Category Archives: Recommendations

In Theatres: WRESTLE

Coming to theatres tomorrow, Friday, February 22:
WRESTLE

Director:
Suzannah Herbert

Co-Director:
Lauren Belfer

Premiere:
San Francisco 2018

About:
An intimate look at a Huntsville AL high school wrestling team.

I previously wrote about the doc here.

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Ambulante 2019 Overview

Festival:
The 14th Ambulante

Dates:
February 21-May 16

About:
Over nearly three months, Mexico’s traveling nonfiction event will present screenings of approximately 30 new and recent feature docs as well as shorts in eight states: Veracruz, Querétaro, Puebla, Coahuila, Jalisco, Chihuahua, Oaxaca, and Mexico City. Continue reading

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On DVD: THE LAST RACE

New to DVD this week:
THE LAST RACE

Director:
Michael Dweck

Premiere:
Sundance 2018

Select Festivals:
Hamptons, Hot Springs Doc, Gold Coast, Florida, Denver, Virginia

About:
An exploration of a once-thriving but now vanishing subculture of stock car racing in Long Island.

I profiled the doc before Sundance here.

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Documentary Fortnight 2019 Overview

Festival:
The 18th Documentary Fortnight

Dates:
February 21-28

About:
MoMA’s annual nonfiction showcase has slimmed down a bit this year, with just 17 new and recent features in the lineup. Continue reading

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On TV/DVD: SAMMY DAVIS JR: I’VE GOTTA BE ME

SAMMY DAVIS, JR: I’VE GOTTA BE ME

Coming to PBS’s American Masters and to DVD tomorrow, Tuesday, February 19:
SAMMY DAVIS JR: I’VE GOTTA BE ME

Director:
Sam Pollard

Premiere:
Toronto 2017

Select Festivals:
DOC NYC, AFI Fest, Chicago, Philadelphia, Woodstock, New York Jewish, RiverRun, St Louis,

About:
A star-studded roster of interviewees pay tribute to the legendary, multi-talented song-and-dance man.

I previously wrote about the doc here.

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Special Screening: ORIGINAL CAST ALBUM: COMPANY & ORIGINAL CAST ALBUM: CO-OP

Coming to NYC’s Pure Nonfiction screening series tomorrow, Tuesday, February 19:
ORIGINAL CAST ALBUM: COMPANY & ORIGINAL CAST ALBUM: CO-OP

Director:
DA Pennebaker (COMPANY), Alex Buono (CO-OP)

Premiere:
New York Film Festival 1970 (COMPANY), DOC NYC 2018 (CO-OP)

About:
A one-of-a-kind presentation of Pennebaker’s classic behind-the-scenes Broadway chronicle and the loving DOCUMENTARY NOW! send-up episode it inspired.

As explained in its opening card, Pennebaker was approached to film the album recording as a pilot for an intended television series, but the larger project never took off after the lead producers left NYC to head MGM in Hollywood. What remains is this compelling hour-long film, one of Pennebaker’s most enjoyable projects. The Direct Cinema master films the marathon 14-hour recording session with the COMPANY cast, plus a notable pick up shot a few days later, distilling it into a compelling exploration of artists performing under intense pressure. Recorded just after COMPANY debuted on Broadway, the cast gamely belts out their songs as the session wears on, taking direction from the cocky young Sondheim and producer Thomas Shepard. It all culminates in the dramatic final scene, the recording of the final song, Elaine Stritch’s solo “The Ladies Who Lunch,” which doesn’t go according to plan despite take after take.

As part of its new season, IFC’s Emmy-nominated series DOCUMENTARY NOW! pays loving tribute to Pennebaker’s classic, reimagining Sondheim’s COMPANY as a decidedly less-successful show called CO-OP. In the episode, producers Benedict Juniper (Taran Killam), Simon Sawyer (John Mulaney), and Howard Pine (James Urbaniak) oversee the cast album recording of the ill-fated musical CO-OP, featuring Kenny (Alex Brightman), the star of the show; Larry (Richard Kind), the out-of-breath doorman; Patty (Paula Pell), who has to go to the eye doctor; and Dee Dee (Renee Elise Goldsberry), a tennis coach who dreams of living in the building.

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On TV: MINDING THE GAP

Coming to PBS’s POV tonight, Monday, February 18:
MINDING THE GAP

Director:
Bing Liu

Premiere:
Sundance 2018

Select Festivals:
Nantucket, Hot Docs, Sheffield, CPH:DOX, DOXA, AFI Docs, Full Frame, Biografilm, Doc 10, Big Sky Doc, San Francisco, Cleveland, Freep, BAMcinemaFest, Sun Valley, San Diego Asian, LA Asian Pacific, CAAMFest, RiverRun, Newport Beach, Docs Against Gravity, Nashville, Guanajuato, Traverse City, Dokufest

Notable Recognition:
The documentary has been nominated for the Academy Awards.

About:
Friends from volatile homes, bonded over their love of skateboarding, face the responsibilities and complexities that come with adulthood.

I profiled the doc before Sundance here.

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On VOD: LORENA

LORENA | Courtesy of Sundance Institute

Coming to Amazon Prime today, Friday, February 15:
LORENA

Director:
Joshua Rofé

Premiere:
Sundance 2019

About:
An exploration of the notorious case of Lorena and John Wayne Bobbitt

I profiled the doc series before Sundance here.

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Big Sky Documentary 2019 Overview

Festival:
The 16th Big Sky Documentary Film Festival

Dates:
February 15-24

About:
Nearly 60 new or recent doc features screen as part of Montana’s largest film event. Continue reading

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On DVD/VOD: AMONG WOLVES

New to DVD and VOD this week:
AMONG WOLVES

Director:
Shawn Convey

Premiere:
Chicago 2016

Select Festivals:
Big Sky Doc, Sebastopol Doc, St Louis, Anchorage, RiverRun

About:
A profile of a biker club consisting of veterans of the Bosnian War.

During the Bosnian War in the early 1990s, Lija helped defend his city, Livno – service for which he feels no guilt. Now, he leads many of his comrades-in-arms from those days in the Wolves motorcycle club. Though the viewer might expect these hardened veterans to live up to the aggro biker stereotype, the portrait that emerges in Shawn Convey’s surprisingly understated film upends those preconceptions. While some of the Wolves’ younger members engage in some disruptive behavior, to the gentle headshaking of Lija and his cohort, the club as a whole is dedicated to charitable work, from blood drives and building repair to taking responsibility for the care and protection of a herd of wild horses – stewardship that is laden with metaphor about their own membership. Convey’s project is a quiet one, focused more on observation than on fleshing out the personalities or lives of the Wolves – save, to some extent, Lija – but nevertheless paints an intriguing portrait of trauma and healing.

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