Category Archives: Documentary

In Theatres: EVERY LAST CHILD

everyComing to theatres tomorrow, Wednesday, June 3: EVERY LAST CHILD

Tom Roberts’ look at the response to a public health emergency made its bow at DOC NYC last year. Other fest berths have included last month’s Hot Docs.

I previously wrote about the film for DOC NYC’s program, saying:
While polio has been all but eliminated since the development of vaccines in the 1950s, the debilitating disease has shown a resurgence in Pakistan. After the Taliban bans polio vaccinations and spreads misinformation about sinister conspiracies to frighten the masses, the country suffers devastating outbreaks of the disease, prompting strategic problem-solving from the World Health Organization. Featuring beautiful lensing and nuanced reporting under difficult circumstances, Tom Roberts’s observational film conveys an uncommon sense of the urgency befitting the stakes raised by the public health crisis.

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On DVD: GORE VIDAL: THE UNITED STATES OF AMNESIA

Gore-VidalComing to DVD today, Tuesday, June 2: GORE VIDAL: THE UNITED STATES OF AMNESIA

Nicholas Wrathall’s reflection on the acclaimed, controversial author debuted at Tribeca in 2013. Other fests included IFF Boston, Frameline, Outfest, Melbourne, Vancouver, London, Rio, Traverse City, New Zealand, Big Sky, and Palm Springs, among others

I previously wrote about the doc out of Tribeca here.

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On DVD/VOD: SMILING THROUGH THE APOCALYPSE – ESQUIRE IN THE ’60S

smiling -esquire-in-the-60s-movie-review-20140-001Coming to DVD and VOD tomorrow, Tuesday, June 2: SMILING THROUGH THE APOCALYPSE – ESQUIRE IN THE ’60S

Tom Hayes’ profile of his editor father had its world premiere at Palm Springs in 2013. Other fest play included Riverrun, Newport Beach, and Palm Beach.

Between 1963 and 1973, Harold Hayes put an indelible mark on Esquire magazine, most notably by championing the style that became known as New Journalism, wooing notable writers – as well as promising new talents – and giving them the creative freedom to incorporate fictional techniques into their non-fiction writing. His son’s film attempts to function both as a portrait of the editor that finally gives him his due and as a personal reflection of a father. Unfortunately, while he offers a steady stream of anecdotes from an impressive assemblage of interview subjects – from Tom Wolfe and Gay Talese to Nora Ephron and Gore Vidal – that speak to the elder Hayes’ savvy and innovative risk taking, the director fails to make any headway with the personal or familial, making the viewer wonder why he even bothered to include what little is here. This ill-fitting aspect, in addition to weak narration, weaker still enacted voice-over, and an irksome score, detracts from what’s otherwise a loose, diverting, but at times intriguing survey of the best the magazine had to offer under Hayes’ tenure.

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Special Screening: THE WOLFPACK

wolfpackComing to NYC’s Stranger Than Fiction series tomorrow, Tuesday, June 2 and to Rooftop Films this Saturday, June 6: THE WOLFPACK

Crystal Moselle’s portrait of a family’s unusual upbringing made its debut at Sundance earlier this year, where it claimed the US Documentary Grand Jury Prize. Its fest circuit has included Cleveland, Full Frame, Sarasota, Tribeca, Riverrun, IFF Boston, San Francisco, Seattle, and the upcoming Nantucket Film Festival.

My pre-Sundance profile of the doc may be found here.

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In Theatres & On DVD/VOD: THE TRUE COST

imgresComing to select theatres and simultaneously being released on DVD and VOD today, Friday, May 29: THE TRUE COST

Andrew Morgan’s investigation into the not-so-hidden costs of cheap, disposable fashion makes its debut via limited theatrical engagements in New York City and Los Angeles, with direct-to-consumer access via its website and VOD platforms.

