Category Archives: Releases

Coming to DVD tomorrow, Tuesday, May 28: THE LOVING STORY

Nancy Buirski’s exploration of the story behind the landmark Supreme Court case Loving v Virginia debuted at Tribeca in 2011. It went on to screen at Full Frame, Silverdocs, Hamptons, Traverse City, and United Nations Association, among others. The doc enjoyed a brief theatrical run and won a Peabody Award, and comes to DVD just before the Supreme Court is expected to rule on another high profile marriage equality case next month.

I wrote about the doc out of Tribeca here.

Coming to DVD tomorrow, Tuesday, May 28: CHARGE

Mark Neale’s look at the efforts of several groups to develop electric motorcycles just wrapped up a multi-city week-long run via Cinedigm.

I previously wrote about the doc here.

Coming to the theatres tomorrow, Wednesday, May 22: PLIMPTON! STARRING GEORGE PLIMPTON AS HIMSELF

Tom Bean and Luke Poling’s portrait of an unlikely citizen celebrity premiered at Silverdocs last year. Its fest run has included DOC NYC, Martha’s Vineyard, Camden, Hamptons, Hot Springs, Austin, Palm Springs, Cleveland, Oxford, and RiverRun, among others.

I previously wrote about the doc out of Silverdocs for Indiewire, saying:
Tom Bean and Luke Poling’s comprehensive portrait of the late Renaissance/Everyman made its world premiere at the festival this week. Known for both his forays into participatory journalism and as the co-founder/editor of THE PARIS REVIEW, Plimpton emerges as a fascinating subject – willing to be the ultimate amateur – trying his hand at stand-up, football, and the flying trapeze for the sake of an experiential story – despite criticisms, while also cultivating the talents of multiple generations of authors through his influential journal. Smartly constructed, using copious archival interviews to allow Plimpton to largely tell his own story, Bean and Poling’s documentary is a brilliant example of creative biographical filmmaking.

Coming to DVD tomorrow, Tuesday, May 21: LA SOURCE

Patrick Shen’s look at one Haitian man’s quest to improve his village debuted at Silverdocs last year. It went on to screen at DocuWeeks, DocuWest, Big Sky, Newport Beach, Sarasota, Atlanta, and Palm Springs, among other fests.

I previously wrote about the doc here.

Coming to theatres via Cinedigm’s Docurama Festival initiative next Tuesday, May 21: CHARGE

Mark Neale’s chronicle of the trials and triumphs of developing zero emissions motorcycles seems to have largely bypassed film festivals, though it did win an award at Vegas Independent in 2011. The film is part of Cinedigm’s new seven-film program bringing feature documentaries to theatres weekly in up to fifteen US markets, including NYC, LA, Pasadena, Encino, San Diego, Palm Desert, Austin, San Antonio, Phoenix, Cleveland, Columbus, Pittsburgh, Hartford, New Haven, Ithaca, Richmond, and Helena. The films are also available for additional theatrical-on-demand screenings via Tugg. In NYC, Cinema Village will screen the doc next Tuesday, Thursday, and Saturday.

Narrated by racing fan Ewan McGregor, Neale’s film focuses on the world’s first zero-emissions motorcycle grand prix, held in the Summer of 2009 on the Isle of Man, home of the most legendary and difficult course in the sport. With practice courses and other prep for the annual regular race already taxing the Isle’s infrastructure, and the patience of its residents, the decision to devote even more time to an unorthodox electric vehicle version is met with skepticism if not downright resistance. Neale follows several teams in the lead-up to the race, out to prove the viability of an electric motorcycle that can complete the challenging course on one charge with the same thrill as their fossil-fueled kin. At the center of this international assemblage are the cocky US team, MotoCzysz, who have sunk $350,000 into their bike, and Team Agni, which taps into the genius of Cedric Lynch, an eccentric pioneer whose innovative motor design is used in several of the competitors’ vehicles. Mechanically minded viewers would likely find more to appreciate in numerous garage and workshop scenes as engineers work out kinks and discuss torque and whatnot, but even those with zero interest in racing will find the film engaging. Neale is able to generate genuine tension about whether the teams will successfully finish their designs, make it to the race, and even finish – both at the inaugural event in 2009 and at the follow up in 2010 – and the green theme at its core should draw an unlikely but appreciative additional audience.