Category Archives: Documentary

Coming to virtual cinemas today, Friday, April 30:
DOPE IS DEATH

Director:
Mia Donovan

World Premiere:
True/False 2020

Select Festivals:
DOC NYC, IDFA, Hot Docs, Denver

About:
The story of a pioneering acupuncture detoxification program led by the Black Panthers and the young Lords in 1970s South Bronx.

I previously wrote about the doc here.

Coming to theatres and to virtual cinemas tomorrow, Friday, April 30:
DUTY FREE

Director:
Sian-Pierre Regis

World Premiere:
DOC NYC 2020

Select Festivals:
Big Sky, Miami, ACT Human Rights

About:
As his recently laid off mother struggles to find a new job at the age of 75, the filmmaker celebrates her lifetime of self-sacrifice.

The film screened as part of DOC NYC, for which our program notes read:
After stints as a contributor to CNN and MTV, Sian-Pierre Regis makes his directing debut with this poignant story about his immigrant mother, Rebecca Danigelis. At the age of 75, she’s fired from her lifelong job as a hotel housekeeper. She has scant savings after supporting two sons as a single mother. As his mother struggles to find a new job and faces ageism, Sian-Pierre cares for Rebecca by giving her an unforgettable adventure. Their story was covered in The New York Times article, “My Retirement Plan Is You,” and resonates for a whole generation of adults grappling with how to care for their parents.

Coming to DVD tomorrow, Tuesday, April 27:
OTTOLENGHI AND THE CAKES OF VERSAILLES

Director:
Laura Gabbert

World Premiere:
Tribeca 2020 (unscreened)

Select Festivals:
Hot Docs, Sedona, Hot Springs Doc, Florida

About:
Renowned chef Yotam Ottolenghi assembles a confectionary tribute to Versailles for the Metropolitan Museum of Art.

I previously wrote about the doc here.

Coming to virtual release today, Friday, April 23:
SISTERS WITH TRANSISTORS

Director:
Lisa Rovner

World Premiere:
CPH:DOX 2020

Select Festivals:
SXSW, Sheffield, AFI Fest, Punto de Vista, Dublin Feminist, Tampere, Jihlava

About:
An exploration of the pioneering influence of women on electronic music.

Faced with a lack of opportunities and often blatant sexism in the music field, many female composers turned to the non-mainstream world of electronic music to carve out their own niche. Even so, few of these pioneers have been given their due, and none is particularly well known, not even within the niche. Lisa Rovner aims to change that with this project, which functions mostly as a primer on the topic rather than an in-depth study. She puts the spotlight on several women to explore the history and development of electronic music through a distinctly female-focused lens. Though limited in its scope – its subjects are all white women, primarily American, and some receive more space than others – the film proves an informative corrective. Pointing out blind spots and intentional omissions in how the story of music has traditionally been told, Rovner’s doc should inspire curious viewers to seek out the wider story.

Coming to theatres tomorrow, Friday, April 23:
TINY TIM: KING FOR A DAY

Director:
Johan Von Sydow

World Premiere:
Fantasia 2020

Select Festivals:
DOC NYC, Florida, USA Film Festival, Calgary Underground

About:
A portrait of the eccentric performer.

I previously wrote about the film for DOC NYC’s program, saying:
For a brief but wondrous time in the late 1960s, Tiny Tim was, improbably, a household name. Generating attention for his distinctive falsetto vocal stylings and unusual appearance, the performer began appearing on various television programs, culminating in his wedding on The Tonight Show, which was watched by more than 40 million people. For Tiny Tim, born Herbert Khaury, it was the fulfillment of a lifetime’s dream to find love and acceptance, but his fame would prove heartbreakingly fleeting.  

Coming to virtual cinemas tomorrow, Friday, April 23:
PARIS CALLIGRAMMES

Director:
Ulrike Ottinger

World Premiere:
Berlin 2020

Select Festivals:
DOC NYC, IDFA, Marseille, Melbourne, Vancouver, Brisbane

About:
German auteur Ulrike Ottinger constructs a memoir tracing the influence of the time she spent living in Paris in the 1960s.

The film screened as part of DOC NYC, for which our program notes read:
An epic self-portrait of Ulrike Ottinger, one of Germany’s most prominent contemporary avant-garde artists, known for her paintings, photographs, and, above all, her films. An impressive and extensive archive of sensorial memories, historical photographs, and documentary footage traces the early influences of Ottinger’s life in Paris in the 1960s. This was a time marked by her integration into the rich intellectual and cultural circles of the city, but also engagement in the political and social eruptions around the Algerian War and May 1968. These varied dimensions of her experience make this film an essential historical time capsule, beautifully interwoven with the most precious of memories and images.