Category Archives: Film Festivals

2018 DOC NYC in Focus: Metropolis

DECADE OF FIRE

Festival:
DOC NYC

Dates:
November 8-15

Section:
Metropolis, our competition section focused on stories about New York City: Continue reading

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2018 DOC NYC in Focus: Viewfinders

WALKING ON WATER

Festival:
DOC NYC

Dates:
November 8-15

Section:
Viewfinders, our competition section highlighting features which demonstrate distinct directorial vision: Continue reading

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2018 DOC NYC in Focus: Special Events

In just over two weeks, on Thursday, November 8, the ninth edition of DOC NYC, America’s largest documentary festival, begins. As the event’s Director of Programming, I’ve led the film selection, and, as in years past, will briefly spotlight our programming here, section by section.

Section:
Special Events, our tentpole screenings: Continue reading

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NewFest 2018: Documentary Overview

Festival:
The 30th NewFest

Dates:
October 24-30

About:
NYC’s LGBT fest celebrates an anniversary year, presenting 15 docs among its 40+ offerings.

MAKING MONTGOMERY CLIFT

Nonfiction in key slots include closing night selection MAKING MONTGOMERY CLIFT, Robert Clift and Hillary Demmon’s intimate reassessment of the life, career, and legacy of the Hollywood legend; and doc centerpiece DYKES, CAMERA, ACTION!, Caroline Berler’s survey of queer women’s cinema.

I HATE NEW YORK | Photo by Jacob Fuglsang Mikkelsen

Among the fest’s other documentaries are: Gustavo Sánchez’s I HATE NEW YORK, a portrait of three trans artists in NYC’s nightlife scene; Laura Marie Wayne’s LOVE, SCOTT, about the transformation a gay musician goes through after a vicious attack; Tristan Aitchison’s SIDNEY & FRIENDS, on the struggles of trans and intersex Kenyans; and Christian Sonderegger’s COBY, on life after transitioning for a transman in Ohio.

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In Theatres: THE PRICE OF EVERYTHING

Coming to theatres today, Friday, October 19:
THE PRICE OF EVERYTHING

Director:
Nathaniel Kahn

Premiere:
Sundance 2018

Select Festivals:
Nantucket, True/False, CPH:DOX, Provincetown, New Zealand, Jerusalem, Melbourne, Athens, Adelaide

About:
A privileged look into the intersection of high art and commerce.

My pre-Sundance profile of the doc may be found here.

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In Theatres: ON HER SHOULDERS

Coming to theatres tomorrow, Friday, October 19:
ON HER SHOULDERS

Director:
Alexandria Bombach

Premiere:
Sundance 2018

Select Festivals:
DOC NYC, SXSW, Hot Docs, Sheffield, AFI Docs, Full Frame, Human Rights Watch, SF Jewish, Jerusalem, Dokufest, Melbourne, Sun Valley, Doc 10, Ashland, Cleveland, Kansas City, Sarasota, Montclair, Maryland, Dallas, Nashville, Seattle, Warsaw, Biografilm, Heartland

About:
A look at the burden carried by a young woman as she advocates for her people on the global stage.

My pre-Sundance profile of the doc may be found here.

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Margaret Mead 2018 Overview

Festival:
The 42nd Margaret Mead Film Festival

Dates:
October 18-21

About:
NYC’s American Museum of Natural History presents this annual event, which this year showcases more than 30 documentary features.

WHAT THE WIND TOOK AWAY

North American premieres at the festival include: Georgina Barreiro’s TARA’S FOOTPRINT, following four siblings in a sacre Buddhist village; Ljiljana Šišmanović and Davor Borić’s THE FLYING FRIAR, about a priest working to preserve Croatian music in rural Bosnia and Herzegovina; and Helin Celik and Martin Klingenböck’s WHAT THE WIND TOOK AWAY, about two Yazidis living in a refugee camp after escaping from ISIS.

RUNNERS

Mead’s US premieres include: Anja Reiss’ TRUTH DETECTIVES, on the use of technology to uncover human rights violations; Carmen Torres’ AMANECER (DAWN), which follows the filmmaker as she seeks out her birth mother; Kurt Reinhard and Christoph Schreiber’s CIAO BABYLON, on the vanishing languages of NYC; Marcia Mansur and Marina Thomé’s THE SOUND OF BELLS, on the significance of church bell ringers in Brazil; and Łukasz Borowski’s RUNNERS, about a treacherous ultramarathon in Poland.

