Category Archives: Film

In Theatres: ALMOST HOLY

ALMOST-HOLYComing to theatres tomorrow, Friday, May 20: ALMOST HOLY

Steve Hoover’s portrait of a controversial do-gooder made its debut at Tribeca last year, under its original title, CROCODILE GENNADIY. The doc’s festival circuit has included IDFA, Hamptons, ZagrebDox, Tallinn Black Nights, Maryland, Heartland, San Francisco DocFest, Sidewalk, Bergen, Portland, and One World, among others.

For years, pastor Gennadiy Mokhnenko has waged a crusade to save the children of his struggling nation, Ukraine. He regularly patrols Mariupol, picking up abandoned and lost street children, often via force, and brings them to his rehab center, Pilgrim Republic, to kick drugs and a dead-end existence of abuse. While some celebrate his vigilantism, others decry it, making him a frequent guest on local television programs. In his own mind, he’s a savior, and one willing to resort to extreme measures when his corrupt government seems little-inclined to intervene. Mokhnenko makes for a compelling, if confounding, hero and anti-hero in equal parts, a caring father figure for the children he saves – or attempts to – but also a violent demagogue, though one who is often surprisingly funny and charming. He offers himself uncensored for Hoover’s camera, while the filmmaker intercuts Mokhnenko’s relative successes in the early 2000s with present-day footage that tackles Ukraine’s descent into war and chaos even as he continues on his seemingly endless – and hopeless – mission.

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Seattle 2016: Documentary Overview

SIFF_2016_WebsiteHeader_800x450(0)Tonight, Thursday, May 19 sees the kick-off of the three-week-long Seattle International Film Festival. The 42nd edition of the popular event will wrap on Sunday, June 12 after presenting scores of new and retrospective films, including approximately 75 feature documentaries. In addition to several competitive and thematic strands, organizers have grouped the lineup according to eight “Moods,” several of which are covered below: Continue reading

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In Theatres: PERVERT PARK

pervert parkComing to theatres tomorrow, Friday, May 20: PERVERT PARK

Frida Barkfors and Lasse Barkfors’ intimate profile of an outsider enclave debuted at CPH:DOX in 2014. It went on to screen at Sundance, where it won a special jury award, as well as at BAMcinemaFest, Hot Docs, Dokufest, New Zealand, Sarasota, San Francisco Doc Fest, and Minneapolis, among other events.

My pre-Sundance profile of the doc may be found here.

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On TV: SONIC SEA

SONIC-STILL-WEBComing to the Discovery Channel tomorrow, Thursday, May 19: SONIC SEA

Michelle Dougherty and Daniel Hinerfeld’s exploration of the impact of noise on marine life debuted at Wild & Scenic at the beginning of the year. Other fests have included Big Sky, Washington DC’s Environmental, DocuWest, Provincetown, Princeton Environmental, and San Francisco Green, as well as a host of specialized screenings around the world. Discovery’s worldwide broadcast is part of its Discovery Impact series.

Dougherty and Hinerfeld’s midlength offers viewers an engaging, empathetic view of sealife and the invisible factors that are endangering it – namely, manmade noise. With sound-based communication pivotal to the well-being of dolphins, whales, and other marine life, the incursion of humans into this sonic landscape has been traumatic. Beyond increased traffic by noisy industrial vessels and the use of sonar, the film notes the growth of the practice of triggering underwater explosions to prospect for oil – all contributing to a cacophony below the surface that has led to tragic death and confusion. This well-made film makes for a solid call to action on an under-reported environmental issue, thought it begs for expansion to a full-length project.

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EDOC 2016 Overview

logotipo_edoc15-azul-03Ecuador’s largest nonfiction event, EDOC – Encuentros del Otro Cine – celebrates its 15th edition starting today, Wednesday, May 18, with screenings through Sunday, May 29 in Quito, and through Thursday, June 2 in Guayaquil. This year’s lineup includes over 100 features and shorts, organized thematically, with some highlights noted below: Continue reading

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On DVD/VOD: THE WINDING STREAM

windingNew to DVD/VOD this week: THE WINDING STREAM

Beth Harrington’s exploration of the musical Carter and Cash families made its bow at SXSW in 2014. Its festival circuit also included Cleveland, Nashville, Atlanta, the Southern Circuit, Woods Hole, Sound + Vision, DokuFest, Hot Springs Doc, New Orleans’ filmOrama, Galway, and St Louis.

