Author Archives: basiltsiokos

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About basiltsiokos

Basil Tsiokos is a Senior Programmer for the Sundance Film Festival, focusing on nonfiction features. He was most recently with DOC NYC for nearly a decade, where he served as Director of Programming since 2014, and with the Nantucket Film Festival as its Film Program Director. Prior to those positions, Basil was the longtime Artistic and Executive Director of NewFest. He has been affiliated with Sundance since 2005 as a Programming Associate. Basil serves on the feature nominating committees for the International Documentary Association Awards and Cinema Eye Honors. He has written about documentaries daily since 2010 on what (not) to doc. Basil holds a Masters degree from New York University and two undergraduate degrees from Stanford University.

On Cable: ANIMISM: PEOPLE WHO LOVE OBJECTS

animismComing to Logo’s WHAT!? doc series tonight, Monday, November 11: ANIMISM: PEOPLE WHO LOVE OBJECTS

Bill Spahic’s exploration of people who develop feelings for objects made its world premiere on Canadian television in September. The Logo airing marks its US debut.

Spahic’s subjects identify as Objectum-Sexuals, an unfortunately clunky-sounding term that has helped to unite a small subculture of individuals who manifest strong emotional and romantic attraction to inanimate objects. Like Angela Tucker’s (A)SEXUAL, which deals with people who express no sexual desire at all, this doc in some part serves the purpose of trying to validate this still relatively obscure population to the mainstream. Unlike the earlier film, what Spahic’s lacks is a strong central figure, so what results is basically a meandering survey that never gets particularly deep, following five figures: a woman who repairs and marries a carnival ride, a man who has sex with his car, a woman in a long distance relationship with the Statue of Liberty, a priest excommunicated for loving his soundboard, and a woman who married the Eiffel Tower, but finds herself falling for the Berlin Wall. While genuinely curious, the doc profiles too many characters for its limited running time, and skirts close to the exploitative edge in that the viewer is never given much of a chance to understand these people as anything but OS. Still, it’s clearly a sympathetic portrait that successfully engages the audience to learn about something that they otherwise might not encounter.

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2013 DOC NYC in Focus: MAN & BEAST

Disarming-Falcons-Key-Image-Photo-by-Albert-Larew-580x300The second DOC NYC shorts program I curated this year explores the bonds that exist between people and their pets, livestock, or zoo animals.

DOC NYC Program Description:

MAN & BEAST:
Saturday, November 16 at 1:45pm

People and their animals. A Bedouin sheepherder contemplates moving his family to the city in FACES (Jordan, 16 min., Said Najmi). HERD IN ICELAND (USA, 28 min., Lindsay Blatt & Paul Taggart) chronicles the annual roundup of the country’s purebred horses, after a summer roaming free. OF COWS AND MEN (USA, 4 min., Emily Fraser) follows a dairy farmer during difficult economic times. Man and bird unite in the deserts of Pakistan in DISARMING FALCONS (USA, 15 min., Wendy Johnson & Annie Nocenti). PAST THEIR PRIME (USA, 23 min., Becca Friedman) explores the lives of geriatric zoo animals. (86 min. total)

Why You Should Attend:
Who doesn’t love animals? Beyond cats and dogs, these films offer insight into the rapport we share with the wild kingdom, from birds of prey to aging rhinos and apes.

More Info:
To purchase tickets, follow the link from the program page by clicking on the program title above.

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2013 DOC NYC in Focus: PEOPLE & PLACES

On-Blooming-Art-Key-Image-Photo-by-Simon-Luethi-580x300Like last year, I’ve once again curated six collections of short films for DOC NYC in my role as Senior Programmer. This first program looks at interactions between individuals and their habitats, from stories of underground living to the efforts of city dwellers to work with nature.

DOC NYC Program Description:

PEOPLE & PLACES:
Saturday, November 16 at 11:30am

Unexpected environments. A BEAUTIFUL WASTE (USA, 6 min., Jon Kasbe) explores NYC’s vibrant sewer system, while men reflect on their time living in the tunnels under LOST VEGAS (USA, 24 min., Steve Birnbaum). WHITE BLAZE (USA, 22 min., Brian Bolster) profiles a trail angel who helps Appalachian Trail hikers. An artist becomes walking artwork to add color to grey NYC in ON BLOOMING ART (USA, 6 min., Cathryne Czubek). NEW YORK TIMES (USA, 12 min., Dana O’Keefe) is a city symphony in the wake of Hurricane Sandy. Urban farming takes to the rooftop in BROOKLYN FARMER (USA, 27 min., Michael Tyburski).

Why You Should Attend:
There’s an element of surprise and discovery to these films, sometimes disarming, other times more understated. Together, they present a focus on spaces and how we respond to them and in them.

More Info:
To purchase tickets, follow the link from the program page by clicking on the program title above.

