Category Archives: Documentary

Special Screenings: LOS SURES

los-sures_5-08_1983Coming to the Bronx Documentary Center tonight, Thursday, February 16, and this Saturday and Sunday, February 18-19:
LOS SURES

Director:
Diego Echeverria

Premiere:
New York Film Festival 1984

Select Festivals:
New York Film Festival 2014

About:
A portrait of South Williamsburg, Brooklyn’s Latino community in the early 1980s.

Filmed over a month in the Summer of 1983, Echeverria’s hourlong doc captures the financially disadvantaged but vibrant community that called the Southside home decades before gentrification recast it as the hub of New York City’s hipsters. While the film opens with some brief narration, this quickly gives way to observational and interview footage of five residents, presented in discrete chapters. Though these subjects relate the challenges of living in poverty, they seem chosen for their resilience, turning to legal – and for some extra-legal – means to try to make ends meet. What comes through clearly is a sense of a close-knit community in which neighbors help relocate families displaced by apartment fires, but which is beginning to feel the deleterious impact of the drug epidemic. While modest, Echeverria’s film is an affecting snapshot of a bygone time.

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On VOD: SONITA

sonitaOn VOD this week:
SONITA

Director:
Rokhsareh Ghaem Maghami

Premiere:
IDFA 2015

Select Festivals:
Sundance, Nantucket, Cleveland, True/False, Montclair, Sydney, AFI Docs, Human Rights Watch

About:
An Afghani teenager dreams of success in hip-hop.

I profiled the doc before Sundance here.

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Big Sky Documentary Film Festival 2017 Overview

xbig-sky-documentary-film-jpg-pagespeed-ic-cith8jgu_gThe 14th Big Sky Documentary Film Festival begins tomorrow, Friday, February 17, and runs through Sunday, February 26. Nerly 60 new and recent feature documentaries will screen, in addition to an extensive selection of retrospective programming celebrating the work of Daniel Junge and EyeSteelFilm. Films are presented in more than a dozen thematic strands, some of which noted below. Continue reading

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On VOD: FIRE AT SEA

fire at seaOn VOD this week:
FIRE AT SEA

Director:
Gianfranco Rosi

Premiere:
Berlin 2016

Select Festivals:
DOC NYC, Toronto, Telluride, New York, DocAviv, Sydney, Melbourne, It’s All True, Moscow, Karlovy Vary, New Zealand, Reykjavik

Notable Recognition:
The doc has been nominated for the Academy Awards.

About:
An intimate portrait of Lampedusa, an island at the heart of Europe’s migration crisis.

I previously wrote about the doc here.

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On VOD: MARINONI: THE FIRE IN THE FRAME

marinoniComing to VOD via iTunes today, Tuesday, February 14:
MARINONI: THE FIRE IN THE FRAME

Director:
Tony Girardin

Premiere:
Hot Docs 2014

Select Festivals:
Global Visions

About:
A portrait of a curmudgeonly racing bike manufacturer.

I previously wrote about the doc here.

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Documentary Fortnight 2017 Overview

moma-logoTomorrow, Thursday, February 16, kicks off the 16th edition of Documentary Fortnight, MoMA’s annual showcase of nonfiction, with Rahul Jain’s Sundance award-winner MACHINES, an observational portrait of Indian factory workers. More than a dozen other recent features will screen before the event wraps on Sunday, February 26, in addition to retrospective work and shorts.

moma_repellant-fence-2Among the world premieres are Lynne Sachs’ TIP OF MY TONGUE, which gathers a group of friends to reflect on the past fifty years; Lee Breuer’s THE BOOK OF CLARENCE, on one of the founders of the music group The Blind Boys of Alabama; Abigail Child’s ACTS & INTERMISSIONS, an experimental portrait of Emma Goldman; and Sam Wainwright Douglas’s THROUGH THE REPELLENT FENCE: A LAND ART FILM (pictured), about an art installation on the US/Mexico border.

moma_ulysses_burstManuel Abramovich’s SOLAR, about the complicated story behind a messianic Argentine bestseller; and Paul Kaiser, Marc Downie, Ken Jacobs, and Flo Jacobs’ ULYSSES IN THE SUBWAY (pictured), which transforms the sounds of a NYC subway ride into a 3D rendering, both make their North American debuts. NYC premieres include Shahrbanoo Sadat’s hybrid WOLF AND SHEEP, on an Afghan shepherd community; and Jiu-liang Wang’s Sundance alum PLASTIC CHINA, a look at lives intersecting in a Chinese recycling factory.