I previously wrote about the doc here.

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On DVD/VOD: TROUBLEMAKERS: THE STORY OF LAND ART

TROUBLEMAKERS-KEYComing to DVD and VOD today, Tuesday, May 17: TROUBLEMAKERS: THE STORY OF LAND ART

James Crump’s chronicle of the expansion of art out of the gallery premiered at the Los Angeles Museum of Contemporary Art last Fall. Screenings followed at DOC NYC, New York Film Festival, St Louis, Milan’s Fondazione Prada, and Art Basel Miami, among others.

I previously wrote about the doc here.

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Special Screening: FLORENT: QUEEN OF THE MEAT MARKET

florent570Coming to NYC’s Stranger Than Fiction this Thursday, May 19: FLORENT: QUEEN OF THE MEAT MARKET

David Sigal’s look at the end of a NYC institution debuted at NewFest in 2009, where it won an audience award. Other screenings included Outfest, Seattle LGBT, and the NYC Food Film Festival.

For nearly a quarter of a century, the legendary Florent diner served the colorful denizens of New York City – from drag queens to blue-haired doyens, A-list celebrities to club kids, tourists to late-night partiers. The all-night eatery, based in the heart of the once-feared and now-chic Meatpacking District, was the brainchild of beloved French transplant, Florent Morellet, an HIV-positive gay activist who early on saw how his establishment could thrive not by cultivating exclusivity, but by embracing diversity. The restaurant could survive seemingly anything – except for a radical increase in rent, forcing Morellet to close on Gay Pride Day in June, 2008. Sigal’s entertaining film chronicles not only the story of the man and his restaurant, but of the radical changes that have impacted the culture and society of New York City since the diner’s opening in the mid-1980s – from the LGBT community’s struggle with the AIDS epidemic and homophobia, to the economic development of formerly seedy neighborhoods often at the expense of long-standing institutions like Florent itself.

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Special Screening & In Theatres: WEINER

weinerComing to NYC’s Rooftop Films tomorrow, Wednesday, May 18 and to theatres this Friday, May 20: WEINER

Josh Kriegman and Elyse Steinberg’s surprisingly candid look at a once-disgraced politician’s ill-fated comeback attempt had its world premiere at Sundance this year, where it won the US Documentary Grand Jury Prize. Additional fest berths have included True/False, New Directors/NewFilms, Hot Docs, Full Frame, Sarasota, RiverRun, Nashville, IFF Boston, San Francisco, Montclair, and Sydney.

I profiled the doc before Sundance here.

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On TV: OPERATION POPCORN

popcornComing to PBS’s America ReFramed tomorrow, Tuesday, May 17: OPERATION POPCORN

David Grabias’ investigation of conspiracy and arms dealing among a refugee community had its world premiere at Minneapolis-St Paul last year. Screenings have followed at Big Sky, Kansas City, CAAMfest, Hawaii, and San Diego Asian fests, among others. Its broadcast now is tied to Asian Pacific American Heritage Month.

Recruited by the CIA to assist the United States against North Vietnam, the Hmong people of Laos found themselves escaping communist persecution by becoming refugees in America in the aftermath of the Vietnam War. Decades later, the close-knit community learns about continued human rights abuses against their people back in Laos, inspiring Hmong-Americans such as Locha Thao to become activists. Grabias focuses on a strange episode in which Thao works with mysterious American partners to procure arms in the hopes of overthrowing the communist Lao government – despite the apparent objections of venerated American-based Hmong leaders like General Vang Pao. Unfortunately, Grabias fails to bring much clarity or a compelling sense of storytelling to the proceedings – overcomplicating an already fuzzy story by fleetingly introducing distracting, unrelated elements that cast further doubt upon his main subject’s trustworthiness – resulting in an unsatisfying project as a whole.

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