On TV: BIG MEN

big-menComing to PBS’s POV tonight, Monday, August 25: BIG MEN

Rachel Boynton’s exploration of oil exploitation in West Africa made its bow at Tribeca last year. Its fest circuit has included Locarno, Hot Docs, Bergen, Camden, Vancouver, Pan African, RIDM, CPH:DOX, True/False, Films From the South, Human Rights Watch London, and Planete+ Doc.

Filming between 2007 and 2011, Boynton reveals the story of Ghana’s unexpected entry into the oil industry and the resultant jockeying for profit and power in board rooms and in the halls of government, gaining remarkable access to the various entities involved – Dallas-based Kosmos Energy, a firm whose initial high risk investment in oil exploration in Ghana paid off; their partner, local outfit EO Group; Ghana’s national oil company, GNPC; members of the government; and, as a cautionary parallel narrative, representatives from neighboring Nigeria’s embattled oil industry, as well as the scrappy group of rebels who sabotage their pipelines in protest and for black market profit, the Deadly Underdogs. It’s to Boynton’s credit that through five years, a change in government, charges of corruption, criminal investigations by both the US and Ghanaian governments, board firings, and a worldwide financial crisis, she nevertheless retains a clarity of storytelling that raises provocative questions that have no easy answers. Wisely focusing on a handful of key players, notably EO Group’s fall guy, George Owusu, and Kosmos Energy’s CEO, Jim Musselman, the film places multinational concerns within a personal, relatable context. In so doing, she deftly demonstrates how the aspiration to become the “big men” of her title can all too easily open the floodgates to avarice and self-interest above all else.

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On DVD: GHOST BIRD

ghost birdComing to DVD tomorrow, Tuesday, August 26: GHOST BIRD

Scott Crocker’s investigation into birding wish fulfillment made its debut at Hot Docs in 2009. It went on to screen at Indie Memphis, Rome, Hot Springs, and Big Sky, among others.

I previously wrote about the film out of Hot Docs for Indiewire, saying:
The apparent sighting of a long-thought-extinct ivory-billed woodpecker sets off Scott Crocker’s investigatory film. While the fabled bird’s re-emergence is validated by authorities, leading to Woodpeckermania in the neighboring community, corroborating evidence proves elusive, sparking a debate encompassing science, commerce, hope, and conservation. Demonstrating canny storytelling, Crocker draws the viewer into the hoopla before unpacking the debate about whether the bird has, in fact, been re-discovered – and what that means for the small Arkansas town that has been put on the birding map, as well as for the truly endangered avian species that could use even a fraction of the attention.

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In Theatres: K2: SIREN OF THE HIMALAYAS

K22Coming to theatres today, Friday, August 22: K2: SIREN OF THE HIMALAYAS

Dave Ohlson’s chronicle of an attempt to summit the second highest peak in the world had its premiere at the Banff Mountain Film Festival in 2012. Other fest screenings have included Mountainfilm in Telluride, as well as other mountain fests in New Zealand, Poland, Flagstaff, Slovakia, New York, and Mill Valley, among others.

Ohlson follows an expedition of the dangerous mountain in the Summer of 2009, which falls on the centenary of a legendary summit attempt by noted Italian mountaineer, Prince Luigi Amedeo, the Duke of Abruzzi. This gives the film reason to incorporate fascinating archival footage and stills from the 1909 trip, providing a glimpse into the sport at an earlier time, and a contrast with modern equipment and techniques, but the bulk of the film focuses on the contemporary attempt in a fairly straightforward adventure documentary style. Noting the extreme risks faced by alpinists – with a shocking 25% death rate – the film provides thrillseeking viewers with a safer, vicarious ridealong to one of the planet’s most remote and challenging spots.

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In Theatres & On VOD: TO BE TAKEI

to be takeiComing to theatres and VOD tomorrow, Friday, August 22: TO BE TAKEI

Jennifer Kroot and Bill Weber’s profile of the beloved STAR TREK actor-turned-gay icon bowed at Sundance at the beginning of the year. It’s gone on to screen at Cleveland, River Run, Wisconsin, Hot Docs, Los Angeles Asian Pacific, DOXA, Seattle, Human Rights Watch, Revelation, Fantasia, and LGBT fests in Boston, Tel Aviv, Connecticut, San Francisco, Dayton, and Los Angeles, among others. In addition to its theatrical engagements it comes to several VOD platforms, including iTunes, Bright House, Cablevision, Comcast, Cox, Insight, and Time Warner Cable.

