Category Archives: Film

In Theatres: NAKED OPERA

naked operaComing to NYC’s Anthology Film Archives tomorrow, Friday, September 5: NAKED OPERA

Angela Christlieb’s portrait of a self-indulgent opera and escort lover debuted at Berlin last year. It went on to screen at Hot Docs, DocAviv, Cork, Galway, Planete+ Doc, Transylvania, Rio, Message to Man, and Thessaloniki Doc.

I included the film in my Hot Docs coverage here.

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In Theatres: NO NO: A DOCKUMENTARY

no noComing to theatres tomorrow, Friday, September 5: NO NO: A DOCKUMENTARY

Jeffrey Radice’s look at the life of a legendary baseball pitcher debuted at Sundance this year. It went on to screen at SXSW, Montclair, Dallas, Sidewalk, San Francisco, Florida, and Boulder, among others.

My pre-Sundance doc profile may be found here.

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On Cable: I AM DIVINE

i am divineComing to Showtime tomorrow, Thursday, September 4: I AM DIVINE

Jeffrey Schwarz’s tribute to John Waters’ larger-than-life muse debuted at SXSW last year. It went on to screen at New Orleans’ Film-O-Rama, Cleveland, Nashville, Sheffield, Sydney, Provincetown, Inside Out, Frameline, and Outfest, among other events.

I previously wrote about the doc upon its theatrical release here.

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In Theatres: LEVITATED MASS

Levitated-Mass-Key-Image-580x300Coming to Los Angeles theatres this Friday, September 5: LEVITATED MASS

Doug Pray’s chronicle of the creation of Michael Heizer’s sculpture made its debut at the Los Angeles Film Festival last year. It went on to screen at DOC NYC, Florida, Cleveland, Napa Valley, Martha’s Vineyard, and Sebastopol Doc, among others.

I wrote about the film for DOC NYC’s program, saying:
Last year, renowned contemporary artist Michael Heizer saw the realization of a project first conceived in 1968 – the suspension of an enormous boulder above a walkway. This new film by Doug Pray (ART & COPY, SCRATCH, SURFWISE) captures the logistical hurdles and sheer spectacle of the 340-ton granite rock’s eleven-day road trip from a quarry across 105 miles, through 22 cities, to the Los Angeles County Museum of Art for its installation. Along the way, curious, bemused, and even angry onlookers reflect on the nature of art in society.

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In Theatres: GRINGO TRAILS

gringo_trails_1_dynamic_lead_slideComing to theatres this Thursday, September 4: GRINGO TRAILS

Pegi Vail’s exploration of the unintended impact of tourism made its debut at last year’s Margaret Mead Film Festival. It went on to Washington DC’s Environmental Film Festival, Sebastopol Doc, Yale Environmental, Göttingen Ethnographic, Documentary Edge, and Galway, among others.

An exploration of how we tell stories about the places we visit, and of the consequences of that storytelling, Vail’s thoughtful film reveals the footprint of tourism on formerly exotic, remote destinations in Bolivia, Thailand, Mali, and Bhutan. Framing the film is the story of Israeli Yossi Ghinsberg, whose book on surviving alone in the Bolivian Amazon opened up the region to generations of tourists seeking to recapture his experience, as a result transforming the community’s way of life to accommodate them. Vail explores similar unintended developments, as other travelers reveal how formerly pristine hidden gems, known to a select few outsiders, became quickly co-opted and overrun. The tale of Thailand’s Haad Rin beach, a paradise that initially drew a motley group of bohemians but eventually became the site of massive beach parties, serves as the central cautionary tale, while the Kingdom of Bhutan demonstrates an opposite extreme, limiting tourism to high-end travelers in an effort to prevent unwanted cultural encroachment. Along the way, travel writers and ordinary tourist share compelling stories of the delicate balance of sharing their experiences of must-see places while preserving what makes them so special.