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On DVD: THE BAD KIDS

bad kidsComing to DVD today, Tuesday, February 14:
THE BAD KIDS

Directors:
Keith Fulton and Lou Pepe

Premiere:
Sundance 2016

Select Festivals:
True/False, Cleveland, Full Frame, Dallas, Visions du Réel, Hot Docs, DocAviv, and Atlantic

About:
A coming-of-age story set in a high school for at-risk students.

My pre-Sundance profile of the doc may be found here.

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On VOD: NATIONAL BIRD

national birdComing to VOD this Friday, February 17:
NATIONAL BIRD

Director:
Sonia Kennebeck

Premiere:
Berlin 2016

Select Festivals:
Tribeca, San Francisco, Sheffield, Sydney, Melbourne, Camden, Hamburg, Zurich

About:
A profile of several whistleblowers who have spoken out against the US drone program.

I previously wrote about the doc here.

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On TV: A NEW COLOR: THE ART OF BEING EDYTHE BOONE

a-new-color-the-art-of-being-edythe-boone-fbComing to PBS’s America ReFramed tonight, Tuesday, February 14:
A NEW COLOR: THE ART OF BEING EDYTHE BOONE

Director:
Marlene “Mo” Morris

Premiere:
Mill Valley 2015

Select Festivals:
Pan African, Sebastopol Doc, Through Women’s Eyes, Oakland, IFF Boston, SF Jewish, Harlem, Sarasota, San Diego and Nashville Black film festivals

About:
A portrait of an African-American mural artist and activist.

Morris follows Edythe Boone, better known as Edy, over the course of three years, telling the septuagenarian’s story and showcasing her efforts to foster art – and social activism – among diverse communities in the San Francisco Bay Area, her home since relocating her family from Harlem to escape the crack epidemic. As Edy is shown working with children on art projects, she reveals her background, which includes an early upbringing by an Orthodox Jewish family, and contributions to local murals focused on African-American, women, and HIV/AIDS issues, and, to a broader extent, to public art which helps uplift disadvantaged communities. Edy is an appealing, positive subject, but Morris’ storytelling is unfortunately erratic, pingponging between two many themes and too-awkwardly shoehorning a consideration of Black Lives Matters. While Edy’s nephew, Eric Garner, was a victim of excessive police force, the film’s attempt to address this feels too separate from the rest of the project and not sufficiently developed, making it an ill fit for what is otherwise a likeable, if smaller, profile of the inspirational power of art.

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On TV: RUBY RIDGE

ruby ridgeComing to PBS’s American Experience tonight, Tuesday, February 14:
RUBY RIDGE

Director:
Barak Goodman

Premiere:
American Experience (February 2017)

About:
The story of a tragic standoff between US marshals and a separatist family.

A companion piece that grew out of Goodman’s fellow American Experience project, OKLAHOMA CITY, this is a harrowing account of the deadly 192 confrontation between Randy Weaver and government forces that contributed to the motivations for the 1995 Oklahoma City Federal Building bombing. While the subject of media fascination at the time, Ruby Ridge is less remembered today, making this hourlong chronicle a worthwhile primer, particularly given the present tenor of political dissatisfaction. Weaver and his wife Vicki, driven by apocalyptic beliefs and economic hardship, left Iowa to live off the grid and raise their family on a mountaintop in northern Idaho. Seeking some social contact, they began to attend gatherings at a nearby Aryan Nations compound, despite not fully embracing white supremacist beliefs. There, Weaver, seeking some extra cash, agreed to illegally saw off shotguns, leading to an attempt by an ATF agent to turn him into an informant. Refusing, Weaver instead hid out in his home for the better part of a year and a half, refusing to appear in court to deal with his weapons charge – and instigating the standoff that was to follow. Faced with a fugitive from justice, US marshals will called in to arrest Weaver, but the confluence of his remote home, tendency to carry arms, association with the Aryan Nations, and a fear he might harm his wife and children led to grave missteps that ultimately cost lives on both sides of the confrontation – and fomented anti-government sentiment in the process. In addition to other participants, including a US marshall and James “Bo” Gritz, who helped mediate Weaver’s eventual surrender, Goodman most affectingly relates this tragic episode through the perspective of Sara, the Weavers’ eldest child.

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