Author Archives: basiltsiokos

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About basiltsiokos

Basil Tsiokos is a Senior Programmer for the Sundance Film Festival, focusing on nonfiction features. He was most recently with DOC NYC for nearly a decade, where he served as Director of Programming since 2014, and with the Nantucket Film Festival as its Film Program Director. Prior to those positions, Basil was the longtime Artistic and Executive Director of NewFest. He has been affiliated with Sundance since 2005 as a Programming Associate. Basil serves on the feature nominating committees for the International Documentary Association Awards and Cinema Eye Honors. He has written about documentaries daily since 2010 on what (not) to doc. Basil holds a Masters degree from New York University and two undergraduate degrees from Stanford University.

On TV: A DAY IN THE LIFE OF AMERICA

Coming to PBS’s Independent Lens tonight, Monday, January 11:
A DAY IN THE LIFE OF AMERICA

Director:
Jared Leto

World Premiere:
Tribeca 2019

About:
July 4, 2017, as experienced across the country.

Coordinating shoots in each US state, plus Puerto Rico, director Jared Leto takes an approach similar to Jeff Deutchman’s two election docs, 11/4/08 and 11/8/16, creating a mosaic of a single day through a series of vignettes. While the previous films were focused on presidential elections, Leto’s more broadly takes the temperature of the country on Independence Day, though not every scene explicitly references this. There is enough patriotism – or, more disturbingly, nationalism and white supremacy – on display to offer a snapshot of America less than a year into the divisive 45th president’s first term, but the film as a whole doesn’t attempt to present an explicit, overarching political message. Instead Leto and his editors offer overly brief vignettes that broadly attempt to capture America’s diversity, often creating dialogue through pointed juxtapositions. By its design, the well–produced doc was never meant to delve deeply into any single particular issue, but its survey structure nevertheless results in a disjointed and not especially satisfying watch as a whole.

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2021 Sundance Docs in Focus: RITA MORENO: JUST A GIRL WHO DECIDED TO GO FOR IT

Courtesy of Sundance Institute


RITA MORENO: JUST A GIRL WHO DECIDED TO GO FOR IT
Mariem Pérez Riera profiles the pioneering, EGOT-winning star of stage and screen.

Festival Section:
US Documentary Competition

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On VOD: THE DISSIDENT

Coming to VOD today, Friday, January 8:
THE DISSIDENT

Director:
Bryan Fogel

World Premiere:
Sundance 2020

Select Festivals:
DOC NYC, Hot Docs, Zurich, Aspen, Savannah, Stockholm

About:
An investigation of the shocking murder of journalist Jamal Khashoggi.

My pre-Sundance profile of the doc may be found here.

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2021 Sundance Docs in Focus: REBEL HEARTS

Courtesy of Sundance Institute | photo by Corita Art Center, Immaculate Heart Community, Los Angeles


REBEL HEARTS
Pedro Kos reveals the story of an unlikely group of radically progressive nuns.

Festival Section:
US Documentary Competition

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2021 Sundance Docs in Focus: HOMEROOM

Courtesy of Sundance Institute | photo by Sean Havey


HOMEROOM
Peter Nicks profiles an Oakland high school class in the tumultuous year of COVID and a widespread reckoning of racial injustice.

Festival Section:
US Documentary Competition

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In Theatres/Virtual Release: THE REASON I JUMP

Coming to select theatres and to virtual cinemas tomorrow, Friday, January 8:
THE REASON I JUMP

Director:
Jerry Rothwell

World Premiere:
Sundance 2020

Select Festivals:
DOC NYC, Hot Docs, AFI Docs, Docs Against Gravity, London, ReelAbilities

About:
A profile of non-verbal autistic young people, based on the New York Times bestseller by Naoki Higashida.

My pre-Sundance profile of the doc may be found here.

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In Virtual Release: BEAUTIFUL SOMETHING LEFT BEHIND

Coming to virtual cinemas tomorrow, Friday, January 8:
BEAUTIFUL SOMETHING LEFT BEHIND

Director:
Katrine Philp

World Premiere:
SXSW 2020 (unscreened)

Select Festivals:
DOC NYC, Camden, Reykjavík, Nordisk Panorama, Haifa, Bergen, Montclair

About:
An intimate child’s eye view of a counseling center which focuses on mourning the loss of loved ones.

The film screened as part of DOC NYC, for which our program notes read:
New Jersey’s Good Grief counseling center offers a holistic approach to mourning. Filmmaker Katrine Philp presents viewers with a child’s perspective of its programs, offering an affectionate and intimate look at the lives of several children who have recently lost their parents and must navigate their grief by embracing sadness with honesty, bravery, humor, and love. The result is an enlightening film in which the students become our teachers in finding better ways of coping with loss.

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2021 Sundance Docs in Focus: CUSP

Courtesy of Sundance Institute


CUSP
Parker Hill and Isabel Bethencourt intimately chronicle the lives of three teenage girls in a Texas military town.

Festival Section:
US Documentary Competition

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2021 Sundance Docs in Focus: AT THE READY

Courtesy of Sundance Institute


AT THE READY
Maisie Crow profiles Latinx teens in El Paso as they contemplate careers in border patrol and law enforcement against the backdrop of increasing xenophobia.

Festival Section:
US Documentary Competition

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In Virtual Release: MY REMBRANDT

Coming to virtual cinemas today, Wednesday, January 6:
MY REMBRANDT

Director:
Oeke Hoogendijk

World Premiere:
IDFA 2019

Select Festivals:
Docs Against Gravity, Montclair, Vancouver, GlobeDocs, Docville, Cologne

About:
Profiles of various owners – private and institutional – of works by the Old Master.

While still limited to the elite, there are surprisingly more private owners of Rembrandt paintings than one might expect. Filmmaker Oeke Hoogendijk introduces viewers to a handful in her somewhat shambolic art world exploration, such as the amiable Richard Scott, the 10th Duke of Buccleuch, who renovates his sitting room to serve as the perfect backdrop for his beloved Rembrandt, Old Woman Reading; Baron Eric de Rothschild, whose Paris home is crammed full of remarkable work, including Portrait of Marten Soolmans and Portrait of Oopjen Coppit, a pair of Rembrandts that are sought by both the Louvre and the Rijksmuseum; and art dealer Jan Six XI, the latest in a family of Rembrandt collectors. Others float in and out of Hoogendijk’s film, which unfortunately has too much of a loose, episodic structure for most of its running time before settling in for the final stretch around a controversy around Six’s discovery (and sale) of a hitherto unknown new work by the Old Master.

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