Author Archives: basiltsiokos

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About basiltsiokos

Basil Tsiokos is a Senior Programmer for the Sundance Film Festival, focusing on nonfiction features. He was most recently with DOC NYC for nearly a decade, where he served as Director of Programming since 2014, and with the Nantucket Film Festival as its Film Program Director. Prior to those positions, Basil was the longtime Artistic and Executive Director of NewFest. He has been affiliated with Sundance since 2005 as a Programming Associate. Basil serves on the feature nominating committees for the International Documentary Association Awards and Cinema Eye Honors. He has written about documentaries daily since 2010 on what (not) to doc. Basil holds a Masters degree from New York University and two undergraduate degrees from Stanford University.

In Theatres: THIS AIN’T CALIFORNIA

this ain't californiaComing to NYC’s Maysles Cinema for a one-week run beginning this Friday, April 12: THIS AIN’T CALIFORNIA

Marten Persiel’s look back at skateboarding in 1980s East Germany made its world premiere at last year’s Berlinale, where it picked up a jury award. It went on to screen at Karlovy Vary, Warsaw, CPH:DOX, Tempo, and Rooftop Films, among others.

Seamlessly blending non-fiction and fiction, Persiel’s film revels in the subversive freedom a group of GDR teens found in skateboarding, and the close-knit, family-like community they helped found around the underground sport in the repressive Eastern Bloc nation. Structured as a memorial to the wild boy “Panik” (by some accounts a composite character based on real skaters who were part of the group), the film gathers a number of former skaters more than twenty years after the fall of the Berlin Wall, as they reflect on their turbulent youth. Utilizing Super-8mm footage (some re-created, other contemporary), Persiel wonderfully translates the gleeful joy in the stories his subjects share of resisting authority and attempting to adopt the trappings of Western popular culture within their tightly constrained, Soviet-controlled bubble – a form of political defiance despite their surface apoliticism. Though the film has come under fire for not explicitly announcing its hybridized form – and perhaps it does take too many liberties with the audience in this regard – it remains an eloquent, ridiculously enjoyable depiction of a singular time and place, and to the power of subcultures to unite individuals and leave an indelible impression on their life experiences.

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Tribeca 2013: Documentary Overview

Tribeca_Film_Festival_AboutThe twelfth annual Tribeca Film Festival begins in one week, running Wednesday, April 17 through Sunday, April 28. This is the second year of programming overseen by Tribeca’s Chief Creative Officer Geoff Gilmore, VP of Programming Genna Terranova, and Artistic Director Frederic Boyer, and they’ve pulled together a promising slate. Out of more than 6000 submissions, 89 features will screen, including 45 documentaries which appear in the festival’s various sections. As has been typical for Tribeca for several years, the nonfiction programming is strong. Going section-by-section below, I’ll highlight several selections that I can recommend from advance viewing and others that I’m looking forward to seeing during the course of the event: Continue reading →

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In Theatres: WHICH WAY IS THE FRONT LINE FROM HERE?

which way is the front line from hereComing to NYC’s Quad Cinema and to Los Angeles’ Noho 7 this Friday, April 12: WHICH WAY IS THE FRONT LINE FROM HERE? THE LIFE AND TIME OF TIM HETHERINGTON

Sebastian Junger’s affecting tribute to his fallen comrade had its world premiere at Sundance this past January. Since then, it has screened at True/False, Miami, Cleveland, and Full Frame, among others. The film’s limited theatrical release comes just before its HBO premiere next week.

My pre-Sundance profile of the doc may be found here.

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On DVD: LOVE FREE OR DIE

Coming to DVD today, Tuesday, April 9: LOVE FREE OR DIE

Macky Alston picked up a special jury prize upon the debut of his portrait of gay bishop Gene Robinson at Sundance last year. The doc has had an extensive fest circuit, with stops at Cleveland, Full Frame, Seattle, New Orleans, IFF Boston, Frameline, Outfest, and NewFest, among others, while also screening at a number of churches and community centers.

I wrote about the film before Sundance here.

