Category Archives: Documentary

On DVD: ADJUST YOUR TRACKING

adjust-your-tracking-1Coming to DVD today, Tuesday, June 17: ADJUST YOUR TRACKING: THE UNTOLD STORY OF THE VHS COLLECTOR

Dan Kinem and Levi Peretic’s survey of VHS fanatics made its debut last year at Los Angeles’ Days of the Dead convention. Since then, it’s screened at a variety of fan conventions, college campuses, one-off events, and fests around the US and beyond, including Sydney Underground, Albuquerque’s Dark Matters, and New Orleans’ Chalmette Movies.

This ode to obsession and nostalgia shares much in common with REWIND THIS!, Josh Johnson’s similarly themed, yet more expansive, exploration of present-day VHS lovers. Where the slicker latter film offers often interesting history and analysis, Kinem and Peretic’s film is more deliberately rough around the edges, visually approximating the degraded look of the format that their subjects effusively praise, and tends to place its focus more squarely on these collectors and their love/mania for collecting what others view as obsolete junk. Utilizing an unfussy talking heads survey approach, peppered with clips from several only-available-on-VHS dubious “classics,” and occasional collector profiles, the film successfully conveys unapologetic film geekery, as interviewees discuss their collections, how they organize their prized possessions (by tape size? genre? alphabetically?), and the excitement they experience when on the hunt for new acquisitions – even if it’s against the sad backdrop of shuttering video stores. Arguments about the collectors’ role in preserving film culture go a bit too far, as virtually every movie noted is low-budget, forgettable, and looks downright bad, so the fact that they haven’t been released on DVD/Blu-Ray is hardly a surprise and largely forgiveable. More compelling is that these men (and one lone woman) simply find pleasure in this hobby, and community in the subculture of which they’re a part.

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ON DVD: THE FINAL MEMBER

The-Final-Member-Key-Image-Courtesy-of-Drafthouse-Films-280x140Coming to DVD tomorrow, Tuesday, June 17: THE FINAL MEMBER

Jonah Bekhor and Zach Math’s exploration of phallological obsession premiered at Hot Docs in 2012. It went on to screen at DOC NYC, Seattle, Silverdocs, Fantastic Fest, Denver, and Florida, among others.

I included the film in my Hot Docs coverage here.

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AFI Docs 2014 Overview

logoThis Wednesday, June 18, sees the opening of the 12th edition of AFI Docs, in its sophomore year in Washington DC with Scott Teems’ HOLBROOK/TWAIN: AN AMERICAN ODYSSEY. Another year has seen continued changes for the event, with longtime festival director Sky Sitney having left her post this past February. Once again running a trimmer five days vs its seven-day incarnation as Silverdocs, the festival will screen approximately fifty features through Sunday, June 22, when the festival closes with Steve James’ LIFE ITSELF. Continue reading

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On VOD: A RIVER CHANGES COURSE

river changes courseComing to VOD tomorrow, Tuesday, June 17: A RIVER CHANGES COURSE

Kalyanee Mam’s portrain of the downsides of Cambodia’s development had its world premiere at Sundance last year, winning the World Cinema Grand Jury Prize. Its fest circuit has included Full Frame, San Francisco, Atlanta, RiverRun, Yale’s Environmental fest, LA’s Asian Pacific, and Docville. The doc now becomes available on VOD platforms including iTunes, XBOX, Sony Entertainment Network, SundanceNOW, Amazon, Vudu, YouTube, and VHX.

I profiled the film before Sundance here.

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Special Screening: ROMAN POLANSKI: WANTED AND DESIRED

STF_RomanPolanskiComing to NYC’s Stranger Than Fiction series at the IFC Center tomorrow, Tuesday, June 17: ROMAN POLANSKI: WANTED AND DESIRED

Marina Zenovich’s investigation into an infamous celebrity rape case made its debut at Sundance in 2008, where it won the Documentary Film Editing Award. It went on to screen at Cannes, Seattle, Zurich, Melbourne, Sydney, and Torino, among several others, and to win two Emmy Awards.

Well-known by US audiences for ROSEMARY’S BABY and for the tragic death of his wife Sharon Tate, a victim of the Manson Family, director Roman Polanski came under scrutiny when he was arrested in 1977 for the sexual assault of a thirteen year old during a photo shoot. Though originally claiming innocence, he accepted a plea bargain to lessen the charges, and plead guilty to unlawful sexual intercourse with a minor. However, rather than re-appearing in court for final sentencing, he left America for good, and, as a French citizen, was protected from extradition for over thirty years. Popular opinion viewed his flight from the US as a further admission of guilt and a move to avoid prison, leaving the once-celebrated filmmaker persona non grata. In the first of her two films about Polanski, Zenovich re-opens the case, crafting a persuasive argument and offering provocative new information – particularly about the ambitious judge’s behavior – that calls into question what everyone has taken as fact. While made without Polanski’s participation, Zenovich secures remarkable access to other major players in the drama, including, most affectingly, Samantha Geimer, the victim at is core. The film had real consequences, as detailed in Zenovich’s follow-up, ROMAN POLANSKI: ODD MAN OUT, with re-ignited interest in the controversial case leading to Polanski’s 2009 arrest while in Switzerland, though he was ultimately not extradited.

