Author Archives: basiltsiokos

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About basiltsiokos

Basil Tsiokos is a Senior Programmer for the Sundance Film Festival, focusing on nonfiction features. He was most recently with DOC NYC for nearly a decade, where he served as Director of Programming since 2014, and with the Nantucket Film Festival as its Film Program Director. Prior to those positions, Basil was the longtime Artistic and Executive Director of NewFest. He has been affiliated with Sundance since 2005 as a Programming Associate. Basil serves on the feature nominating committees for the International Documentary Association Awards and Cinema Eye Honors. He has written about documentaries daily since 2010 on what (not) to doc. Basil holds a Masters degree from New York University and two undergraduate degrees from Stanford University.

On TV: ASIAN AMERICANS

Courtesy of PBS

Coming to PBS tonight, Monday, May 11, and tomorrow, Tuesday, May 12:
ASIAN AMERICANS

Series Producer:
Renee Tajima-Peña

World Premiere:
PBS broadcast (May 2020)

About:
A sweeping overview of the Asian experience in America.

Presented over two nights and in five episodes, this PBS series takes on the daunting task of exploring more than 150 years of American history through the lens of diverse communities of Asian and South Asian origin. Episode one explores Asian immigration to the US, the infamous Chinese Exclusion Act, legal and cultural fights over race, representation, and education; episode two focuses on the disgraceful treatment of Asian Americans, and specifically people of Japanese descent, during WWII, disguised as tests of American loyalty; episode three examines the contradictions of model minority status in the post-war years, and the dawning of Asian American political activism; episode four looks at the 1960s and 1970s, as a new generation claims the Asian American identity, fighting for ethnic studies programs, spearheading the farmers’ rights movement, and speaking out against the war in Vietnam, while a new wave of refugees make America their home; and episode five speeds through a range of topics, from the murder of Vincent Chin and the Korean/African American tension that erupted in the LA riots to Asian American connections to the dot com boom, the DREAM Act, and post 9/11 hate crimes. While the series is impressive in its breadth, even if it were twice its current length, there would be far much more to cover, and in greater depth. While it’s at its best when it slows down to profile individual stories, its mandate to cover so much terrain too often forces it to be too general, sometimes also awkwardly straining to note parallels with present-day issues. As it stands, ASIAN AMERICANS is fully of a piece with PBS’s typical informational and historical fare, driven by narration and talking heads, and functions as a necessary and useful primer that will hopefully inspire future work that delves deeper into its myriad stories.

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On VOD/TV: REWIND

Coming to VOD today, Friday, May 8 and to PBS’s Independent Lens this coming Monday, May 11:
REWIND

Director:
Sasha Joseph Neulinger

World Premiere:
Tribeca 2019

Select Festivals:
BFI London, Traverse City, Palm Springs, Denver, Mill Valley, Nashville, Rome, Heartland, Big Sky Doc, Atlanta Jewish

About:
A filmmaker confronts his traumatic past.

When filmmaker Sasha Joseph Neulinger was a boy, his father, Henry, bought a video camera – he missed his own daughter’s birth to do so. From that point forward, Henry would document his family’s life. Eventually, Sasha asked to use the camera himself, and it’s upon this trove of family home movies that he now draws to reveal his troubling past. Gradually, as Sasha interviews his parents, sister, therapist, and, eventually, law enforcement, a picture emerges of a vibrant young boy who suddenly exhibited a complete personality transformation, inexplicable to his parents until Sasha himself alerted them to a suspicion he had about his baby sister and their uncle. What follows devastated the family, unearthed disturbing generational trauma, and exposed deep flaws in how childhood victims of sexual abuse were treated by the judicial system. Sasha’s film is deeply personal – and profoundly upsetting – but at the same time both affecting and therapeutic.

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On VOD: TRE MAISON DASAN

New to VOD via Amazon Prime this week:
TRE MAISON DASAN

Director:
Denali Tiller

Premiere:
San Francisco 2018

Select Festivals:
DOC NYC, Cleveland, IFF Boston, Montclair, AFI Docs, Rhode Island, Heartland, Raindance, Cucalorus, Big Sky Doc, Thessaloniki Doc, NewportFilm

About:
A profile of three young boys whose parents are in prison.

I previously wrote about the doc here.

