Category Archives: Releases

In Theatres: MY BROOKLYN

my brooklynComing to Brooklyn’s reRun Theater this Friday, January 4: MY BROOKLYN

Kelly Anderson and Allison Lirish Dean’s exploration of gentrification made its premiere at last year’s Brooklyn Film Festival, picking up an audience award. Since then, it has had a number of largely Brooklyn-focused community and grassroots screenings, as well as the Red Hook and Lund, Sweden’s International Architecture fests.

The film’s tagline, THE BATTLE FOR THE SOUL OF A CITY, signals both its personal and public focus, pointing out the wide-ranging social, cultural, and historical impact of gentrification on an area, and the passion the issue engenders from stakeholders on both sides of the debate. Anderson deliberately positions herself within this complex story of Brooklyn’s gentrification, both as an early gentrifier – moving to the borough in 1988 to take advantage of the cheaper rents – and as its victim – changes to her neighborhood pricing her out of her longtime home. As Anderson and her neighbors face the controversial redevelopment of the Fulton Mall – a consistently profitable shopping district with a cherished history that has long catered largely to the areas African American population – she profiles a number of the individuals whose livelihood and homes will be affected, while also candidly acknowledging the contradictory feelings she experiences about the proposed changes. Smartly, however, Anderson expands the scope of her film beyond the strictly personal – and beyond the specificity of Brooklyn – to consider the factors that come to play in gentrification in general, both historically and in the present: class, race, politics, economics, and, greed. The result is a film that intelligently confronts a phenomenon that is more and more common around the world, but one that many would rather not directly address.

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On DVD: PUTIN’S KISS

Coming to DVD next Monday, January 31: PUTIN’S KISS

Lise Birk Pederson’s exploration of Russia through ideological politics premiered at IDFA last year. It picked up a jury prize for cinematography upon its US premiere at Sundance at the beginning of the year. Its fest circuit has included Santa Barbara, Full Frame, Nashville, and Seattle, among others.

My pre-Sundance profile of the doc may be found here.

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In Theatres: WEST OF MEMPHIS

west of memphisComing to theatres on Christmas, next Tuesday, December 25: WEST OF MEMPHIS

Amy Berg’s quest for the exoneration of the West Memphis Three made its world premiere at Sundance at the beginning of the year. Its festival circuit has included berths at Deuville, London, Toronto, and DOC NYC, among others.

My pre-Sundance profile of the film may be found here.

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On VOD: LAURA

Laura450x250Coming to VOD next Tuesday, December 18: LAURA

Fellipe Barbosa’s portrait of a complex Brazilian woman in NYC’s nightlife made its premiere at the Hamptons last year, where it claimed the best doc award. It went on to screen at Hot Docs, Visions du Reel, Buenos Aires, and the Taiwan International Documentary Festival. FilmBuff is releasing the doc on iTunes, Amazon, YouTube, Cinemanow, and Vudu.

I included the film in my Hamptons roundup here.

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On VOD: KUMARÉ

Coming to VOD today, Tuesday, December 11: KUMARÉ

Vikram Gandhi’s provocative indictment of false prophets took home an audience award at its premiere at SXSW last year. It went on to screen at Woodstock, Denver, Hot Docs, and Traverse City, among other festivals. It becomes available on Comcast, Time Warner, Cox, iTunes, Amazon, Xbox, Google Play, and Vudu today.

I previously wrote about the film out of SXSW here.

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On VOD: CONVENTO

Coming to VOD today, Tuesday, December 11: CONVENTO

Jarred Alterman’s profile of an unusual family and their unique home premiered at SXSW last year. Its screening circuit included Edinburgh, Camden, IFF Boston, and Rooftop Films, among others, as well as a limited theatrical run. The film becomes available on iTunes, Amazon, Vudu, and more today.

I included the film in my SXSW roundup here.

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On VOD: BILL W.

Coming to theatres this Friday, May 18: BILL W.

Kevin Hanlon debuted his film about the troubled co-founder of Alcoholics Anonymous at Thin Line in Denton TX. It also screened at Cleveland, where it picked up an award. The doc has been screening theatrically since May, and now comes to iTunes, Amazon, YouTube, Cinemanow, and Vudu via FilmBuff.

I previously wrote about the doc upon its theatrical release here.

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On DVD: MANSOME

Coming to DVD tomorrow, Tuesday, December 11: MANSOME

Morgan Spurlock’s exploration of manliness through grooming premiered at this year’s Tribeca. Soon after, it enjoyed a theatrical run and a later VOD release.

I included the film in my Tribeca roundup here.

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In Theatres: THE LOVING STORY

Coming to NYC’s Maysles Cinema for a one-week theatrical run starting this Monday, December 10: THE LOVING STORY

Nancy Buirski’s exploration of the Supreme Court case that legalized interracial marriage premiered at last year’s Tribeca. Its festival circuit included Full Frame, Silverdocs, Hamptons, and Traverse City, among others.

I wrote about the doc out of Tribeca here.

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In Theatres: LOST ANGELS

lost angelsComing to Los Angeles’ Arclight Hollywood tomorrow, Friday, December 7: LOST ANGELS: SKID ROW IS MY HOME

Thomas Q Napper’s exploration of life in LA’s Skid Row made its premiere at the Los Angeles Film Festival in 2010. Since then, it has screened at IDFA, Big Sky, London’s Human Rights Watch, and Prague’s One World Human Rights Watch film festivals, among others.

Napper’s film, while perhaps over-relying on Catherine Keener’s narration, is clear in its purpose, as signaled by the doc’s subtitle – demonstrating that an area historically and presently written off by just about everyone actually has worth to its inhabitants. Importantly, the audience is permitted to hear from these denizens, in their own words, both in verité scenes on the streets as well as in structured one-on-one studio interviews. They represent the diversity of the inhabitants of the more than fifty blocks that the local LA government and police force would rather didn’t exist, and dispel myths about who is on Skid Row and why. Beyond showcasing strong characters on the fringes of society who are usually not afforded camera time – like transgender Bam Bam, activist General Dogon, or cat lady Lee Anne – Napper exposes the harsh policies being used by the city of Los Angeles to effectively criminalize the homeless and transient population, many of them with psychological disorders, and the encroachment of development that is gentrifying the area, pushing out Skid Row’s at-risk population.

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