Author Archives: basiltsiokos

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About basiltsiokos

Basil Tsiokos is a Senior Programmer for the Sundance Film Festival, focusing on nonfiction features. He was most recently with DOC NYC for nearly a decade, where he served as Director of Programming since 2014, and with the Nantucket Film Festival as its Film Program Director. Prior to those positions, Basil was the longtime Artistic and Executive Director of NewFest. He has been affiliated with Sundance since 2005 as a Programming Associate. Basil serves on the feature nominating committees for the International Documentary Association Awards and Cinema Eye Honors. He has written about documentaries daily since 2010 on what (not) to doc. Basil holds a Masters degree from New York University and two undergraduate degrees from Stanford University.

On VOD: SUSHI: THE GLOBAL CATCH

Mamoru-Sugiyama-in-Sushi-The-Global-Catch_gallery_primaryComing to VOD today, Tuesday, April 16: SUSHI: THE GLOBAL CATCH

Mark Hall’s exploration of the impact of the global appetite for sushi made its world premiere at Seattle in 2011, where it won a special jury prize. The film scored additional wins at the Hawaii Ocean Film Festival and the San Francisco Green Film Festival, in addition to screening at IDFA, Vancouver, Planete Doc, Biografa, and Tallgrass, among others. FilmBuff now makes the doc available on iTunes, Amazon, Movies on Demand, PlayStation, XBOX, Vudu, and CinemaNow.

Recognizing that sushi has long ago moved from its original home in Japan to become a worldwide cuisine of choice, the film details some of the consequences of its expansive appeal. Culturally, when it traditionally took long years of apprenticeship to become a sushi master, the demand has led to shortcuts and surprising regional-driven variations on the food. Economically and environmentally, the situation is decidedly more troubling, as Hall demonstrates with a particular focus on bluefin tuna. With the growth of sushi consumption in new markets – China in particular is singled out, but Russia and Brazil aren’t far behind – there’s a significant threat to even the short term sustainability of this species of tuna, not to mention other sealife that lives with it in a delicate ecological balance. While the film perhaps aims to be too comprehensive and suffers by spreading its net too wide, it brings up thoughtful points about sustainable production and responsible consumption, profiling different initiatives and their advocates, while simultaneously presenting viewers with engaging history about the cuisine.

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Special Screening & On Cable: WHICH WAY IS THE FRONT LINE FROM HERE?

which way is the front line from hereComing to NYC’s Stranger Than Fiction next Tuesday, April 23 and to HBO this Thursday, April 18: WHICH WAY IS THE FRONT LINE FROM HERE? THE LIFE AND TIME OF TIM HETHERINGTON

Sebastian Junger’s film about his late RESTREPO collaborator debuted at Sundance earlier this year. It’s gone on to screen at True/False, Miami, Cleveland, and Full Frame, among others, and had a limited theatrical run beginning last week.

I wrote about the doc before Sundance here.

Note: The STF screening will include a Q&A with Junger and Alan Huffman, the author of HERE I AM: THE STORY OF TIM HETHERINGTON, WAR PHOTOGRAPHER.

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Indiewire @ Hulu Docs: Run Like A Girl

My latest curated selections for Hulu’s Documentaries page tie into Tribeca, kicking off tomorrow, and ESPN’s upcoming NINE FOR IX women in sports focused doc series. Four of the films from the new initiative are premiering as part of the Tribeca/ESPN Sports Film Festival sidebar. My selections celebrate earlier women in sports docs – watch them now for free!

For more information about the selections, see my Indiewire article.

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On VOD: DRESSED

dressed2Coming to VOD tomorrow, Tuesday, April 16: DRESSED

David Swajeski’s profile of an aspiring fashion designer made its world premiere at the 2009 Big Apple Film Festival. It went on to screen at additional fests, including Cleveland, Columbus, and Sonoma, and to a limited theatrical release. FilmBuff now makes the doc available on iTunes, Amazon, Movies on Demand, PlayStation, XBOX, Vudu, and CinemaNow.

The doc focuses on a young Laotian-American designer, Nary Manivong, as he attempts to put together a collection for New York Fashion Week. After years of sacrifice, including crashing at a friend’s apartment and converting it into his daytime studio/office while she’s at work, he’s managed to save a fraction of what most designers need to show their work, but he’s proceeding with his plan, hoping it will let him launch his brand and finally make it. As Swajeski follows Manivong through accumulating trials and tribulations as the clock counts down to Fashion Week – from his booked space cancelling on him to costs unexpectedly skyrocketing – an impressive assemblage of fashion insiders opine about just how difficult their industry is. Pulling no punches, the likes of Fern Mallis, Lynn Yaeger, Simon Doonan, and Nanette Lepore provide just the right level of reality check to Manivong’s hopeful, if at times defeated, character. Swajeski chose well with Manivong, an appealing dreamer with a very difficult (though often overemphasized) past involving parental abandonment and homelessness, who engenders sympathy and cheerleading from the viewer. Where the film goes wrong is in its hyperkinetic editing and unnecessary camera tricks, switching haphazardly from B&W to color and back for no discernible reason. Still, as an antidote to the unrealistic dreams encouraged by guilty pleasure TV shows like PROJECT RUNWAY or FASHION STAR, the film as a whole is worthwhile viewing.

