Category Archives: Releases

Coming to theatres tomorrow, Friday, April 6:
THE HEART OF NUBA

Director:
Kenneth Carlson

Premiere:
Hot Springs Doc 2016

Select Festivals:
Human Rights Watch, Hollywood, Shanghai, Golden Apricot, Heartland

About:
A single Western doctor tries to care for the residents of the wartorn Nuba Mountains of Sudan.

Dr Tom Catena practices medicine in the Catholic Mother of Mercy Hospital, located in the middle of a warzone largely ignored by the rest of the world. Despite being condemned for war crimes in 2009, Sudanese President Omar al-Bashir has subjected the people of the Nuba Mountains region in the southern region of the country to regular bombardment. With the area marked as off-limits to outside aid, only Dr Catena remains to treat the victims of what has been called a genocide in progress. Carlson’s thoughtful if overly conventional film profiles Catena, nearing but not quite entering hagiographic white savior territory, as the compelling physician tends to his patients and tries to train the local people to help themselves.

New to DVD this week:
UNCLE GLORIA: ONE HELLUVA RIDE!

Director:
Robyn Symon

Premiere:
Miami/Ft Lauderdale LGBT 2016

Select Festivals:
DocUtah, Atlanta DocuFest, Southern Comfort, Chagrin Doc, Raindance, Outfest, NewFest, LGBT fests in Palm Springs, Seattle, Rochester, and Fresno

About:
A criminal finds her true gender after crossdressing to escape the law.

I previously wrote about the doc here.

Courtesy of XLrator Media

Director:
David Yuzuk

Premiere:
Rome GA Film Festival 2017

About:
A police officer investigates the mysterious life of a homeless veteran.

I previously wrote about the doc here.

Coming to DVD today, Tuesday, April 3:
BOSTON

Director:
Jon Dunham

Premiere:
Boston (April 2017)

About:
A love letter to and history of the Boston Marathon.

An officially authorized celebration, and, notably, a demonstration of resilience in the wake of the tragic 2013 terrorist bombing that targeted the race, Dunham’s film recounts highlights from the race’s 117-year history, culminating in the triumphant staging of the 2014 event, sans incident. While there’s quite a lot of material to fit in, the project still feels overlong, full of random anecdotes and characters who probably shouldn’t have made the final cut. Still, the good generally outweighs the bad, particularly as interview subjects reveal aspects of the race’s history that have larger significance, such as the fight women put up to be included, but also through intriguing scandals, like the debate over corporate sponsors and prizes, or the story of Rosie Ruiz, who was stripped of her win in 1980 after witnesses claimed she jumped into the race just a half-mile from the finish. These more colorful episodes help draw in viewers who otherwise might not be particular invested in the sport or who are resistant to its bombastic, manipulative score.

Coming to PBS’s America ReFramed tomorrow, Tuesday, April 3:
MILWAUKEE 53206

Director:
Keith McQuirter

Premiere:
Milwaukee Film (June 2016)

Select Festivals:
Urbanworld, Athens, Brooklyn, American Black, Milwaukee

About:
A portrait of the community with the country’s highest rate of incarcerated African-American men.

Inspired by the disturbing statistic that 62% of adult African American men in the 53206 zip code have been or are currently in the prison system, McQuirter set out to show some of the lives impacted and to expose the systemic biases that have resulted in such a sobering number. His film’s main subject is Beverly Walker, a tireless champion of her husband, Baron, who has been serving time for more than two decades. While Baron does not claim innocence, he has run afoul of legislation which has effectively prevented his parole from overly harsh sentencing and kept him away from his supportive family. Additional subjects in McQuirter’s sensitive if straightforward project are other Milwaukee men who have encountered the criminal justice but have worked hard to make change, becoming community organizers to promote family and community responsibility and stop recidivism.

©FLIP SCHULKE/CORBIS

Director:
Stephen Ives

Premiere:
American Experience (May 2010)

About:
Retracing the paths that brought Martin Luther King Jr and his killer, James Earl Ray, to Memphis in 1968.

Re-presented just before the 50th anniversary of King’s assassination at Memphis’ Lorraine Motel, Ives’ workmanlike retelling explores the stories of both the fallen civil rights leader and the man who took his life. The film recounts how King traveled to the southern city to support a strike by sanitation workers, and to right an earlier incident there that was marred by violence, part of a larger expansion of his activism to embrace not only racial justice but economic equality as well. His story is ably illustrated by archival footage and the testimony of his close friends and advisors. In contrast, the background on Ray unfortunately is largely limited to cheesy reenactment footage that demonstrates the fugitive’s escape from prison, involvement in the hateful rhetoric of segregationist George Wallace’s presidential campaign, and planning of King’s murder for the hope of a financial reward from some unclear source. While staying true to the PBS’s strands historical focus, Ives’ film nevertheless proves all too topical for those willing to apply its lessons about intolerance to the present day.

Coming to PBS’s Independent Lens this coming Monday, April 2:
WHEN GOD SLEEPS

Director:
Till Schauder

Premiere:
Tribeca 2017

Select Festivals:
IDFA, Berlin, Krakow, Guth Gafa, In-Edit Spain, Denver, Sound Unseen, Goteborg, !f Istanbul, One World, Cologne

About:
A portrait of an Iranian musician forced into exile after a fatwa is called for his death.

Schauder’s film focuses on Shahin Najafi, who left Iran for Germany in 2005 after his controversial music enraged religious leaders. The resulting fatwa against his life resulted in notoriety which he has used to sustain his career, but, of course, with a hefty downside. As he releases new, sacrilegious music that continues to be critical of Iran’s leadership, he faces new death threats and band members second guess whether they should continue to play with him, potentially at the risk of their own lives, not to mention those of the audience. With Najafi’s music likely not well known, or even particularly appreciated, by many viewers, Schauder wisely focuses beyond it to attempt to capture the reality of living under a death sentence. Unfortunately, however, the filmmaker pushes the paranoia and tension a bit too much in his storytelling, and ultimately never digs deep enough under the surface of his subject to allow the audience to better understand what truly drives him.