Category Archives: Film

Special Screening: WHERE HEAVEN MEETS HELL

Coming to the Film Society of Lincoln Center’s Art of the Real series tomorrow, Tuesday, October 16: WHERE HEAVEN MEETS HELL

Sasha Friedlander’s profile of Indonesian sulfur miners had its world premiere at Hong Kong this past March. Its festival circuit includes Hot Docs, DocsDF, Taiwan Doc, Hawaii, and the LA Asian Pacific Film Festival, where it won two awards.

An active volcano serves as both the stunning backdrop for Friedlander’s film, and the unusual workplace for the four men she follows in this intimate documentary. Anto, Sukarman, Purnomo, and Hadis are just four of the hundreds of men barely subsisting doing literally back-breaking work in the sulfur mines of the Kawah Ijen volcano. Lacking sufficient funds to invest in protective gear, they risk their health to support their families, hoping that their efforts to secure education for their children will provide an escape from poverty. Friedlander effectively captures her subjects’ lives, balancing interviews in the relative tranquility of their village home with verite footage of the treacherous yet breathtaking beauty of Kawah Ijen. If the film is somewhat quiet and understated, it nevertheless speaks volumes through the image of these four determined men, carrying loads of yellow rocks down a volcano as they breathe in noxious fumes – for the future of their families.

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On TV: SUN KISSED

Coming to POV this Thursday, October 18: SUN KISSED

Maya Stark and Adi Lavy’s intimate look at the Navajo community’s struggle with a rare genetic disorder made its world premiere at the Los Angeles Film Festival. It has also screened at Silverdocs, and will screen next month at Margaret Mead.

I included the film in my Silverdocs roundup here.

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ON DVD: KATI WITH AN I

Coming to DVD tomorrow, October 16: KATI WITH AN I

Robert Greene’s observational film about a high school senior had its world premiere at True/False in 2010. It went on to screen at DOC NYC, Big Sky, Decatur Docs, and Little Rock, and was also nominated for a Gotham Award.

I previously wrote about the film here.

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On DVD: MARINA ABRAMOVIC THE ARTIST IS PRESENT

Coming to DVD next Tuesday, October 16: MARINA ABRAMOVIC THE ARTIST IS PRESENT

Matthew Akers’ look at the acclaimed performance artist’s recent MoMA show made its world premiere at Sundance this year. It won an audience award in Berlin, and also screened at Nantucket, DOXA, San Francisco, and Silverdocs, among others.

My pre-Sundance profile of the film may be found here.

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On DVD: THE AMBASSADOR

Coming to DVD next Tuesday, October 16: THE AMBASSADOR

Mads Brügger’s provocative look at high level international governmental corruption made its world premiere at IDFA last November. Its festival circuit included Sundance, Thessaloniki Doc, New Directors/New Films, and Karlovy Vary, among others, before coming to VOD and theatres.

I profiled the film before Sundance here.

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In Theatres: FAME HIGH

Coming to theatres tomorrow, Friday, October 12: FAME HIGH

Scott Hamilton Kennedy’s look at a year at the Los Angeles County High School for the Arts made its world premiere at Tribeca earlier this year. It has also screened at Provincetown, Silverdocs and San Diego, among other fests.

I wrote about the film out of Tribeca here.

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In Theatres: PHOTOGRAPHIC MEMORY

Coming to theatres tomorrow, Friday, October 12: PHOTOGRAPHIC MEMORY

Ross McElwee’s rumination on time, photography, and father/son relationships premiered at the Venice Film Festival last year. It went on to screen at Full Frame, Sheffield, DocLisboa, Mar del Plata, and Silverdocs, among others.

I wrote about the film out of Silverdocs here.

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In Theatres: THE PROSECUTION OF AN AMERICAN PRESIDENT

Already in select theatres in Los Angeles, New York, and Chicago and expanding to more theatres this Friday, October 12: THE PROSECUTION OF AN AMERICAN PRESIDENT

Dave Hagen and David J Burke, capitalizing on the political season, brought the world premiere of their incendiary indictment of former President George W Bush to Hollywood’s ArcLight Theatre last week rather than begin on the festival circuit.

In the film, acclaimed author and prosecutor Vincent Bugliosi, best known for prosecuting Charles Manson, sets forth his case for why Bush and members of his administration should be brought to trial for leading the US into war with Iraq under false pretenses. The contention Bugliosi cogently argues throughout the film, including to a a UCLA law class, is that if Bush deliberately misled Congress about the presence of weapons of mass destruction, then he is legally responsible for all of the American deaths that have resulted from that action, deaths that can be deemed murder. Philosophically, it’s a provocative charge many Bush detractors would no doubt welcome, so as a piece of speculative political theatre, Hagen and Burke’s film achieves some level of fascination. At the same time, the film essentially consists of an extended legal argument. While the reputable Bugliosi presents a convincing case – he can’t be criticized for being some out of touch conspiracy theorist – at its heart the film is a fairly straightforward one, making it feel a bit repetitive and overextended. Still, the doc serves as a timely reminder about the last administration’s misdeeds, and, perhaps, a cautionary tale about a potential future come Election Day.

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In Theatres: THE IRAN JOB

Coming to NYC’s IFC Center this Friday, October 12: THE IRAN JOB

Till Schauder’s story of an African-American basketball player in Iran had its world premiere this Summer at the Los Angeles Film Festival. While still on the festival circuit, the film has already opened theatrically in Los Angeles.

When Kevin Sheppard agrees to relocate from his home in the US Virgin Islands for a contract position on new Iranian basketball team, AC Shiraz, he leaves more than his girlfriend behind. As one of only two non-Iranians on the team, and the only African-American around, Sheppard sticks out, but he’s there to do a job, not serve as an ambassador for the freedoms of the West – or so he intends. When he meets Hilda, a physical therapist for AC Shiraz, and her friends Elaheh and Laleh, Sheppard forms an unexpectedly close friendship, one that demonstrates the social controls placed on women in the country. As the young women risk their reputations and potentially more to visit the apartment he shares with Serbian teammate Z and discuss taboo subjects, or show him around the city, Sheppard’s eyes open to the realities of the political situation in the region – something he witnesses as the Green Movement gains momentum in the lead up to the country’s contentious 2009 election. While basketball provides the narrative thrust, Schauder’s film transcends the typical sports film conventions to provide much more to think about than whether AC Shiraz will make it to the championships or not. As indicated by the title, Sheppard attempts to remain dispassionate about his presence in Iran, but beyond his outspoken friends, the gregarious young man is confronted with other characters who offer insight into Iranian society, such as his bemused non-English speaking super, Abdullah, or a merchant who expresses kinship with African Americans.

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In Theatres: ETHEL

Coming to theatres this Friday, October 12: ETHEL

Rory Kennedy brought Sundance audiences the world premiere of her intimate biography of her mother earlier this year. It’s gone on to screen at San Francisco, RiverRun, Sarasota, Nantucket, Provincetown, Deauville, and Ashland, where it picked up an audience award.

My pre-Sundance profile of the film may be found here.

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