Category Archives: Film

On VOD: V-CARD

New to VOD this week:
V-CARD

Director:
Jamaal Green

Premiere:
Cinekink 2018

About:
A 23 year old virgin makes a film about virginity and his quest to lose his.

Dillon is a tall, larger guy who is still a virgin in his early 20s, and, as he or his friends explain more than once, takes on this film project as a way to make sense of his virginity, and, ideally, lose it. He sets off to interview pretty much anyone he can find about virginity: academics dealing with sexuality and gender, sex therapists, his parents, his friends, porn actors and actresses, comedians, and, recurringly, vox pops around NYC. Supplementing this are video diary entries, meta conversations about the film, and adventures in online-, app-, and speed dating. Though on the surface he is outgoing and able to engage the various women he interviews, Dillon has a defeatist attitude born from years of rejection, forcing him to change his attitude to find a solution to his issues. While Dillon seems like a nice guy – his performativity makes it hard to get a real sense of authenticity – he and his collaborators have made a clunky film. Beyond its weak production values and very familiar premise, the project suffers from a common crutch for novice documentarians: the meta film. Dillon spends an excessive amount of time explaining what the film is or discussing the film, making it feel tedious and far longer than it is.

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Visions du Réel 2019 Overview

Festival:
The 50th Visions du Réel

Dates:
April 5-13

About:
This notable Swiss nonfiction event reaches a landmark anniversary year with a lineup of nearly 80 new documentary features, in addition to extensive retrospective programming. Continue reading

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On VOD: BARISTAS

New to VOD this week:
BARISTAS

Director:
Rock Baijnauth

Premiere:
VOD release (April 2019)

About:
Four national champion baristas prepare for the world championship in South Korea.

A thematic sequel to the filmmaker’s 2015 film, BARISTA, this sometimes overly slick doc trails four competitions who have already been named best barista of their own countries as they vie for world recognition. For the uninitiated, the film reviews competition rules, and then follows its subjects – from Japan, Ireland, Germany, and the US – as they develop their presentations and signature drinks in the lead up to the event, the more interesting aspect of this project. Once the action shifts over to Seoul, the competition itself is presented in a scattered, montage-driven manner, as some protagonists find themselves eliminated, and others make the final. While Baijnauth is able to convey his subjects’ personalities fairly well, and captures an appropriate hipster vibe as a whole, the film is somewhat underwhelming, and likely only of real interest for die-hard coffee aficionados.

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In Theatres Redux: AMAZING GRACE

Coming back to theatres tomorrow, Friday, April 5:
AMAZING GRACE

Realized and Produced by:
Alan Elliott

Premiere:
DOC NYC 2018

Select Festivals:
Berlin, SXSW, True/False, AFI Fest, Full Frame, Pan African

About:
A landmark Aretha Franklin music concert film is released over forty years after it was filmed.

I previously wrote about the doc here.

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In Theatres: WALL

Coming to theatres today, Wednesday, April 3:
WALL

Director:
Cam Christiansen

Premiere:
Calgary 2017

Select Festivals:
CPH:DOX, Edinburgh, Annecy

About:
An animated adaptation of David Hare’s play exploring the impact of Israel’s West Bank barrier.

Presented free to audiences in a one-week run at NYC’s Film Forum, Christiansen’s film will, of course, have resonance with American viewers due to the current presidential administration’s obsession with a border wall with Mexico. While that contentious project sits outside of the scope of Hare and Christiansen’s doc, another historical structure, the Berlin Wall, is invoked here, with its similarities and contrasts to the Israel/Palestine separation barrier pointed out during Hare’s meditation on mitigating conflict between the two nations. Reviewing the barrier’s origins in response to terrorist bombings within Israel, Hare notes its relative successes and failures – bombings down, but rocket attacks up – and seeks out the perspectives of individuals on both sides, literally. Christiansen provides audiences with an imaginative way to experience the wall and its various meanings, while also helping to break the project out of its theatrical origins – though there’s no fully escaping its staginess, given Hare’s monologuing.

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On DVD/VOD: AMERICAN RELAPSE

New to DVD and VOD this week:
AMERICAN RELAPSE

Directors:
Pat McGee and Adam Linkenhelt

Premiere:
Rhode Island 2018

Select Festivals:
Cleveland, Orlando, Anchorage, Montana

About:
A candid look at America’s heroin epidemic through the perspective of recovering addicts helping others navigate rehab.

I previously wrote about the doc here.

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It’s All True 2019 Overview

Festival:
The 24th É Tudo Verdade/It’s All True

Dates:
April 4-14

About:
Just over 30 feature docs are presented in this respected Brazilian event. Continue reading

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On DVD/VOD: ¡LAS SANDINISTAS!

Coming to DVD and VOD today, Tuesday, April 2:
¡LAS SANDINISTAS!

Director:
Jenny Murray

Premiere:
SXSW 2018

Select Festivals:
Lima, Southern Circuit, Maryland

About:
The female leaders of the 1979 Nicaraguan revolution look back at their unsung accomplishments.

I previously wrote about the doc here.

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Full Frame 2019 Overview

Festival:
The 22nd Full Frame Documentary Film Festival

Dates:
April 4-7

About:
Approximately 50 new and recent feature docs, plus several retrospective works, appear at this Durham NC event. Continue reading

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On DVD/VOD: THE GREAT BUSTER: A CELEBRATION

Coming to DVD and VOD today, Tuesday, April 2:
THE GREAT BUSTER

Director:
Peter Bogdanovich

Premiere:
Venice 2018

Select Festivals:
Telluride, Chicago, Deauville, Mill Valley

About:
A tribute to comic screen legend Buster Keaton.

I previously wrote about the doc here.

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