Category Archives: Documentary

In Theatres: JODOROWSKY’S DUNE

jodorowsky's duneComing to theatres tomorrow, Friday, March 21: JODOROWSKY’S DUNE

Frank Pavich’s gleeful revisitation of the never-realized sci-fi adaptation had its world premiere in the Directors’ Fortnight at Cannes last year. It has gone on to screen at Toronto, Telluride, AFI Fest, BFI London, CPH:DOX, Fantastic Fest, Tokyo, and Sitges.

I previously wrote about the doc out of Toronto here.

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Cinéma du Reél 2014 Overview

630-cinema_du_reel_2014_210x315mmThe 36th edition of Cinéma du Reél, Paris’ premier nonfiction event, kicks off tomorrow, Thursday, March 20, and continues through Sunday, March 30. The festival, focused on visual anthropology and social documentary, annually presents about forty new or recent feature documentaries as well as scores of shorts, retrospective programming, installations, and panel programming. The following spotlights new work that has piqued my interest appearing in the event’s three feature competition sections: Continue reading

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In Theatres: ANITA

anitaComing to theatres this Friday, March 21: ANITA

Freida Mock’s portrait of Anita Hill and her legacy made its debut at Sundance last year. It went on to screen at Nantucket, Seattle, Human Rights Watch, Pan African, Cleveland, Hot Docs, Napa Valley, and AFI Docs, among others.

My pre-Sundance profile of the doc may be found here.

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On TV: MOTHERS OF BEDFORD

Coming to the WORLD Channel’s America ReFramed series tonight, Tuesday, March 18: MOTHERS OF BEDFORD

Jenifer McShane’s profile of incarcerated mothers debuted at Hot Docs in 2011. It went on to screen at DOC NYC and the Film Society of Lincoln Center’s Independents Night, and to open the Social Justice Film Festival, among other events. It screens on the PBS series in recognition of Women’s History Month.

I previously covered the doc out of Hot Docs here.

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In Theatres & On VOD: PRETTY OLD

pretty oldComing to NYC theatres and to VOD today, Tuesday, March 18: PRETTY OLD

Walter Matteson’s look at a senior beauty pageant debuted at Santa Barbara in 2012, where it won best documentary. It went on to screen at Nantucket, Woodstock, Newport Beach, San Diego, Ft Lauderdale, and Boston Jewish, among other events. It is now available via iTunes, Amazon Instant Video, Google Play, Direct TV, PlayStation, Xbox Video, VUDU and YouTube Movies, as well as for theatrical on-demand engagements via Gathr.

For the past thirty years, women over the age of 58 have come to Fall River MA to compete in the Ms Senior Sweetheart Pageant, singled out by many contestants as their favorite of similar types of events. Over the course of eleven days, thirty women join their peers for competition, but with a large dose of camaraderie, celebrating their age and experience rather than ruing it. Interweaved with backstage and onstage pageant goings on, Matteson profiles four of the engaging competitors in greater depth – who contend with cancer, Alzheimer’s, and other concerns – while also providing insight on the event’s history via its indelible founder, Lenny.

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Cleveland 2014: Documentary Overview

imgresTomorrow, Wednesday, March 19, sees the launch of the 38th edition of the popular Cleveland International Film Festival, a sprawling and increasingly popular regional cinema event that annually serves the cinephilic tastes of the Ohio city. Showcasing over 350 films from nearly 70 countries through Sunday, March 30, the festival’s lineup includes approximately 70 documentary features, appearing in several sidebars and as part of a variety of competition programs. Highlights from the latter are singled out below: Continue reading

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New Directors/New Films 2014: Documentary Overview

new directorsThe 43rd annual edition of the Museum of Modern Art and the Film Society of Lincoln Center’s New Directors/New Films launches tomorrow, Wednesday, March 19, and continues through Sunday, March 30. The Spring cousin of the venerable New York Film Festival, ND/NF is a more tightly curated affair, presenting just under 30 feature length films from innovative and emerging filmmakers. Among these are just six recent works of nonfiction or hybrid nonfiction:

we come as friendsThree of these include recent standouts from Sundance which I’ve previously profiled: Talal Derki’s immersive Syrian civil war chronicle, RETURN TO HOMS, which previously opened IDFA; Hubert Sauper’s South Sudanese neocolonial expedition, WE COME AS FRIENDS (pictured); and Iain Forsyth and Jane Pollard’s hybrid essay on musician Nick Cave, 20,000 DAYS ON EARTH, winner of two awards in Park City this January.

baba yagaI’ve also previously written about another hybrid offering, Roberto Minervini’s slow-burning would-be rural romance, STOP THE POUNDING HEART. Other selections include Ben Rivers and Ben Russell’s experimental hybrid, A SPELL TO WARD OFF THE DARKNESS; and Jessica Oreck’s THE VANQUISHING OF THE WITCH BABA YAGA (pictured), which blends fairy tale animation and documentary storytelling in a parable of life in Eastern Europe.

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Indiewire @ Hulu Docs: Rockstar Edition

SXSW may be over, but there are plenty of rockstar dreams to last the whole year long. My latest curated selections for Hulu’s Documentaries page, focuses on musicians and their aspirations of stardom. Watch these docs now for free!

For more information about the selections, see my Indiewire article.

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In Theatres: THE MISSING PICTURE

themissingpicture_05Coming to theatres this Wednesday, March 19: THE MISSING PICTURE

Rithy Panh’s memoir of Cambodia during the Khmer Rouge’s regime debuted at Cannes last year, winning the Un Certain Regard. It went on to screen at Toronto, New York, Vancouver, Cleveland, Seattle, Jerusalem, and Göteborg, among several others, and was also Oscar nominated for Best Foreign Language Film.

I previously wrote about the film out of Toronto here.

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On Cable: PAYCHECK TO PAYCHECK

paycheckComing to HBO tonight, Monday, March 17: PAYCHECK TO PAYCHECK: THE LIFE AND TIMES OF KATRINA GILBERT

Shari Cookson and Nick Doob’s portrait of a struggling single working mother had a sneak preview at Big Sky last month before making its official debut on HBO.

A collaboration with Maria Shriver’s The Shriver Report, Cookson and Doob’s film aims to draw attention to the plight of the nation’s 42 million women who live in poverty. Rather than conducting a survey of several subjects, the filmmakers have wisely focused in on one compelling figure, Katrina Gilbert, a 30-year-old mother of three and sole breadwinner in her family. Separated from her husband, who moves back to Tennessee during the course of the film to be closer to their children and to find a job, Gilbert works as a nursing assistant at an extended-care facility for $9.49 an hour. Hard working, but barely scraping by, having to go without costly prescriptions in order to take care of more basic necessities for her young children, Gilbert still dreams of bettering her situation through education. Reminiscent in some ways to the recent KIND HEARTED WOMAN, Cookson and Doob’s film is a sympathetic and illuminating portrait of an often under-represented, if not actively misrepresented, segment of America’s working poor.

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