the way, the stresses of planning multiple consecutive weddings wears on them at moments – not only because they seem to be habitually late to appointments, but also, more poignantly, as they both address long-simmering issues around family acceptance. Narrated intermittently by George Takei, Piper’s workmanlike film is as successful as it is because of Stephen and Pat, and would have benefited from less of the fairly repetitive weddings and more of their personalities and daily lives. Late in the film, after they celebrate their “last” ceremony, New York’s passing of marriage equality provides an opportunity for a hometown wedding in Coney Island among friends – but one hopes that they’ll have at least one remaining, definitive, federally-recognized ceremony to plan soon.

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In Theatres: HOW TO MAKE MONEY SELLING DRUGS

howtodrugs_01-620x312Coming to theatres tomorrow, Wednesday, June 26: HOW TO MAKE MONEY SELLING DRUGS

Matthew Cooke’s subversive look at the lucrative world of drugs debuted at Toronto last year. Its festival circuit also included Tribeca, Tromso, and Newport Beach, among others. Already available on VOD, it opens at the IFC Center and expands to additional theatres this weekend.

I previously wrote about the doc out of Toronto here.

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