
Courtesy of Sundance Institute | photo by Nicholas Broomfield
Nick Broomfield intimately reveals the love story behind the celebrated singer/songwriter and his muse.
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Courtesy of Sundance Institute | photo by Nicholas Broomfield
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Filed under Documentary, Film, Film Festivals, Recommendations, Sundance
New to Hulu this week:
FYRE FRAUD
Directors:
Jenner Furst and Julia Willoughby Nason
Premiere:
Hulu (January 2019)
About:
A chronicle of the disastrous 2017 music festival that was meant to rival Coachella.
Released just days before the Chris Smith helmed Netflix documentary FYRE: THE GREATEST PARTY THAT NEVER HAPPENED, Furst and Nason’s rival Hulu project gives its own spin on the debacle that was Fyre Festival. Conceived by Billy McFarland and musician Ja Rule, and heavily promoted to FOMO-averse, cash-flush Millennials by social media influencers, the Great Exuma, Bahamas music fest was sold as a generation-defining event, but instead generated global schadenfreude when reports spread about how ill-prepared organizers were for attendees. While dismissed by many as #whitepeopleproblems, the Fyre Festival disaster led to multiple lawsuits and accusations of fraud with serious jail time. The filmmakers back up from the epic fail everyone knows and loves to focus on McFarland, who is interviewed throughout, laying out his history of dodgy entrepreneurship – what many featured here instead call con jobs – and how he developed and mishandled Fyre. While delivering jaw-dropping behind-the-scenes details of the doomed event, the doc also offers surprising insight into the psychology of deception, the manipulation of perception, and the power of social media and branding.
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Courtesy of Sundance Institute | photo by Anton Yelchin
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Courtesy of Sundance Institute | photo by Drew Kelly
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Coming to DVD tomorrow, Tuesday, January 15:
THE INSUFFERABLE GROO
Director:
Scott Christopherson
Premiere:
Sheffield 2018
Select Festivals:
DOC NYC, Sydney Underground, Calgary Underground
About:
A behind-the-scenes look at the life and work of a low-budget auteur.
I previously wrote about the doc here.
Filed under Documentary, Film, Recommendations, Releases

Courtesy of Sundance Institute | photo by Berry Berenson Perkins
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Coming to PBS’s Independent Lens tonight, Monday, January 14:
RODENTS OF UNUSUAL SIZE
Directors:
Quinn Costello, Chris Metzler, Jeff Springer
Premiere:
DOC NYC 2017
Select Festivals:
Full Frame, Big Sky Doc, Wild and Scenic, Oxford, Washington DC Environmental, Salem, Indie Grits, Freep, Sarasota, IFF Boston, RiverRun, Doc Edge, SF DocFest, Woods Hole, Sidewalk, DocUtah, Yale Environmental, Tallgrass, Hot Springs Doc
About:
A wide-ranging look at efforts to protect Louisiana from a giant swamp rat.
I previously wrote about the doc here.
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Courtesy of Sundance Institute
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Courtesy of Sundance Institute.
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Coming to theatres today, Friday, January 11:
THE SILENCE OF OTHERS
Directors:
Almudena Carracedo and Robert Bahar
Premiere:
Berlin 2018
Select Festivals:
Hot Docs, Sheffield, AFI Docs, Reyjkavik, Docs Against Gravity, Cairo, Hamptons, Mar del Plata, Los Angeles, Moscow
Notable Recognition:
The doc was shortlisted for the Academy Awards.
About:
Victims and survivors of Franco’s brutal regime take to Argentine courts to seek justice.
The regime of Spanish dictator General Francisco Franco was marked by arrests, disappearances, and executions. After his passing in 1975, and the establishment of democracy, policies were put into practice to encourage forgetting the past in order for Spain to move forward. As a result, while political prisoners were freed, the perpetrators of torture and murder were granted amnesty – a decision that has remained controversial ever since. In recent years, as detailed in Carracedo and Bahar’s project, with no legal recourse within Spain, survivors turned to the idea of universal jurisdiction over crimes against humanity, and filed suit in Argentine courts against Spanish perpetrators. The doc profiles several of the parties to the suit as the wheels of justice very slowly turn. While affecting at times, this conventionally told film includes far too many subjects, robbing it of focus, and, as it details an ongoing, unresolved lawsuit, ultimately feels unfinished.
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