Category Archives: Film

On VOD: HANNA RANCH

hannaComing to VOD today, Friday, May 23: HANNA RANCH

Mitch Dickman’s profile of a noted environmentally-focused Coloradan rancher had its world premiere at Starz Denver last year. In addition to community screenings and the Durango film fest, it recently opened theatrically. Gravitas now releases the doc on VOD platforms including iTunes, Google Play, YouTube, PlayStation, Vudu, Amazon Instant Video, XBOX, and various cable on demand providers.

I previously wrote about the doc upon its theatrical release here.

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In Theatres: A WORLD NOT OURS

A-World-Not-Ours-Key-Image-580x300Coming to NYC’s IFC Center tomorrow, Friday, May 23: A WORLD NOT OURS

Mahdi Fleifel’s personal reflection on life in a Palestinian refugee camp debuted at Toronto in 2012. It went on to screen at Berlin, Abu Dhabi, CPH:DOX, BAFICI, Reykjavik Shorts & Docs, and DOC NYC, where it won a jury award.

Infused with surprising humor and nostalgia in equal parts, Fleifel’s film follows the director as he returns to Ain el-Helweh, the refugee camp in southern Lebanon where he grew up. Though his immediate family left this setting long ago for Europe, other relatives remain, providing Fleifel with a contemporary link that balances out his memories. The latter are aided by the cogent use of an archive of family home video footage shot by his father, providing a clear sense of the simultaneous passage of time yet a paradoxical stasis, reflecting the limbo of Ain el-Helweh – a camp which, when established in 1948, was surely not meant to become its inhabitants permanent homes – not to mention that of their descendants, generations later. Fleifel’s film succeeds in humanizing the refugee experience, while it reminds the viewer that the political is also personal in a way that is too rarely seen in works related to the Israel/Palestine conflict.

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EDOC 2014 Overview

edocThe 13th edition of Ecuador’s Encuentros del Otro Cine, better known as EDOC, begins tomorrow, Thursday May 22 in Quito, where it runs through Sunday, June 1, with screenings also held in Guayaquil between May 24 and June 3. Focused on championing free speech and building up national nonfiction, the event annually promotes cross-cultural awareness, showcasing not only Ecuadorian and Latin American documentary, but works from all over the world in the approximately 120-strong line-up. Non-competitive, the event features thematic programming and retrospectives, with some highlights indicated below. Continue reading

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In Theatres: GORE VIDAL: THE UNITED STATES OF AMNESIA

Gore-VidalComing to theatres this Friday, May 23: GORE VIDAL: THE UNITED STATES OF AMNESIA

Nicholas Wrathall’s profile of the late author and thinker had its world premiere last year at Tribeca. It went on to screen at IFF Boston, Ptown, Frameline, Outfest, Melbourne, Vancouver, London, Rio, Hot Springs Doc, Traverse City, Aspen, Milan, New Zealand, Big Sky, and Bergen, picking up awards at Palm Springs and the United Nations Association fests, among others.

I previously included the doc in my Tribeca coverage here.

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On VOD: KIDS FOR CASH

Kids-For-Cash-SenArt-Films-Photo-Credit-Times-Leader-Publications-580x300Coming to VOD today, Tuesday, May 20: KIDS FOR CASH

Robert May’s in-depth analysis of a juvenile justice system scandal made its debut last year at DOC NYC. It enjoyed a limited theatrical release this past Winter, and now comes to VOD platforms via FilmBuff.

In 2008, two Pennsylvanian judges, Mark Ciavarella and Michael Conahan, known for their tough stances on juvenile crime, were embroiled in what was dubbed the “kids for cash” scandal. Following an FBI investigation, the two men were accused of receiving kickbacks from two for-profit juvenile detention facilities, imposing harsh sentences allegedly to keep a steady flow of new inmates – or at least that’s the way the media reported the circumstances of their misconduct. While initially working out a plea agreement, Ciavarella’s continued denial of wrongdoing in regards to sentencing offenders resulted in a criminal trial for Ciavarella, a revised plea bargain for Conahan, and the reversal of thousands of verdicts made by them in their time on the bench. Using this scandal as a vehicle to explore America’s shameful, profit-driven, and fear-mongering approach to juvenile justice, May’s engaging film profiles several of the individuals and families indelibly affected by their harsh sentencing, enabled by zero tolerance policies instituted post-Columbine, while also gaining the cooperation of both Ciavarella and Conahan so that they can tell their own, more nuanced, but still infuriating version of wrongdoing.

