Category Archives: Releases

In Theatres: THE OSLO DIARIES

Coming to theatres today, Friday, August 24:
THE OSLO DIARIES

Directors:
Mor Loushy and Daniel Sivan

Premiere:
Sundance 2018

Select Festivals:
Hot Docs, Seattle, Jerusalem, Global Peace, Biografilm, Documentary Edge, Jewish festivals in San Francisco, Boston, Toronto, and London

About:
An unprecedented behind the scenes look at the Israeli-Palestinian peace process.

My pre-Sundance profile of the doc may be found here.

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In Theatres & On VOD: CRIME + PUNISHMENT

Coming to theatres and to Hulu tomorrow, Friday, August 24:
CRIME + PUNISHMENT

Director:
Stephen Maing

Premiere:
Sundance 2018

Select Festivals:
Nantucket, True/False, Hot Docs, AFI Docs, Doc10, Full Frame, BAMcinemaFest, Ashland, Sarasota, Thin Line, Montclair, Nashville, Seattle, Shanghai, Traverse City, Martha’s Vineyard, NY Asian American, Southern Fried, Houston Latino

About:
Whistleblowing police officers attempt to expose a corrupt NYPD.

I profiled the doc before Sundance here.

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In Theatres: MAKALA

Coming to theatres tomorrow, Friday, August 24:
MAKALA

Director:
Emmanuel Gras

Premiere:
Cannes 2017

Select Festivals:
Karlovy Vary, Toronto, London, Busan, IDFA, CPH:DOX, True/False, Thessaloniki Doc, New Directors/New Films, Poland’s New Horizons, Palm Springs, Goteborg, Tokyo, Hamburg, Vienna

About:
A young Congolese man embarks on a Sisyphean trek to sell charcoal.

I previously wrote about the doc here.

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On VOD: DO YOU TRUST THIS COMPUTER?

New to VOD this week:
DO YOU TRUST THIS COMPUTER?

Director:
Chris Paine

Premiere:
Regency Village Theater, Westwood (April 2018)

Select Festivals:
CinemAmbiente

About:
An exploration of the current and potential impact of artificial intelligence on the world.

I previously wrote about the doc here.

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On TV: QUIET HEROES

Coming to Logo TV tomorrow, Thursday, August 23:
QUIET HEROES

Directors:
Jenny Mackenzie, Jared Ruga, and Amanda Stoddard

Premiere:
Sundance 2018

Select Festivals:
Frameline, BFI Flare, Portland QDoc, TLVFest

About:
A tribute to the only medical professionals in Utah who would treat patients with AIDS in the early years of the epidemic.

My pre-Sundance profile may be found here.

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In Theatres: JOHN MCENROE: IN THE REALM OF PERFECTION

Coming to theatres tomorrow, Wednesday, August 22:
JOHN MCENROE: IN THE REALM OF PERFECTION

Director:
Julien Faraut

Premiere:
Berlin 2018

Select Festivals:
Cinema du Reel, Art of the Real, Seattle, deadCenter, Las Vegas, Sydney, Melbourne, New Zealand, Provincetown, Jerusalem, Jeonju

About:
The athlete’s 1984 French Open performance illustrates an essay on the linkage between tennis and cinema.

Though its title might suggest a conventional biographical portrait, Faraut’s unconventional film is anything but. While its titular subject ends up being the project’s focal point, the film signals its unusual approach in its set up, highlighting not McEnroe, but the work of Gil de Kermadec, an instructional filmmaker for France’s Institut National du Sport et de l’Education Physique. Faraut himself has a background at the INSEP, informing this analysis bridging the worlds of sport and cinema. He draws first from de Kermadec’s almost comic how-to-play-tennis films and then from footage of McEnroe on the courts to demonstrate the pro’s unpredictable style and infamous rage. At the same time, the filmmaker, through the playful – sometimes too much so – narration by Mathieu Amalric, builds a not altogether convincing argument about the parallels between filmmaking and tennis, involving meditations on movement, time, perception, and, ultimately, storytelling, with McEnroe in the role of auteur. The culmination is a deep and occasionally repetitive parsing of McEnroe’s legendary disappointment at the finals of the 1984 French Open. While the film’s drollness gives way to pretension at times, there’s a distinct pleasure in witnessing McEnroe’s masterful game from such a hyper-focused perspective, even for non-fans.

