Together with what usually seems the entirety of the film industry, I’ll be headed up to Canada later this week for the Toronto International Film Festival, the event that, for me, marks the start of the new festival year (sadly I’ve never been to Telluride or Venice). For quite some time now, TIFF has been the pre-eminent North American launching pad for critically and commercially successful films, setting off awards buzz. Many of the titles premiering at the festival will be making their way to theatres before the end of the year, but industry and public audiences get an early, taste-making look at eventual Oscar nominees.
Of course, while trying to catch some of these hopefuls, my focus is on the festival’s non-fiction programming. This year, by my count, there are 38 feature-length documentaries, with the majority represented in the festival’s Real to Reel section, programmed by Thom Powers. Twelve additional docs are spread out among seven other sections. I’m going to do my best to see as many of these as possible within the six days I’m attending, and hope to catch ones I miss if they’re programmed at Powers’ DOC NYC and Stranger Than Fiction series.
Continue reading →