On DVD: THE RAPE OF RECY TAYLOR

Coming to DVD today, Tuesday, November 13:
THE RAPE OF RECY TAYLOR

Director:
Nancy Buirski

Premiere:
Venice 2017

Select Festivals:
New York Film Festival, Chicago, Film Columbia, Woodstock, Double Exposure,

About:
An exploration of a 1944 case of sexual assault against an African-American woman in Alabama.

I previously wrote about the doc here.

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IDFA 2018 Overview, Part One

Festival:
The 31st IDFA

Dates:
November 14-25

About:
The world’s largest nonfiction event welcomes new artistic director Orwa Nyrabia with this edition, showcasing nearly 160 new and recent documentary features. Because of the size of the event, this overview is split in two, with today’s post covering the competition sections and tomorrow’s the non-competitive strands. Continue reading

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On TV: ISLAND SOLDIER

Coming to America ReFramed tomorrow, Tuesday, November 13:
ISLAND SOLDIER

Director:
Nathan Fitch

Premiere:
Full Frame 2017

Select Festivals:
DOC NYC, Hot Docs, DOK.fest Munich, Big Sky Doc, One World, Hawaii, Atlanta, San Diego Asian, Asian American fests in Philadelphia, Boston, Seattle, San Francisco, and Los Angeles

About:
An exploration of the sacrifices made by foreign soldiers in the US military.

The film screened as part of DOC NYC, for which our program notes read:
The beautiful, remote islands of Micronesia, a US protectorate, contribute a disproportionate number of soldiers to the American armed forces. Looking for a way out of poverty, these Pacific Islanders leave their communities in pursuit of the American Dream. unfortunately some, like Sapp Nena, pay for it with their lives. Exploring the impact of their absence on the families and communities they leave behind, Nathan Fitch’s thoughtful film questions whether the benefits of US protection are worth the substantial costs of fighting its wars.

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On TV: THE PRICE OF EVERYTHING

Coming to HBO tonight, Monday, November 12:
THE PRICE OF EVERYTHING

Director:
Nathaniel Kahn

Premiere:
Sundance 2018

Select Festivals:
Nantucket, True/False, CPH:DOX, Provincetown, New Zealand, Jerusalem, Melbourne, Athens, Adelaide

About:
A privileged look into the intersection of high art and commerce.

My pre-Sundance profile of the doc may be found here.

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On TV: THE CLEANERS

Coming to PBS’s Independent Lens tonight, Monday, November 12:
THE CLEANERS

Directors:
Moritz Riesewieck and Hans Block

Premiere:
Sundance 2018

Select Festivals:
Rotterdam, Hot Docs, CPH:DOX, Docs Against Gravity, Sydney, Sheffield, Human Rights Watch, DOK.fest Munich, Zurcih, Reykjavik, Adelaide

About:
A revealing look at the hidden figures who police social media.

I profiled the doc before Sundance here.

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In Theatres: FAIL STATE

Coming to NYC’s Maysles Cinema today, Friday, November 9:
FAIL STATE

Director:
Alexander Shebanow

Premiere:
Austin 2017

Select Festivals:
DOC NYC, Big Sky, SXSW EDU, Cleveland, Nashville, Brooklyn

About:
An exposé of predatory for-profit colleges.

I previously wrote about the film for DOC NYC’s program, saying:
Executive produced by Dan Rather, this revealing film explores the dark side of higher education in America, focusing on the rise of for-profit colleges. Echoing the subprime mortgage crisis, these private institutions target lower-income and minority students, who become saddled with student loan debt and, often, worthless degrees. Director Alex Shebanow traces the historical rise, fall, and resurgence of these predatory schools, reveals their Wall Street backing, and demonstrates the co-opting of American higher education into an engine of inequality.

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In Theatres: CHEF FLYNN

Coming to theatres today, Friday, November 9:
CHEF FLYNN

Director:
Cameron Yates

Premiere:
Sundance 2018

Select Festivals:
Nantucket, Berlin, Hot Docs, CPH:DOX, SXSW, San Francisco, Cleveland, BAFICI, Docaviv, Sydney, Nashville, Traverse City, DMZ Docs, Film Columbia

About:
A compelling coming of age portrait of a talented young chef.

My pre-Sundance profile of the doc may be found here.

