Category Archives: Documentary

2020 Sundance Docs in Focus: CODED BIAS

CODED BIAS | Courtesy of Sundance Institute

CODED BIAS
Shalini Kantayya explores disturbing gender and racial bias prevalent in artificial intelligence and machine learning.

Festival Section:
US Documentary Competition
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2020 Sundance Docs in Focus: BOYS STATE

BOYS STATE | Courtesy of Sundance Institute | photo by Thorsten Thielow

BOYS STATE
Jesse Moss and Amanda McBaine offer an eye-opening look at divisive modern-day American politics through the long-running titular high school leadership program.

Festival Section:
US Documentary Competition
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On TV: LINDA RONSTADT: THE SOUND OF MY VOICE

Coming to CNN tomorrow, Wednesday, January 1:
LINDA RONSTADT: THE SOUND OF MY VOICE

Directors:
Rob Epstein and Jeffrey Friedman

World Premiere:
Tribeca 2019

Select Festivals:
Provincetown, AFI Docs, Atlantic

About:
A look back at the celebrated pop artist’s career.

I previously wrote about the doc here.

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2020 Sundance Docs in Focus: BLOODY NOSE, EMPTY POCKETS

BLOODY NOSE, EMPTY POCKETS | Courtesy of Sundance Institute

BLOODY NOSE, EMPTY POCKETS
Bill Ross and Turner Ross chronicle the patrons and staff of a dive bar on its final day.

Festival Section:
US Documentary Competition
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2019 Top Ten

As 2019 comes to a close, I’ve compiled below my list of top titles for the year.

I’ve restricted my list exclusively to nonfiction as usual, in contrast to virtually every other best of the year list out there which generally ignores documentary filmmaking. My selections are also limited to official releases in 2019.

Below are pointers to what I’ve written about my top ten feature nonfiction of 2019 on what (not) to doc previously. These are unranked and in alphabetical order, followed by a list of additional notable film and episodic titles.

Top Ten:

AMERICAN FACTORY

APOLLO 11

THE BIGGEST LITTLE FARM

FOR SAMA

HAIL SATAN?

HONEYLAND

LOS REYES

MAIDEN

MIDNIGHT FAMILY

ONE CHILD NATION

+ Ten More:

17 BLOCKS

AMÉRICA

COLLEGE BEHIND BARS

COMMUNION

FOR THE BIRDS

JAY MYSELF

THE RAFT

SEA OF SHADOWS

WALKING ON WATER

WOODSTOCK: THREE DAYS THAT DEFINED A GENERATION

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2020 Sundance Docs in Focus: BE WATER

BE WATER | Courtesy of Sundance Institute

BE WATER
Bao Nguyen details the brief but impactful career of legendary actor Bruce Lee.

Festival Section:
US Documentary Competition
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2020 Sundance Docs in Focus

The 36th Sundance Film Festival takes place next month, running January 23-February 2, with a lineup consisting of 130 features, 74 shorts, 12 episodics, and 28 exhibitions, performances, and VR experiences.

Once again, as I’ve done since 2011’s festival, I’ll profile each of the nearly 60 feature and long-form episodic documentaries in advance of the festival, beginning tomorrow.

Please note: These are not reviews. As a Documentary Programming Associate for Sundance, I recommend every film in the 2020 lineup. These profiles instead provide background about the teams behind this year’s docs in anticipation of the festival and the films’ later release. For a sample, check out last year’s series, which began here.

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On TV: MIDNIGHT TRAVELER

Coming to PBS’s POV this coming Monday, December 30:
MIDNIGHT TRAVELER

Director:
Hassan Fazili

World Premiere:
Sundance 2019

Select Festivals:
Berlin, CPH:DOX, Hot Docs, Docaviv, DocumentaMadrid, DOXA, Sheffield, Thessaloniki, True/False, Doc Edge, RiverRun, Seattle, Montclair, Biografilm, San Francisco, Salem, Sydney

About:
The filmmaker, his wife, and their two daughters face an uncertain road to asylum when they are forced to flee Afghanistan.

I profiled the doc before Sundance here.

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On DVD/VOD: JIM ALLISON: BREAKTHROUGH

New to DVD/VOD this week:
JIM ALLISON: BREAKTHROUGH

Director:
Bill Haney

World Premiere:
SXSW 2019

Select Festivals:
Seattle, IFF Boston, Woods Hole, Full Frame, DocLands, , Minneapolis-St Paul, Sedona

About:
A Texan scientist doggedly pursues immunotherapy as a potential way to cure some cancers.

Bill Haney’s film tells the story of Nobel Prize winner Jim Allison and his development of ipilimumab, an immunotherapy drug. Affected early in life by his mother’s death from cancer, he has spent decades working on an effective cure for some kinds of cancer in the controversial field of immunotherapy – essentially treating not the cancer but the body’s immune system as a way for it to fight off the cancer itself. While Allison should make for a compelling subject, not only for his lifelong scientific mission, but for his maverick demeanor, Haney unfortunately takes a very straightforward, old-fashioned biographical approach that feels promotional and educational TV at the same time. Where the film could have shined is in its profile of Sharon Belvin, a woman who benefited from his research, but her story appears in awkwardly intermittent segments that feel like interruptions, robbing them of their impact.

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On DVD/VOD: DRAG KIDS

New to DVD/VOD this week:
DRAG KIDS

Director:
Megan Wennberg

World Premiere:
Hot Docs 2019

Select Festivals:
Rotterdam, RIDM, St Louis, NewFest, Inside Out

About:
Four preteen drag performers are brought together for Montreal Pride.

Inspired by the more visible – and sanitized – version of drag popularized by RUPAUL’S DRAG RACE, younger fans have taken to dressing up themselves. Some have generated press and gained social media followings, while others are decidedly under the radar. Director Megan Wennberg profiles four such kids – Stephan and Nemis (both age 9) and Jason and Bracken (both 11) – hailing from Canada, the US, and Spain by way of the UK, and concocts an excuse to have them meet. The kids demonstrate minor points of interest – Bracken is a biological female performing femininity in a field dominated by males, Jason is from the Bible Belt – but, frankly, as performers, they’re only about as good as one would expect a preteen to be. Their parents are far more interesting, demonstrating refreshing support despite criticism. Still, the film struggles to sustain feature length, and is predicated on a manufactured premise – arranging for the disparate subjects to unite for a group performance in Montreal – making this a very surface treatment that sidesteps the more interesting questions raised about the appropriation of queer culture and the attempts to strip it of its radicalness, sexuality, and history.

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