THE GUARDIANS

Finally, NYC premieres include opening night film, Gemma Atwal’s STOLEN DAUGHTERS: KIDNAPPED BY BOKO HARAM; Ben Crosbie and Tessa Moran’s THE GUARDIANS, about the struggle of Mexican indigenous people to protect their land, the migatory home of monarch butterflies; Tenzin Phuntsog and Joy Dietrich’s RITUALS OF RESISTANCE, a personal exploration of Tibetan resistance to Chinese occupation; and Charlie Samuels’ VIRGIN BLACKTOP, a look back at a skateboarding crew in Nyack NY in the late 1970s.

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New Orleans 2018: Documentary Overview

Festival:
The 29th New Orleans Film Festival

Dates:
October 17-25

About:
Filmmakers and industry continue to be drawn to this popular and well-regarded Southern regional event, which presents nearly 40 docs among its 60+ feature offerings.

WHILE I BREATHE, I HOPE

Among the films competing in the Documentary Competition are: Emily Harrold’s WHILE I BREATHE, I HOPE, which follows Bakari Sellers uphill struggle as he runs for lieutenant governor in South Carolina; Nadia Shihab’s JADDOLAND, a portrait of the filmmaker’s mother, an Iraqi artist in Texas; and Hao Zhang’s GIMME A FAITH, which follows evangelical Christian Chinese students studied in North Carolina.

BUCKJUMPING

The Louisiana Competition’s nonfiction titles include: Mark K Brockway and Timothy Givens’ MISSISSIPPI MADAM: THE LIFE OF NELLIE JACKSON, about an African-American divorcee-turned-brothel madam; Allison Bohl Dehart and Peter Dehart’s BENDING LINES: THE SCULPTURE OF ROBERT WIGGS, a portrait of an artist and his unique scientific approach to his work; and Lily Keber’s BUCKJUMPING, a look at New Orleans’ dance traditions.

THIS TACO TRUCK KILLS FASCISTS

Other sections featuring documentaries include: Spotlight Films, with upcoming DOC NYC opening night selection, John Chester’s THE BIGGEST LITTLE FARM, which follows a couple’s odyssey to establish a biodynamic farm; Caribbean Voices, with Jose Hiriart’s PÉP SOUVREN (SOVEREIGN PEOPLE), about activists fighting for true democracy in Haiti; and Change-Makers, which includes Harry Moses’ GUILTY UNTIL PROVEN GUILTY, a case study exposing the injustices in New Orleans’ criminal justice system; Ada McMahon and Wendi Moore-O’Neal’s THIS LITTLE LIGHT, about a woman forced to stay closeted to do relief work post-Katrina; and Rodrigo Dorfman’s THIS TACO TRUCK KILLS FASCISTS, about a traveling theatre project exposing the impact of immigration on New Orleans.

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On VOD: THE DEVIL WE KNOW

Coming to VOD today, Tuesday, October 16:
THE DEVIL WE KNOW

Director:
Stephanie Soechtig

Co-Director:
Jeremy Seifert

Premiere:
Sundance 2018

Select Festivals:
Hot Docs, Vancouver, Santa Barbara, Lunenberg Doc, New Zealand, SF Jewish, Washington DC Environmental, Greenwich, Riverrun, Sun Valley, Martha’s Vineyard, Boulder, Philadelphia

About:
An exposé of a corporation’s widespread use of dangerous chemicals, despite their known impact on human health.

I profiled the doc before Sundance here

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On DVD: GENERATION WEALTH

photo by Lauren Greenfield

Coming to DVD tomorrow, Tuesday, October 16:
GENERATION WEALTH

Director:
Lauren Greenfield

Premiere:
Sundance 2018

Select Festivals:
Nantucket, Berlin, SXSW, CPH:DOX, Docville, Full Frame, San Francisco, Sarasota, IFF Boston, Transilvania, Ambulante, Jeonju, Dallas, Docs Against Gravity, Greenwich, Provincetown

About:
A film essay and career retrospective examining society’s preoccupation with materialism.

I profiled the doc before Sundance here.

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