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On VOD: EVERY ACT OF LIFE

New to VOD this week:
EVERY ACT OF LIFE

Director:
Jeff Kaufman

Premiere:
Tribeca 2018

Select Festivals:
Seattle, Tel Aviv, Nashville, Provincetown, Inside Out, Frameline, Outfest, LGBT fests in Miami, Portland, San Diego, Hartford, Vancouver, and Austin

About:
A look at the life and work of acclaimed playwright Terrence McNally.

Drawing from intimate interviews with McNally, his husband, and a who’s who of artistic collaborators, from Angela Lansbury and Edie Falco to Nathan Lane and F Murray Abraham, as well as extensive archival footage of performances, advertisements, and interviews of McNally’s many plays, the film traces the 78-year-old playwright’s life and work over the decades. He was among the first playwrights to write strong gay roles and push culture forward in acceptance. McNally and several collaborators reflect on many of his hits, on the actors whose careers he helped launch, and how his personal life entered into his award-winning work. While Jeff Kaufman’s treatment is conventional, it’s a professional profile and both comprehensive and satisfying, and McNally makes for a fantastic subject.

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On DVD: BIG SONIA

New to DVD this week:
BIG SONIA

Directors:
Leah Warshawski and Todd Soliday

Premiere:
Napa Valley 2016

Select Festivals:
DOC NYC, Seattle, Cleveland, Sun Valley, Big Sky Doc, Milwaukee, Durban, Jewish fests in San Francisco, Boston, Atlanta, Palm beach, Charlotte, Kansas City, Southampton, and Miami

About:
An intimate and at times humorous portrait of an unstoppable Holocaust survivor.

I previously wrote about the doc here.

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RIDM 2018 Overview

Festival:
The 21st RIDM

Dates:
November 8-18

About:
More than 80 new and recent nonfiction features screen at this well-respected Montreal event

XALKO

Thirteen titles vie for recognition in the Canadian Featryre Competition, including: Thierry Loa’s 20-22 OMEGA, a music-driven look at mankind’s impact on our world; Nadine Gomez’s EXARCHEIA, LE CHANT DES OISEAUX, an immersion into the Athens neighborhood that’s become a refuge for migrants; Sami Mermer and Hind Benchekroun’s XALKO, a personal reflection on a small Kurdish village whose men have migrated away; Julien Elie’s DARK SUNS, which looks at the continuing legacy of unpunished femicides in Mexico; and Dan Popa’s SYMPHONY IN AQUAMARINE, an essay about people who live or work near the ocean.

THE IMAGE YOU MISSED

The fest’s International Feature Competition includes a dozen titles, among them: Kristina Konrad’s UNAS PREGUNTAS, a look back at how Uruguay responded to an amnesty proposal for its military leaders 30 years ago; Zhang Mengqi’s SELF-PORTRAIT: SPHINX IN 47 KM, a meditation on the disappearance of rural China due to economic migration; Donal Foreman’s THE IMAGE YOU MISSED, a personal reflection on the filmmaker’s late father, a filmmaker himself; Salomé Lamas’ EXTINCTION, a hybrid exploring questions around national identity, centered around the unrecognized state of Transnistria.

ZAGROS

Work appearing in the fest’s Midlength Competitions includes: Shehrezad Maher’s THIS SHAKING KEEPS ME STEADY, a hybrid exploring memory and trauma in Pakistan; Toni Geitani’s THE DISAPPEARANCE OF GOYA, an exploration of Lebanon’s conflict-ridden past; and Shahab Mihandoust and Ariane Lorrain’s ZAGROS, a look at the vanishing art of carpet weaving in the mountains of Iran.

A DELICATE BALANCE

Non-competitive strands include La Bête Humaine, with Giorgio Ferrero and Federico Biasin’s BEAUTIFUL THINGS, an exploration of people and the objects of their consumption; Christine Chevarie-Lessard’s A DELICATE BALANCE, an inside look at a ballet school; and Joseph Hillel’s CITY DREAMERS, which profiles unheralded female architects; The State of the World, which offers Jonathan Durand’s MEMORY IS OUR HOMELAND, a personal exploration of what happened to Poles who were exiled to Africa after spending WWII in Siberian labor camps; and Julien Fréchette’s MY WAR, about Westerners who have joined the Kurdish defense forces; Portraits, with films like Søren Steen Jespersen and Nasib Farah’s LOST WARRIOR, about a young British Muslim couple who become involved with Al-Shabaab; and ARTifice, with Jean-Nicolas Orhon’s ENSEMBLE, an observational portrait of a Montreal orchestra.

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