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In Theatres: LAST DAYS IN VIETNAM

last days in vietnamComing to theatres this Friday, September 5: LAST DAYS IN VIETNAM

Rory Kennedy’s moving revisitation of the US withdrawal from Saigon bowed at Sundance this January. It went on to screen at Nantucket, Sarasota, deadCENTER, Los Angeles, Martha’s Vineyard, and Ashland, among others.

I profiled the doc before Sundance here.

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On VOD: INREALLIFE

inreallife_03Coming to VOD today, Tuesday, September 2: INREALLIFE

Beeban Kidron’s reactionary look at the Internet had it world premiere at Toronto last year. Other fest screenings have included DOXA, One World, Rendezvous with Madness, Vilnius, and Planete+ Doc. FilmBuff now makes the doc available across VOD platforms.

I included the film in my Toronto coverage here.

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On DVD: UNDER THE ELECTRIC SKY

under the electric skyComing to DVD today, Tuesday, September 2: UNDER THE ELECTRIC SKY

Dan Cutforth and Jane Lipsitz’s look at a massive electronic music festival had its world premiere at Sundance this year. The film has been released in theatres on demand around the country as well as on VOD.

My pre-Sundance profile of the film may be found here.

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Special Screening: OUT IN THE NIGHT

out in the nightComing to NYC’s Maysles Cinema as part of the Doc Watchers series this Thursday, September 4: OUT IN THE NIGHT

blair dorosh-walther’s exploration of injustice faced by a group of African-American lesbians debuted at the Los Angeles Film Festival. It went on to screen at Human Rights Watch, Frameline, and Outfest, with upcoming screenings at New Orleans, Oakland Underground, and LGBT fests in Chicago, Atlanta, and Austin, among others.

I previously profiled the film as dorosh-walther was finishing a successful Kickstarter campaign to complete the story of the “New Jersey 4,” a subset of New Jersey lesbians who became involved in a violent altercation in NYC’s West Village stemming from homophobia, yet found themselves railroaded by the media and the justice system despite clear evidence of self-defense. The filmmaker elicits compelling interviews from the young women and their families, creating a richer sense of their distinct personalities and character, serving as a counterbalance to their sensationalized portrayal as a “gang” that instigated the violence. Covering a lot of ground in a probably too-condensed running time – the incident, the media’s portrayal, the women’s version, portraits of the women and their families, and their fates within the justice system – dorosh-walther nevertheless succeeds in enraging the viewer by laying bare the confluence of racism, sexism, and homophobia that confronted these women and others like them on a regular basis, and which came to a head that night in August 2006. Cogently confronting complex questions of innocence and guilt, the film serves as a provocative indictment of and challenge to tacit, institutionalized inequalities that permit only some to resist maltreatment but insist that others simply acquiesce.

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On DVD: TWO: THE STORY OF ROMAN & NYRO

la-et-mn-two-the-story-review-20131018-001Coming to DVD today Tuesday, September 2: TWO: THE STORY OF ROMAN & NYRO

Heather Winters’ portrait of a gay family debuted at the Nashville Film Festival last year. Screenings followed at several LGBT fests, including Miami, Inside Out, Honolulu, Philadelphia’s QFest, Outfest, Atlanta, and Tampa, as well as Palm Springs, SF Doc Fest, and Arclight DocFest.

Winters’ film is well-meaning and generally inoffensive, offering a look at two gay dads and their twin sons, the products of a surrogate pregnancy. One of the dads, Desmond, is a celebrated songwriter and producer who counts hits by Bon Jovi, Aerosmith, KISS, and Kelly Clarkson in his portfolio. The other dad, Curtis, oddly describes himself as the kids’ “mom,” while the boys themselves are cute enough moppets. Generally, they’re a nice enough family, but aside from the celebrity connections, and some groan-inducing adoption of new Age-tinged Eastern spirituality, there’s nothing interesting, dramatic, or compelling about them that distinguishes Winters’ workmanlike and too-saccharine project from numerous other docs about gay fatherhood, while the involvement of the dads as producers lends an unfortunate vanity project feel to the whole underwhelming affair.

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