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On VOD: ONLY THE YOUNG

Coming to VOD today, April 9: ONLY THE YOUNG

Elizabeth Mims and Jason Tippet’s refreshing portrait of adolescence made its premiere at True/False last year. It went on to screen at San Francisco, Hot Docs, and Silverdocs, where it picked up an award. It enjoyed a limited theatrical release this past Winter, and now comes to iTunes, Amazon, XBOX, Vudu, Google Play, cable on demand, and direct digital download from Oscilloscope.

I included the film in my Hot Docs coverage here.

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Documentary Edge 2013 Overview

documentaryedgeinternationalfilmfestival442Starting tomorrow, Wednesday, April 10, in Auckland, New Zealand, and running through Sunday, April 21 (before moving on to Wellington between May 8-19), the Documentary Edge holds its ninth edition. The event, originally known as DOCNZ before a rebranding to emphasize its aim to showcase cutting edge fare, annually presents scores of acclaimed international docs as well as homegrown work in a series of thematic programs. More than sixty features and shorts screen this year, bookended by opening and closing night films, THE ISLAND PRESIDENT and MUSCLE SHOALS, respectively. Continue reading →

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Buenos Aires 2013: Documentary Overview

bafici logoCelebrating its fifteenth anniversary, the Buenos Aires Festival Internacional de Cine Independiente, or BAFICI, begins this Wednesday, April 10 and runs through Sunday, April 21. The event is among the largest in South America, drawing over 350,000 to its film screenings and other events. Of the more than 400 features and shorts in its lineup, more than a quarter are feature documentaries, appearing throughout the various sections of the festival. While I’ve sadly never had the opportunity to attend, I’m impressed by the range of selections and especially by the commitment the organizer have shown to champion their national cinema. If I were heading to Argentina, the following films, broken down section-by-section, are ones that I’d seek out: Continue reading →

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On DVD: THE LAST FLIGHT OF PETR GINZ

Petr-Ginz-05Coming to DVD tomorrow, Tuesday, April 9: THE LAST FLIGHT OF PETR GINZ

Sandra Dickson and Churchill Roberts’ creative recounting of one boy’s experience of the Holocaust has screened at a number of Jewish film festivals over the past year, including Atlanta, Toronto, Zagreb, Cleveland, Hong Kong, Warsaw, UK, Washington, Houston, and Miami. The film has also screened at the Czech Republic’s Zlin children’s fest, and picked up a special award at last year’s Jerusalem International Film Festival.

Dickson and Roberts’ film tells the story of a young Polish Holocaust victim through his surviving diaries and imaginative drawings and stories, produced while he was held at the Terezin concentration camp before his murder at Auschwitz at the age of sixteen. His journals, and his sister’s narration, relate the harsh reality of life in Poland under the Nazi occupation, but it is in Ginz’s fictional writing and artwork that he let his imagination free him from his bonds. Inspired by Jules Verne and other science fiction writers, the young man wrote numerous novels, including a thinly-veiled indictment of the Nazis in the form of mechanical monsters trying to enslave the world, and, most remarkably, a secret underground literary journal co-produced with fellow camp prisoners. His experiences structure this film, with animated segments in different styles reflecting both his real-life and fictional flights of fancy. While some of the storytelling and journal recital sequences overstay their welcome, the filmmakers have made a concerted effort to produce a very different kind of Holocaust narrative – one that celebrates life, creativity, and defiance even in the direst of circumstances – and in that they have decidedly succeeded.

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On VOD: LA SOURCE

Coming to VOD tomorrow, Tuesday, April 9: LA SOURCE

Patrick Shen’s profile of the efforts to bring clean water to a Haitian village made its world premiere at Silverdocs last year. It went on to screen at DocuWeeks, DocuWest, Big Sky, Palm Springs, and the Arclight Doc fest, where it picked up an award. It comes to VOD on iTunes, Amazon, Vudu, YouTube, CinemaNow, and other platforms.

I previously wrote about the film here.

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In Theatres: NO PLACE ON EARTH

no place onearth_01Coming to theatres today, Friday, April 5: NO PLACE ON EARTH

Janet Tobias’ exploration of how Ukrainian Jews survived WWII by hiding in caves premiered at Toronto last year. Its fest circuit has included the Hamptons, IDFA, Martha’s Vineyard, and Miami, among others.

I included the doc in my Toronto roundup here.

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