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Special Screening: 9-MAN

STF_9Man_2Coming to NYC’s Stranger Than Fiction series at the IFC Center tonight, Tuesday, May 20: 9 MAN

Ursula Liang’s exploration of a distinctive Asian American competition debuted at IFF Boston last month. It has also screened at the LA Asian Pacific Film Festival, where it received both an audience award and a special jury award.

Played since at least the 1930s, the eponymous volleyball variant was developed by Chinese immigrants to America, and functioned as both an athletic pastime and a social outlet in a time of widespread anti-Chinese sentiment, discrimination, and segregation. Liang’s film traces this fascinating history as a backdrop to the street game’s modern incarnation, passed on generationally and now embraced by Asian Americans who are typically integrated within mainstream American culture. As various teams from North American cities including New York, San Francisco, Boston, and Toronto seek glory in the national championships, their participation in this uniquely Asian American game offers opportunity to consider not only the not-so-distant history of cultural differences faced by immigrant communities, but also to reflect on misconceptions and stereotypes about Asian male masculinity and athleticism, as well as what constitutes Asian-ness as biracial and multiracial contenders offer a potential challenge to the sport’s traditional rules.

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On DVD: THE GREAT FLOOD

the-great-flood_592x299Coming to DVD tomorrow, Tuesday, May 20: THE GREAT FLOOD

Bill Morrison’s meditation on a momentous 1927 flood debuted at the University of Illinois at Urbana-Champaign in 2011 in an early form. A revised version screened at fests in Cleveland, Vancouver, Adelaide, and Vienna, while also appearing at special performance concerts at Carnegie Hall and elsewhere before its limited theatrical run at the beginning of the year.

I previously wrote about the film upon its theatrical release here.

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On DVD: WHOOPI GOLDBERG PRESENTS MOMS MABLEY

momsComing to DVD tomorrow, Tuesday, May 20: WHOOPI GOLDBERG PRESENTS MOMS MABLEY

Whoopi Goldberg’s love letter to an all-but-forgotten pioneering African-American comedienne premiered last year at Tribeca. It went on to screen at Chicago’s Black Harvest, Mill Valley, Austin, and Provincetown, among others, before its broadcast on HBO last Fall.

I included the film in my Tribeca coverage here.

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On TV: PLIMPTON!

plimptonComing to PBS’s American Masters today, Friday, May 16: PLIMPTON! STARRING GEORGE PLIMPTON AS HIMSELF

Tom Bean and Luke Poling’s portrait of the Everyman journalist premiered at Silverdocs in 2012. Its fest circuit included DOC NYC, Martha’s Vineyard, Camden, Hamptons, Hot Springs, Austin, Palm Springs, Cleveland, Oxford, and RiverRun.

I previously wrote about the doc here.

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In Theatres: NEXT YEAR JERUSALEM

next yearComing to theatres today, Friday, May 16: NEXT YEAR JERUSALEM

David Gaynes’ look at a group of senior citizens’ trip to Israel had its world premiere at Sarasota last year. It has also screened at Montclair, as well as Jewish fests in Atlanta, Sacramento, and Hartford.

Gaynes follows staff members and eight residents of a Fairfield CT nursing home as they plan an unlikely trip to Israel despite advanced age and the physical complications that can accompany senescence. As a group portrait of older individuals resolute in seeking new experiences, this earnest doc is worthwhile in concept, but it unfortunately fails to sustain interest in execution. Far too much time is spent on the set up, while the trip itself is largely anticlimatic – essentially, a fairly generic (and wholly apolitical) travelogue to the Holy Land. Frustratingly, Gaynes never sufficiently fleshes out his subjects – of which there are too many, with only a few displaying flashes of potentially interesting personalities – making it difficult for the audience to invest in their journey or its ultimate meaning for them.

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