Category Archives: Documentary

On VOD: OKLAHOMA CITY

oklahoma cityNew to VOD via Amazon this week:
OKLAHOMA CITY

Director:
Barak Goodman

Premiere:
Sundance 2017

About:
A look back at the events which led to the 1995 terrorist bombing of the Oklahoma City Federal Building.

My pre-Sundance profile of the doc may be found here.

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On TV: TOWER

towerComing to PBS’s Independent Lens tomorrow, Tuesday, February 14:
TOWER

Director:
Keith Maitland

Premiere:
SXSW 2016

Select Festivals:
Hot Docs, Seattle, Karlovy Vary, Jerusalem, Melbourne, Fantasia, the Hamptons, BFI London, Sitges, Mill Valley

Notable Recognition:
The doc was shortlisted for the Academy Awards.

About:
An animated re-telling of a sniper’s attack on school campus in 1966.

I previously wrote about the doc here.

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On TV: OMO CHILD: THE RIVER AND THE BUSH

omo-1Coming to PBS’s AfroPoP tonight, Monday, February 13:
OMO CHILD: THE RIVER AND THE BUSH

Director:
John Rowe

Premiere:
Washington DC Independent Film Festival 2015

Select Festivals:
Hot Docs, Cleveland, Sun Valley, Tallgrass, Denver, Palm Beach, BendFilm, United Nations Association

About:
A man takes a stand against an ancient tribal practice.

The Karo (or Kara) people of Ethiopia’s Omo Valley have long held onto a superstitious belief called mingi, which views physical disability, or unusual conditions of birth, as a curse that must be snuffed out lest it somehow infect the rest of the tribe. As a consequence, children born out of wedlock, physically deformed, twins, or whose upper teeth emerge before their lower teeth are put to death or separated from the tribe and left to die by exposure. This heartbreaking practice continued until the interventions of Lale Labuko, a young Karo tribesman who received a formal education outside of the tribe and later returned, offering to adopt mingi children himself and calling on tribal elders to end the tradition. Over several years, Rowe documents Labuko’s mission to change the culture of his people and to rescue the unwanted children. While the film lacks dynamism, adopting a slow-paced, direct-to-camera oral history approach that robs it of urgency, it is well-shot and hopeful, allowing it to connect with audiences.

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Special Screening: THE LOVING STORY

mildred_jeter_and_richard_lovingComing to NYC’s Stranger Than Fiction tomorrow, Tuesday, February 14:
THE LOVING STORY

Director:
Nancy Buirski

Premiere:
Tribeca 2011

Select Festivals:
Full Frame, Silverdocs, Hamptons, Traverse City, United Nations Association

About:
An exploration of the story behind the precedent-setting Loving v Virginia US Supreme Court case

I wrote about the doc out of Tribeca here.

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On TV: ACCIDENTAL COURTESY: DARYL DAVIS, RACE & AMERICA

accidentalComing to PBS’s Independent Lens tonight, Monday, February 13:
ACCIDENTAL COURTESY: DARYL DAVIS, RACE & AMERICA

Director:
Matt Ornstein

Premiere:
SXSW 2016

Select Festivals:
Cleveland, Atlanta, Nashville, Montclair, Bergen

About:
A portrait of an African-American man who befriends KKK members.

I previously wrote about the doc here.

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In Theatres & On TV: EAGLES OF DEATH METAL: NOS AMIS (OUR FRIENDS)

eaglesComing to theatres today, Friday, February 10 and to HBO this coming Monday, February 13:
EAGLES OF DEATH METAL: NOS AMIS (OUR FRIENDS)

Director:
Colin Hanks

Premiere:
Palm Springs 2017

About:
The band returns to Paris just months after the 2015 terrorist attack at their concert which cost 89 people their lives.