Taking as his subject “fast fashion,” the corollary to “fast food” – quick, cheap, and readily available for consumption, and just as easily tossed out after a few months – Morgan looks at the dangerous impact of the ridiculously profitable business model used by chains like H&M, Top Shop, Zara, and Forever 21. Droning on in an intermittent, weakly delivered narration, the director offers a broad survey of factors that help keep clothing cheap, but in the process exploit workers and farmers, damage the environment, and delude the masses into thinking they’re well-off while instead contributing to their own financial indebtedness. More of an emphatic, well-meaning advocacy piece than a well-constructed project, Morgan’s film doesn’t offer any revelations, nor any practical large-scale solutions – while one of his interview subjects faults capitalism itself for privileging profits over people, in the absence of overthrowing the world’s dominant economic system, the best that the documentary really seems to offer is the desire for a vague “revolution of values” to take place so that we collectively stop treating people like things.

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On Cable: DEEP WEB

deep webComing to EPIX this Sunday, May 31: DEEP WEB

Alex Winter’s exploration of digital freedom under government attack had its world premiere at SXSW this Spring. It has since gone on to screen at Full Frame, San Francisco, Hot Docs, and Montclair.

As indicated by its title, Alex Winter’s documentary explores the Internet that most people wouldn’t know how to find, a place where users seeking anonymity have been able to carve out a black market cottage industry selling illicit items via seemingly untraceable browsers and currency. The specific focus of the film is the Silk Road, a “Darknet” marketplace which made the buying and selling of drugs a turnkey process until the federal government used dubious means to track down and arrest its administrator, known on the site simply as Dread Pirate Roberts, but infamously identified by authorities as Ross Ulbricht, an unassuming Libertarian who ran an upcycling business in Austin. While tracing the story of the rise and fall of the Silk Road, and of Ulbricht’s then-pending trial, Winter’s film offers a concise but surprisingly cogent, and bracingly provocative, crash course in the libertarian tenets that underpinned the site and its users’ strong stance on the necessity for encryption and privacy in the face of ever-encroaching government surveillance and unaccountability – not only for the deep corners of the Internet, but for all users.

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On TV: IF YOU BUILD IT

If-you-Build-It-Key-Image-Courtesy-of-Long-Shot-Factory-Release-280x140Coming to PBS’s America ReFramed series this coming Tuesday, June 2: IF YOU BUILD IT

Patrick Creadon’s look at design-focused education debuted at Full Frame in 2013. Fest screenings followed at DOC NYC, AFI Docs, Cucalorus, Austin, Heartland, Hot Springs, and the Hamptons, among others.

I previously wrote about the doc here.

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Brooklyn Film Festival 2015: Documentary Overview

BFF_logoThe Brooklyn Film Festival returns for its 18th edition tomorrow, Friday, May 29, presenting 109 films before it wraps up on Sunday, June 7, curated by new director of programming Bryce Renninger from a record number of film submissions. Among these are the following ten feature documentaries, which premiered at several notable film events and now come to NYC via BFF: Continue reading

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On VOD: HOT GIRLS WANTED

hot girls wantedComing to VOD this Friday, May 29: HOT GIRL WANTED

Jill Bauer and Ronna Gradus’ candid exploration of the amateur porn industry made its world premiere at Sundance earlier this year. Other screenings have included the Miami film festival, Indiana University, and the Kinsey Institute. It now comes to VOD exclusively through Netflix.

My pre-Sundance profile of the doc may be found here.

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On DVD: KUMU HINA

kumu hinaNew to DVD this week: KUMU HINA

Dean Hamer and Joe Wilson’s portrait of a transgender Hawaiian teacher debuted at the Hawaii International Film Festival last year. It has traveled widely on the LGBT and Asian fest circuits, among other events, including Frameline, QDoc, Beijing, Chicago, Jakarta, Austin, Hong Kong, Auckland, Wellington, Dallas, and NYC.

I previously wrote about the film here.

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