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In Theatres: DECEPTIVE PRACTICE

deceptive RickyJay1Coming to NYC’s Film Forum this Wednesday, April 17: DECEPTIVE PRACTICE: THE MYSTERIES AND MENTORS OF RICKY JAY

Molly Bernstein and Alan Edelstein’s ode to the magicians made its premiere at the New York Film Festival last Fall. It will screen at the upcoming San Francisco International Film Festival and expand its theatrical run to other cities next month and into June.

I wrote about the doc out of the NYFF here.

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On TV: THE CENTRAL PARK FIVE

central park 5Coming to PBS tomorrow Tuesday, April 16: THE CENTRAL PARK FIVE

Sarah Burns, David McMahon, and Ken Burns’ examination of the Central Park jogger case made its debut at Cannes last year. It went on to screen at Telluride, Toronto, and DOC NYC, and had a theatrical and VOD release.

I included the doc in my Toronto roundup here.

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In the Works: KIVALINA PEOPLE

With the transformative threat of industry and climate change on their horizon, an Arctic island people try to maintain their traditional way of life.

kivalinaSituated more than a hundred miles above the Arctic Circle, Alaska’s Kivalina is home to 386 people, Inupiat natives who have lived on the barrier island for generations. Bearing the brunt of climate change, the island is vanishing, losing ground to sea wave erosion, and forcing its people to plan a costly relocation. Simultaneously, and contributory to these radical changes, as claimed in the island’s lawsuit against ExxonMobil and other industrial interests, is the exploitation of their surrounding natural resources and the pollution that has resulted. Against this backdrop, and over the course of five years, director Gina Abatemarco has documented the people caught in the middle. Taking an intimate, observational approach, the film seeks to reveal the everyday lives of the Kivalina people as they contend with these extraordinary developments that threaten their very future – a harbinger of a similar fate facing other populations around the world. Continue reading →

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In Theatres: THE REVOLUTIONARY

revolutionaryComing to NYC’s Quad Cinema this Friday, April 12: THE REVOLUTIONARY

Irv Drasnin, Lucy Ostrander, and Don Sellars’ profile of the life of a formerly imprisoned American member of the Chinese Communist Party made its world premiere at Seattle last year. Its fest circuit has included Hot Springs, Heartland, Cucalorus, and Sedona, among others.

Sidney Rittenberg, now in his 90s, offers a first-hand perspective on Mao’s Cultural Revolution. Once a member of the US Communist Party, he later joined the US Army during WWII and learned Chinese. Falling in love with the language, he opted to stay in the country after the war to serve with the UN while China was experiencing the civil war which would soon see Mao Zedong’s Communist Party come into power. Seeing an opportunity to serve as a bridge between the two nations, Rittenberg joined Mao’s party, working closely with the leader as a translator as well as with Radio Beijing. Despite his dedication, as a foreigner he was viewed with suspicion, resulting in imprisonment twice on espionage charges – once for six years before the Cultural Revolution, and then again for nearly a decade after. The filmmakers have incredible access to a wholly fascinating subject, which makes up for the workmanlike, overnarrated History Channel style approach taken here. Luckily, Rittenberg’s unique recollections and insight about China, and his own complex beliefs and motivations, more than carry the film, and should prove engaging to viewers.

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On VOD: PORTRAIT OF WALLY

Now on VOD: PORTRAIT OF WALLY

Andrew Shea’s engaging look at the international controversy over a stolen Egon Schiele painting had its world premiere at Tribeca last year. It went on to screen at Silverdocs, DocAviv, Philadelphia, Melbourne, Vancouver, and the United Nations Association Film Festival, among others, and to have a limited theatrical release. It came to iTunes and cable VOD earlier this week, and will expand to additional digital platforms over the next couple of months.

I previously wrote about the doc out of Tribeca here.

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On TV: WONDER WOMEN!

history wonder womanComing to PBS’s Independent Lens this coming Monday, April 15: WONDER WOMEN! THE UNTOLD STORY OF AMERICAN SUPERHEROINES

Kristy Guevara-Flanagan’s look at the archetypal Amazon and other powerful heroines made its debut at SXSW last year. Since then, it has screened extensively, with stops at ActionFest, Seattle, Revelation, Geek Girl, New Orleans, Mill Valley, Hot Springs, RIDM, DOC NYC, Big Sky, and Portland Women’s Film Festival, among others.

I included the doc in my SXSW coverage here.

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