Hanks provides an intimate profile of the titular band as they face the aftermath of the November 13, 2015 concert in Paris’ Bataclan theatre, one of several sites that night subject to a coordinated terrorist attack that ultimately resulted in 130 deaths and 368 injuries throughout the city. While the band, and several fans who survived the attack, offer chilling accounts of that evening, the doc wisely refrains from sharing any footage of the massacre and largely avoids speculation about the terrorists or their motivations. Aside from a particularly difficult interview conducted for French television with band frontman Jesse Hughes, there’s a distinctly apolitical stance taken here, and instead the focus falls on the deeply felt relationship between Hiughes and his longtime friend and bandmate Josh Homme. Hanks charts this special, brotherly bond from their childhood through the attack – while the latter’s commitments to other bands, including Queens of the Stone Age, kept him from attending the Bataclan performance, he has been instrumental in helping Hughes process the experience – and details their belief in the healing power of music as they prepare to perform in Paris again at the invitation of U2.

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On VOD: WHERE SOLDIERS COME FROM

where-soldiers-come-from-iComing to VOD via Microsoft today, Friday, February 10:
WHERE SOLDIERS COME FROM

Director:
Heather Courtney

Premiere:
SXSW 2011

Select Festivals:
Los Angeles, BAMcinemaFest, Silverdocs, Traverse City, Full Frame, SF Doc, Philadelphia, Denver, Indie Memphis, Sarasota, Oslo

About:
A portrait of childhood friends as they set out for war in Afghanistan.

I wrote about the film out of SXSW here.

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On TV: 120 DAYS

120 daysComing to the WORLD Channel’s Reel South series this Sunday, February 12:
120 DAYS

Director:
Ted Roach

Premiere:
Austin 2013

Select Festivals:
Atlanta, Cucalorus, RiverRun, Napa Valley, Kansas, St Louis, Charleston, Dances With Films, Boston Latino

About:
An undocumented man has just four months before making a life-altering decision.

When Miguel Cortes’ car is pulled over with no apparent cause by a police officer, the Mexican national had been living a peaceful life in North Carolina for a dozen years with his wife and daughters. Despite his undocumented status, he was employed and paid taxes, but the encounter with the authorities upended his life. He’s given the option of leaving the country voluntarily within 120 days, and thus keeping open the possibility that changes to immigration law might allow him to one day return legally, but to do so would mean becoming separated from his family. If his family joins him, they would face economic uncertainty, with his children additionally foregoing a US education. If Cortes and his family remain in the country, they would have to relocate, assume new identities, and live in constant fear of being discovered as fugitives. Despite some clunkiness in Roach’s approach – including superfluous narration and a level of naivete from Cortes around immigration law that’s a bit hard to believe – the film succeeds in putting a human face on draconian immigration policy as the family faces this dilemma.

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On VOD: VOLTA À TERRA

belonging voltaNew to VOD via Microsoft this week:
VOLTA À TERRA

Director:
João Pedro Plácido

Premiere:
Doclisboa 2014

Select Festivals:
Chicago, Cannes (ACID), Visions du Réel, BFI London, São Paulo, DOK Leipzig, Hot Springs Doc, Camerimage, DocPoint, Festibval dei Popoli, Trento

About:
A year in the life of a small northern Portuguese village.

Uz is a community which has seen better days – at present barely 50 people call it home. Among these is Daniel, a 21-year-old who is gently teased by his fellow farmers and shepherds for his work ethic, but seems to get by alright, happy with a life rooted in traditional ways. What he lacks, however, is a wife, as available women are in short supply for the few bachelors in Uz. Plácido follows Daniel and a few other villagers over the course of four seasons, tending to their fields and livestock, working the land, and planning their annual summer festival – a rare opportunity for mixing with residents of neighboring communities. It’s here that Daniel runs into an old classmate and sees the potential for a romantic future. This well-shot film effectively captures the rhythms of rural life while offering a clear sense of some distinct personalities, resulting in a charming observational study of a place that feels from a different time.

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On VOD: ABSTRACT: THE ART OF DESIGN

abstractComing to Netflix today, Friday, February 10:
ABSTRACT: THE ART OF DESIGN

Director:
Morgan Neville

Premiere:
Sundance 2017

About:
A Netflix docuseries profiling the leading designers of today.

I profiled the series before Sundance here.

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