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In Theatres: NORTHERN LIGHT

northernlightComing to NYC’s Maysles Cinema for a threatrical run starting today, Monday, June 16: NORTHERN LIGHT

Nick Bentgen’s portrait of family, community, and snowmobile racing in the Recession debuted at True/False last year. It went on to screen at Visions du Réel, Hot Docs, BAMcinemaFest, New Orleans, Viennale, and Sebastopol Doc, among others.

I previously wrote about the doc out of True/False here.

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In the Works: WELCOME TO LEITH

A nearly deserted North Dakotan town becomes the unlikely battleground for white supremacy.

craig-cobb-welcome-to-leithWith no more than two dozen inhabitants, rural Leith ND drew the attention of Craig Cobb, a notorious white supremacist who had relocated to the state due to the recent oil boom, because of the availability of land. Purchasing several plots, he later expressed his intent: to draw other white supremacists to the town and take over its governance, a goal met with resistance by the long-time residents. Filmmakers Michael Beach Nichols and Christopher Walker chronicle the standoff, as the two opposed small communities try to lay claim to their self-determination with the help of their supporters. Continue reading

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On TV: I WILL BE MURDERED

I_Will_Be_Murdered_5Coming to PBS’s Global Voices on the WORLD Channel this Sunday, June 15: I WILL BE MURDERED

Justin Webster’s unusual story of Guatemalan death and politics debuted at Guatemala’s Memoria, Verdad, Justicia fest last year. It went on to screen at Hot Docs, Madrid’s Documenta, Traverse City, Lima, Sao Paulo, Tallgrass, Chicago, Antenna, Denver, Havana, and Cartagena, among others.

I previously wrote about the film in my Hot Docs coverage for Indiewire, saying:
Shortly before his death, Guatemalan attorney Rodrigo Rosenberg, whose clients were recently assassinated, recorded a video accusing President Alvaro Colom of his murder. After his execution, his confidante released the video and it became a nationwide sensation, leading to calls for Colom to resign. Public pressure forced an in-depth investigation in a country where 98% of murders go unsolved, but what the head of the taskforce found is wholly unexpected. Justin Webster crafts an investigative documentary that humanizes its victim even as it reveals genuinely surprising details about his case. Despite its twists and turns, the various nefarious figures that pop up, and the competing theories thrown in and out, Webster maintains a clarity of storytelling that might all too easily have become a muddled mess in other hands. What results is an absolutely stranger than fiction tale of lives cut short by corruption and secrets, and a demonstration of the power of the public to demand an end to impunity for even its highest elected officials.

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In Theatres: EVERGREEN: THE ROAD TO LEGALIZATION

evergreen_smoking_joint_0Coming to theatres tomorrow, Friday, June 13: EVERGREEN: THE ROAD TO LEGALIZATION

Riley Morton’s look at Washington State’s battle over marijuana legalization debuted at the Seattle International Film Festival last year. Other fest screenings have included Spokane and Bermuda Docs.

Morton’s film focuses on Washington’s controversial ballot initiative I-502, a measure to license, regulate, and decriminalize marijuana in the state, which was passed in the November 2012 election. Given that this result understandably made national and international news, Riley can’t depend on campaign doc conventions to ramp up suspense as it counts down to election night, which makes it unfortunate that the film is still structured in a fairly predictable manner, with a surfeit of talking heads and nitty gritty local campaign politics that may be lost on non-Washington viewers. To that point, it’s telling – and a smart move – that the doc’s subtitle has been slightly revised since its fest premiere to excise a specific mention of Washington State. At the same time, the overall subject matter is absolutely of national interest, and the general arguments put forth by Morton’s interview subjects certainly inform the national debate over legalization, so there’s clearly an audience that should be interested in the film and the case study provided by Washington State as cannabis legalization activism continues to spread.

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Northside 2014: Documentary Overview

header1Brooklyn’s Northside Festival kicks off today, Thursday, June 12, and runs through next Thursday, June 19, with film programming starting on Monday evening. As it has for the past several years, this mini-SXSW joins the worlds of music, cinema, and innovation together, and presents a healthy number of docs in its line-up – both new and recent work and an eclectic selection of retrospective classics or unseen gems. The following offers notable selections from this year’s film programming: Continue reading

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