Category Archives: Releases

On TV: EVA HESSE

Coming to PBS’s American Masters tomorrow, Friday, August 31:
EVA HESSE

Director:
Marcie Begleiter

Premiere:
Whitney Museum of American Art (May 2015)

Select Festivals:
Docaviv, Virginia, Denver’s Women + Film series, Washington Jewish, Philadelphia Jewish, Wexner Center for the Arts

About:
A portrait of the pioneering postwar artist.

I previously wrote about the doc here.

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In Theatres: PICK OF THE LITTER

Coming to theatres tomorrow, Friday, August 31:
PICK OF THE LITTER

Directors:
Don Hardy and Dana Nachman

Premiere:
Slamdance 2018

Select Festivals:
Nantucket, Hot Docs, AFI Docs, Melbourne, New Zealand, Sydney, Cleveland, Seattle, San Francisco, Freep, Hawaii, Newport Beach

About:
A behind the scenes look at the training of guide dogs for the blind.

I previously wrote about the doc here.

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On DVD/VOD: CALLING ALL EARTHLINGS

New to DVD/VOD this week:
CALLING ALL EARTHLINGS

Director:
Jonathan Berman

Premiere:
Illuminate 2018

Select Festivals:
Maui

About:
The mysterious story of a man who claimed to talk to aliens and those who try to preserve his legacy.

I previously wrote about the doc here.

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On DVD: GAMECHANGERS: DREAMS OF BLIZZCON

New to DVD this week:
GAMECHANGERS: DREAMS OF BLIZZCON

Director:
John Keating

Premiere:
DreamHack Austin 2018

About:
A look at the lives of two professional StarCraft II players as they prepare for an eSports grand championship.

I previously wrote about the doc here.

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On DVD: NO DRESS CODE REQUIRED

Coming to DVD today, Tuesday, August 28:
NO DRESS CODE REQUIRED

Director:
Cristina Herrera Borquez

Premiere:
Havana 2016

Select Festivals:
Palm Springs, Human Rights Watch, Guanajuato, Kashish Mumbai LGBT, Ambulante, DocsMX, Outfest, Seattle, Warsaw

About:
A gay Mexican couple fights local government to get married.

I previously wrote about the doc here.

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On DVD: RBG

Coming to DVD today, Tuesday, August 28:
RBG

Directors:
Betsy West and Julie Cohen

Premiere:
Sundance 2018

Select Festivals:
Miami, Cleveland, San Francisco, Montclair

About:
A portrait of legendary, outspoken US Supreme Court Justice Ruth Bader Ginsburg.

I profiled the doc before Sundance here.

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On TV: BIDDER 70

Coming to PBS’s America ReFramed tomorrow, Tuesday, August 28:
BIDDER 70

Directors:
Beth Gage and George Gage

Premiere:
Mountainfilm 2012

Select Festivals:
Cleveland, Denver, Human Rights Watch, Traverse City, United Nations, Mill Valley, Washington DC Environmental

About:
An exploration of one man’s act of civil disobedience.

I previously wrote about the doc here.

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On TV: NOWHERE TO HIDE

Coming to PBS’s POV tonight, Monday, August 27:
NOWHERE TO HIDE

Director:
Zaradasht Ahmed

Premiere:
IDFA 2016

Select Festivals:
CPH:DOX, Thessaloniki Doc, One World, Göteborg, Cleveland, Sarasota, Docs Against Gravity, Sydney, Seattle, DocAviv, Human Rights Watch NYC, London, and Toronto

About:
A personal tour through daily life in Iraq.

I previously wrote about the doc here.

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On TV: AMERICA TO ME

Coming to Starz
beginning this Sunday, August 26:
AMERICA TO ME

Director:
Steve James

Premiere:
Sundance 2018

Select Festivals:
Full Frame, AFI Docs, Middlebury

About:
An intimate docuseries exploring the intersection of race and educational achievement over a year in a diverse suburban Chicago-area high school.

I profiled the series pre-Sundance here.

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In Theatres: HOT TO TROT

Coming to theatres today, Friday, August 24:
HOT TO TROT

Director:
Gail Freedman

Premiere:
Frameline 2017

Select Festivals:
NewFest, Documentary Edge, LGBT fests in Boston, Atlanta, and London

About:
A profile of same-sex competitive ballroom dancers.

Freedman’s film follows two pairs of dancers: Gay male dancer Ernesto, who begins with dancing partner Robbie, but must shift gears when the latter must contend with a health emergency, and takes on new teammate Nikolai; and lesbians Emily and Kieran. Notably, neither pairs are romantically linked, but working in tandem, they develop a unique intimacy. With same-sex dancers barred from mainstream ballroom competitions due to proscribed rules about men leading and women following, these Freds and Gingers instead show their moves on the niche same-sex circuit, represented here primarily through Oakland’s April Follies and the Gay Games. Unfortunately, the film actually doesn’t adequately permit the dancers to strut their stuff – despite a subject matter that lends itself to action and vibrancy, there’s surprisingly little dance here, and what is shown is filmed fairly perfunctorily. Instead of focusing on the competition, Freedman opts to go for portraiture – a not unreasonable decision, given the surfeit of mediocre competition docs made each year – but her protagonists just aren’t particularly compelling absent dance, making for a fairly forgettable run down of their coming out stories, health issues, and the like.

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