Category Archives: Releases

On VOD: SHUT UP LITTLE MAN!

Coming to Tribeca Films On Demand next Thursday, August 25: SHUT UP LITTLE MAN! AN AUDIO MISADVENTURE

Matthew Bate premiered his investigation into a bizarre pre-Internet viral phenomenon at this year’s Sundance, and went on to twenty additional fests, including True/False, New Directors/New Films, Seattle, Sheffield, Frameline, and Outfest. Tribeca Film is releasing the film on demand now, with simultaneous theatrical engagements in San Francisco and Berkeley, expanding out to NY, LA, and elsewhere in September.

My pre-Sundance profile may be found here.

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In Theatres: BEING ELMO

Coming to theatres (as part of the International Documentary Association’s Oscar-qualifying DocuWeeks) this Friday, August 19 (NYC’s IFC Center) and on Friday, September 2 (LA’s Laemmle Sunset 5): BEING ELMO: A PUPPETEER’S JOURNEY

Constance Marks’ portrait of the man who brings everyone’s favorite Muppet to life debuted at Sundance this year, where it claimed a Special Jury Prize. It has transformed audiences back into five-year-olds at notable festivals since, including SXSW, Full Frame, Silverdocs, Dallas, Hot Docs, Nantucket, and Traverse City, picking up additional awards at the latter two.

I wrote about the doc before its world premiere here.

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In Theatres: HELL AND BACK AGAIN

Coming to theatres (as part of the International Documentary Association’s Oscar-qualifying DocuWeeks) this Friday, August 19 (NYC’s IFC Center) and on Friday, September 2 (LA’s Laemmle Sunset 5): HELL AND BACK AGAIN

Danfung Dennis’ harrowing documentary feature debut about a soldier’s return home from Afghanistan premiered at Sundance earlier this year, where it claimed both the World Cinema Documentary Grand Jury Award and the World Cinema Documentary Cinematography Award. Since January, it has screened at notable festivals including Full Frame, Hot Docs, Sheffield, Edinburgh, and Silverdocs.

My pre-Sundance profile of the film may be found here.

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In Theatres: SUMMER PASTURE

Coming to NYC’s Maysles Cinema for a week run starting today, August 15: SUMMER PASTURE

Lynn True and Nelson Walker’s intimate observational portrait of a Tibetan family made its world premiere at Full Frame last year, where it garnered a special mention from the jury. It’s gone on to play at festivals around the world, and was nominated for both a Gotham and Independent Spirit award.

Locho and Yama are a young nomad couple in the Kham region of Tibet in China’s Sichuan province. Together with their baby daughter and with other members of their family nearby, they’ve come to the grasslands to tend to their yaks and make cheese and butter during the summer to last them through the upcoming winter. Even as they follow the traditional ways, the couple confess their desires that their daughter become literate, which may lead them to abandon their nomadic ways to facilitate her education. Locho speculates on the encroachment of modernization, which he believes will radically transform their summer pastures with buildings and roads, perhaps hastening a change to their way of life. Locho and Yama are fantastic documentary subjects – surprisingly open and expressive, they reveal intimate details about their relationship and seem perfectly at ease in front of the camera as they tend to their chores. The film is expertly lensed, capturing the beauty of their pasture lands, and providing the audience with a real sense of what the family may have to sacrifice in order to survive in the modern world.

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In Theatres: UNFINISHED SPACES

Coming to theatres (as part of the International Documentary Association’s Oscar-qualifying DocuWeeks) this Friday, August 12 (NYC’s IFC Center) and next Friday, August 19 (LA’s Laemmle Sunset 5): UNFINISHED SPACES

Directors Alysa Nahmias and Ben Murray make their documentary feature debut with their exploration of Cuba’s National Art Schools utopian architectural project. The film had its world premiere at the Los Angeles Film Festival this past June, and takes part in DocuWeeks this month to qualify for Oscar consideration.

The film tells the story of the schools from the perspectives of the architects who designed them. Conceived by Fidel Castro and Che Guevara, the project was to be a symbol of the Cuban Revolution, a utopian space that would provide young artists, performers, and musicians with the best learning institution in the world to perfect their talents. Forced into construction prematurely, the architects tried to meet their mandate, but before the structures were completed, sentiments toward the project, and the individualistic visions of architects in general, shifted completely, with pre-fabricated, utilitarian Soviet style architecture coming to the fore instead. Funding cancelled, the buildings remained unfinished, though students made use of them anyway. Decades later, Castro invites the original architects to complete the project and save the dilapidated structures. Nahmias and Murray unearth a fascinating bit of architectural history set against the backdrop of the early years of the Cuban Revolution and its resultant bureaucracy. They make great use of archival footage from the period, showing a different side of Cuba than is normally seen, and beautifully showcasing what could have been had the political winds not shifted against the art schools.

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In Theatres: MISS REPRESENTATION

Coming to theatres (as part of the International Documentary Association’s Oscar-qualifying DocuWeeks) this Friday, August 12 (NYC’s IFC Center) and on Friday, August 26 (LA’s Laemmle Sunset 5): MISS REPRESENTATION

Jennifer Siebel Newsom’s look at how women and girls are objectified in mass media launched at Sundance this year and has swept through a number of other festivals in the intervening months, including San Francisco, Atlanta, Silverdocs, and Sonoma, where it won the audience award. The film has been picked up by OWN for Oprah’s Documentary Club.

I profiled the film before its world premiere here.

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In Theatres and DVD/VOD: DAMN!

Coming to NYC’s Cinema Village this Friday, August 12 and to DVD/VOD on August 16: DAMN!

Aaron Fischer Cohen has brought his film on Jimmy “The rent is too damn high!” McMillan to a couple of festivals, and now brings it to theatres.

I wrote about the doc last month here.

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In Theatres: BETTER THIS WORLD

Coming to theatres (as part of the International Documentary Association’s Oscar-qualifying DocuWeeks) this Friday, August 12 (NYC’s IFC Center) and on Friday, August 26 (LA’s Laemmle Sunset 5): BETTER THIS WORLD

Katie Galloway and Kelly Duane de la Vega’s engrossing and disturbing exploration of a case of co-called domestic terrorism has been popular on the festival circuit since its world premiere at SXSW this year.

My thoughts on the film after SXSW are here.

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In Theatres: DARWIN

Coming to theatres (as part of the International Documentary Association’s Oscar-qualifying DocuWeeks) this Friday, August 12 (NYC’s IFC Center) and next Friday, August 19 (LA’s Laemmle Sunset 5): DARWIN

Nick Brandestini’s portrait of an unusual, isolated community has already been a festival award winner.

I included the film in my roundup of docs screened at Karlovy Vary last month here.

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In Theatres: SENNA

Coming to theatres next Friday, August 12: SENNA

Asif Kapadia’s doc debut charts the story of Ayrton Senna, the legendary Formula One world champion. It’s North American premiere at this year’s Sundance, where it took home the World Cinema Audience Award, showed that the beautifully constructed film can score with non-racing fans as well as its core sports fan base.

I profiled the doc before its Sundance debut here.

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