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Rome 2013: Documentary Overview

rome-film-festivalThe eighth edition of the Rome Film Festival begins tonight, Friday, November 8, and runs through next Sunday, November 17. In its relatively brief existence, the event has seen more than its fair share of growing pains as it tries to carve out a space for itself in the European festival scene that already includes such heavy hitters as Cannes, Venice, Berlin, and Locarno. Beholden, like so many Italian cultural events, to larger political power struggles within the country, the festival has tried to balance being a distinctive cinema event with appealing to segments of its audience that might be more concerned about celebrities and a party atmosphere than in discovering groundbreaking new work. Among its approximately 120 feature length films, there are just over two dozen documentaries on offer, the majority world premieres.

mutoniaWhile a couple of docs appear in the official Out of Competition section, that and the main Competition are decidedly fiction-focused. Significantly more nonfiction is part of CinemaXXI, an international strand exploring innovative new filmmaking. By my count, 14 of the 25 features here are docs or hybrids, including: ZimmerFrei’s HOMETOWN/MUTONIA (pictured), a portrait of an experimental outsider community; Vincenzo Marra’s THE ADMINISTRATOR, a microcosmic look at Naples through the activities of an apartment building manager and the tenants he deals with; Jan Soldat’s THE INCOMPLETE, about a 60-year-old gay German man who embraces his desire to become a slave; Vincent Dieutre’s ROLAND WOUNDED, an exploration of modern Sicily through the conceit of a number of abandoned theatre puppets; and Gustavo Fontán’s THE FACE, an experimental film following an Argentine back to the island where he was born.

from the depthsRome’s documentary slate also includes a national cinema sidebar, Prospettiva Doc Italia, which features nine features. Among these are: Elisa Amoruso’s OFF ROAD, about the relationship between a MTF racing champion and the Romanian nurse she marries; Valentina Pedicini’s FROM THE DEPTHS (pictured), an exploration of the life of Italy’s only female miner, filmed entirely underground; Romano Montesarchio’s RITRATTI ABUSIVI, a portrait of the squatters of an Italian seaside slum that’s scheduled for redevelopment; Ermanno Cavazzoni’s SEASIDE HOLIDAYS, a playful anthropological chronicle of Italian summer via home movie footage; Marco Antonio Pani and Paolo Carboni’s HEADS AND TAILS, THE REASONS OF THE SHEPHERDS, a profile of the shepherds of Sardinia, who have had to protest in recent years to negotiate fair prices for their work; and Roberto Naccari and Stefano Bisulli’s THE OTHER FELLINI, an investigation into the famous director’s not-so-famous filmmaking brother.

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In Theatres: THE GHOSTS IN OUR MACHINE

ghostsinourmachineComing to the Village East today, Friday, November 8: THE GHOSTS IN OUR MACHINE

Liz Marshall’s exposé of the plight of animals in modern society made its debut at Hot Docs this Spring. It went on to screen at DOXA, Planete+ Doc, DMZ Docs, and the upcoming IDFA and Planet in Focus fests, among others. It expands to Los Angeles’ Laemmle’s Music Hall next week.

I previously wrote about the doc out of Hot Docs for Indiewire saying:
The “ghosts” in Liz Marshall’s film are various animals, used by humans for food, clothing, or research, as captured by documentary photographer Jo-Anne McArthur as part of her advocacy work to force us to confront our beliefs about animal sentience and rights. Making her way, often clandestinely, into factory farms and other sites of what she views as animal exploitation, McArthur bears witness through the haunting still photographs she takes of deplorable conditions and frightened creatures – but she faces an uphill battle to find a mass audience for her work, since it is too disturbing for most magazine editors. That’s exactly her point, to provoke the viewer into empathizing with the various species on display – from dairy cows condemned to death after just a couple of years of milking, to minks raised in sparse cells for their fur. As a needed counterpoint in an often disturbing film, Marshall shows McArthur in more peaceful surroundings in a farm sanctuary in upstate New York which takes in abused animals and often saves others from unnecessary death. Marshall succeeds in creating a portrait of a driven activist that shies away from outright polemics to perhaps preach beyond the converted.

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On Cable: FILTHY GORGEOUS: THE BOB GUCCIONE STORY

Penthouse publisher Bob Guccione.Coming to EPIX tomorrow, Friday, November 8: FILTHY GORGEOUS: THE BOB GUCCIONE STORY

Barry Avrich’s portrait of the late porn publishing mogul had its world premiere at Toronto this Fall. Notably, its broadcast premiere will be followed by CALIGULA, the notorious production detailed in the documentary.

I previously wrote about the doc out of Toronto here.

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In Theatres: AT BERKELEY

atberkeley_01Coming to NYC’s IFC Center tomorrow, Friday, November 8: AT BERKELEY

Frederick Wiseman’s immersion into the American public university debuted at Venice this Fall. It’s gone on to screen at Toronto, New York, London, Chicago, and the upcoming Stockholm Film Festival.

I included the film in my Toronto coverage here.

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2013 DOC NYC in Focus: Short List

20-Feet-from-Stardom-Key-Image-Courtesy-of-Weinstein-Co-280x140DOC NYC‘s Short List shines a well-deserved spotlight on some of the best nonfiction released earlier in the year, just in time for awards season. Continue reading →

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CPH:DOX 2013 Overview

cph dox logo 2012Copenhagen’s much-lauded nonfiction event, CPH:DOX, kicks off its 11th edition tonight, Thursday, November 7, and wraps up next Sunday, November 17. Over eleven days, the festival, known for its expansive consideration of films on the fringe of documentary, will present approximately 170 feature-length films, including several retrospective screenings, in addition to live concerts, seminars, and other events. I’ve still never had the opportunity to attend, sadly, but if I were going this year, the following titles stand out for me, section-by-section: Continue reading →

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In Theatres: CAUCUS

Caucus_2.470x264Coming to the Film Society of Lincoln Center this Friday, November 8: CAUCUS

AJ Schnack’s disarming verité look at the Republicans who vied for the White House made its debut at Hot Docs earlier this year. Its festival circuit has included AFI Docs, Camden, and the upcoming AFI Fest and Denver.

I previously wrote about the film out of Hot Docs here.

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