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On DVD: LARGER THAN LIFE: THE KEVYN AUCOIN STORY

Coming to DVD today, Tuesday, August 21:
LARGER THAN LIFE: THE KEVYN AUCOIN STORY

Director:
Tiffany Bartok

Premiere:
Hamptons 2017

Select Festivals:
DOC NYC, Full Frame, Cleveland, Edinburgh

About:
A portrait of a too-soon-departed fashion world pioneer.

I previously wrote about the doc here.

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On DVD: WE’RE STILL HERE: JOHNNY CASH’S BITTER TEARS REVISITED

Coming to DVD today, Tuesday, August 21:
WE’RE STILL HERE: JOHNNY CASH’S BITTER TEARS REVISITED

Director:
Antonino D’Ambrosio

Premiere:
Austin 2015

Select Festivals:
IDFA, Big Sky Doc, Biografilm, Belfast, Martha’s Vineyard, Noise Pop, Red Nation, American Indian Film Festival

About:
A reflection on Johnny Cash’s controversial 1964 concept album in support of the struggles of Native Americans.

D’Ambrosio’s midlength documents the recording of 2014’s Look Again to the Wind: Johnny Cash’s Bitter Tears Revisited, a tribute album on the occasion of the 50th anniversary of Cash’s Bitter Tears: Ballads of the American Indian. But beyond the standard behind the scenes footage and recording sessions that will primarily appeal to fans of the participating musicians and Cash adherents, the film also provides the fascinating, insightful, and troubled history of the original project, broadening the scope and audience for D’Ambrosio’s doc. Cash’s Bitter Tears marked a departure for the country singer, taking on an explicitly political topic in the form of a concept album – a form not fully appreciated at that point in time – that addressed the historical and ongoing oppression of Native people. As present-day musicians put their own spin on the album’s eight songs, their meaning and the reaction to the release is recounted, from outrage from fans accusing Cash of turning away from his country root to embrace folk activism, to outright censorship from the music industry who seemed deadset to deny the promotion of Native American issues.

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On VOD: WON’T YOU BE MY NEIGHBOR?

photo by Jim Judkis

Coming to VOD tomorrow, Tuesday, August 21:
WON’T YOU BE MY NEIGHBOR?

Director:
Morgan Neville

Premiere:
Sundance 2018

Select Festivals:
Nantucket, Hot Docs, SXSW, True/False, San Francisco, Montclair, Seattle, Cleveland, Minneapolis St Paul, Wisconsin, Boulder, Miami

About:
A moving exploration of the enduring impact of children’s television show host Fred Rogers on generations of viewers through his pioneering program, MISTER ROGERS’ NEIGHBORHOOD.

I profiled the doc before Sundance here.

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On TV: BETTY WHITE: FIRST LADY OF TELEVISION

Coming to PBS tomorrow, Tuesday, August 21:
BETTY WHITE: FIRST LADY OF TELEVISION

Director:
Steven J Boettcher

Premiere:
Oriental Theatre, Milwaukee (August 2018)

About:
A celebration of the pop culture icon and her nearly 80 years in television.

Filmed over the past decade, Boettcher’s profile is a love letter to Betty White, whose career stretches from television’s earliest years to the present day. Different generations of viewers will undoubtedly have distinct associations with her roles and appearances over the decades: As the star of the 1950s sitcom LIFE WITH ELIZABETH, serving as a celebrity guest on 1960s game shows like PASSWORD, the two-faced Sue Ann Nivens on 1970s staple THE MARY TYLER MOORE SHOW, the loveable dimwit Rose Nylund on THE GOLDEN GIRLS and its short-lived spin-off THE GOLDEN PALACE in the 1980s and ’90s, Elka Ostrovsky from 2010s series HOT IN CLEVELAND, and, of course, the resurgence of her appeal over the past decade that saw a fan-driven campaign to have her host SNL and led to additional commercial and film work. PBS’s tribute touches on all of these aspects of White’s career – plus her dedication to her late husband, Allen Ludden, and to her work as an animal advocate – but unfortunately attempts to do so in just under an hour, resulting in something of a missed opportunity, and some strange choices. Jennifer Love Hewitt takes up valuable minutes talking about White’s dramatic turn in a Hallmark TV movie that it’s unlikely most viewers ever saw, and the star’s arguably most popular show, THE GOLDEN GIRLS, is given surprisingly short shrift compared to the far less successful HOT IN CLEVELAND, over-represented here by gushing co-star Valerie Bertinelli. Still, Boettcher’s portrait succeeds in reminding the audience how much we love Betty White.

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