My pre-Sundance profile of the doc may be found here.

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On Cable: SPARK: A BURNING MAN STORY

sparkComing to Showtime tomorrow, Thursday, August 21: SPARK: A BURNING MAN STORY

Steve Brown and Jessie Deeter’s chronicle of the planning behind the annual desert gathering debuted at SXSW last year. Screenings followed in Seattle, Ashland, and SF Doc before a limited theatrical and VOD release.

I previously wrote about the film upon its release here.

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In Theatres: KINK

kinkComing to NYC’s IFC Center this Friday, August 22: KINK

Christina Voros’ behind-the-scenes look at fetish pornography had its world premiere at Sundance last year. It went on to screen at DOC NYC, Seattle, Stockholm, NewFest, and Frameline, among others.

I profiled the doc before Sundance here.

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In Theatres: THE EXPEDITION TO THE END OF THE WORLD

expeditionComing to NYC’s Film Forum tomorrow, Wednesday, August 20: THE EXPEDITION TO THE END OF THE WORLD

Daniel Dencik’s quirky exploration of the Arctic Circle premiered at CPH:DOX in 2012. It went on to screen at True/False, Docville, Thessaloniki Doc, Planete+ Doc, Karlovy Vary, Los Angeles, AFI Docs, and Traverse City, among others.

I previously wrote about the film out of True/False here.

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On DVD: A BRONY TALE

brony taleComing to DVD today, Tuesday, August 19: A BRONY TALE

Brent Hodge’s exploration of of MY LITTLE PONY fandom debuted earlier this year at Tribeca. It went on to DOXA, Seattle, Calgary Underground, and New Zealand’s Documentary Edge, among others.

I previously wrote about the doc upon its VOD release here.

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On DVD: MANAKAMANA

manakamanaComing to DVD today, Tuesday, August 19: MANAKAMANA

Stephanie Spray and Pacho Velez’s ridealong with Nepalese tourists and pilgrims made its debut at Locarno last year. It went on to screen at Toronto, New York, AFI Fest, RIDM, CPH:DOX, Rotterdam, True/False, and Hong Kong, and to enjoy a limited theatrical release this past Spring.

I included the film in my Toronto coverage here.

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On VOD: LA BARE

labareComing to VOD tomorrow, Tuesday, August 19: LA BARE

Joe Manganiello’s look at the world of male strippers had its debut at Slamdance this year. It went on to screen at Maui and at Dallas’ USA Film Festival before its theatrical bow this past June. FilmBuff now releases the doc on a wide range of VOD platforms.

Manganiello’s foray into onscreen stripping in MAGIC MIKE inspired his directorial debut – a largely workmanlike look at the eponymous strip club in Dallas which claims to be the most popular of its ilk. Profiling several of the beefy dancers, while briefly checking in with some of their family members, fans, and other club employees, the film maintains a generally breezy tone as it both dispels and reinforces some of the myths associated with the profession. While the new-ish Russian owner Alex too briefly notes how he reinvigorated the lagging establishment, losing the drug addicts for more serious-minded professionals, several dancers pepper their backstage banter or interviews with braggadocio, commenting on sexual conquests or getting customers to give them extravagant amounts of money. This lends an overall feeling of watching a bunch of overgrown fraternity brothers, which can grow tiresome at times, capped off by an overlong sequence featuring the dancers mocking the club’s mostly inept Amateur Night contestants. Thankfully, a couple of the dancer profiles move away from this to more honest terrain, such as Cesar, a personable former Army Ranger who relates his old-fashioned background – much more effective than the extended hagiography presented for a recently killed fellow dancer – and mentor Randy, the “Master Blaster,” who, his crude bragging aside, offers a sense of history through his three decade career at La Bare, and who shows the lengths he goes to keep his career, taking strange cryo treatments and skin injections to combat aging.

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