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On VOD: AN ENGINEER IMAGINES

New to VOD this week:
AN ENGINEER IMAGINES

Director:
Marcus Robinson

World Premiere:
Irish Film Institute Documentary Festival 2018

Select Festivals:
Newport Beach

About:
A tribute to Irish structural engineer Peter Rice, known for iconic architectural works including the Sydney Opera House and the Pompidou Centre.

I previously wrote about the doc here.

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In Virtual Release & On VOD: SPACESHIP EARTH

photo by Phillipe Plailly Science Photo Library

Coming to virtual theatrical, VOD and more tomorrow, Friday, May 8:
SPACESHIP EARTH

Director:
Matt Wolf

World Premiere:
Sundance 2020

About:
The strange but true – and uncannily topical – story of the ill-fated Biosphere 2 project.

I profiled the doc before Sundance here.

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In Virtual Release: MOSSVILLE: WHEN GREAT TREES FALL

Coming to virtual theatrical, benefitting Maysles Cinema, tomorrow, Thursday, May 7:
MOSSVILLE: WHEN GREAT TREES FALL

Director:
Alexander John Glustrom

World Premiere:
Full Frame 2019

Select Festivals:
DOC NYC, New Orleans, Hot Springs Doc, Washington DC Environmental, BendFilm, Raindance, Durban, Indie Grits, Montclair, Wild & Scenic, Planet in Focus

About:
An intimate profile of one man’s struggle against environmental racism.

I previously wrote about the doc here.

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On TV: THE QUEEN AT WAR

Photo: Topical Press Agency/Getty

Coming to PBS tonight, Tuesday, May 5:
THE QUEEN AT WAR

Director:
Christopher Bruce

World Premiere:
ITV British TV broadcast (April 2020)

About:
An exploration of the impact of WWII on the British monarch.

When Great Britain entered WWII in September 1939, Princess Elizabeth was only 13 years old. As demonstrated in director Christopher Bruce’s competent hour-long doc, her experiences for the duration served as a literal coming of age that would uniquely prepare her for the throne some 13 years later. Following a brief introduction that lays out the unexpected developments that made Elizabeth the heir presumptive, the film proceeds to highlight her activities during the war, including initially being sent away to the relative safety of the countryside before becoming more involved as a public figure as she matured, volunteering for the war effort by participating in fundraisers, delivering radio addresses, and eventually joining the Auxiliary Territorial Service as a driver, making her the only current world head of state to have served in the military during WWII. While the project’s brief run time make it difficult to dig particularly deep, it benefits enormously from rare archival footage, most likely little seen by general audiences.

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On TV: WHERE THE PAVEMENT ENDS

Coming to The WORLD Channel’s America ReFramed tonight, Tuesday, May 5:
WHERE THE PAVEMENT ENDS

Director:
Jane Gillooly

World Premiere:
Camden 2018

Select Festivals:
Documentary Fortnight, Full Frame, St Louis

About:
A meditation on the history of race relations in Ferguson MO and its neighboring black-only town, Kinloch.

Taking as her starting point the August 2014 slaying of 18-year-old African American Michael Brown Jr by white police officer Darren Wilson in Ferguson MO and the protests and outrage that followed, Jane Gilooly – who grew up in Ferguson – attempts to trace the roots of the racial division in the area by examining the community’s past. At the core of her film is the long-standing controversy of the segregation between Ferguson, historically all-white, and its neighbor, Kinloch, all-black, literalized for decades by the maintenance of a physical barrier on the main border road, preventing easy travel between the two towns until it was finally removed in the late 1970s. Taking a contemplative approach, with as much visual focus on the landscape as on individuals, and a measured pace that may test some viewers, Gilooly examines the harmful impact of this institutionalized segregation through archival artifacts and the oral testimony of residents of both communities, a legacy that informs the shooting of Michael Brown.

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On TV: NATALIE WOOD: WHAT REMAINS BEHIND

Coming to HBO tonight, Tuesday, May 5:
NATALIE WOOD: WHAT REMAINS BEHIND

Director:
Laurent Bouzereau

World Premiere:
Sundance 2020

About:
A revisitation of the life and career of the three-time Oscar-nominated actress.

I profiled the doc before Sundance here.

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On VOD: CRACKED UP

Coming to Netflix today, Monday, May 4:
CRACKED UP

Director:
Michelle Esrick

World Premiere:
DOC NYC 2018

Select Festivals:
Aspen, Reel Recovery NY, Reel Recovery LA

About:
SATURDAY NIGHT LIVE veteran Darrell Hammond opens up the impact of his childhood abuse.

I previously wrote about the doc here.

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