Category Archives: Recommendations

In Theatres: LA CAMIONETA

camionetaComing to Brooklyn’s reRun Theater this Friday, May 31 and to Los Angeles’ Downtown Independent on June 7: LA CAMIONETA

Mark Kendall’s chronicle of one school bus’ journey to Guatemala made its world premiere at SXSW last year. It went on to screen at Los Angeles, Nashville, Philadelphia, Denver, DOC NYC, DocsDF, Big Sky, Cinequest, Guadalajara, Sebastopol, Cleveland, and It’s All True, among several other fests. It also won the IDA David L Wolper Award last year.

I included the doc in my SXSW coverage here.

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Brooklyn Film Festival 2013: Documentary Overview

The Brooklyn Film Festival returns for its sixteenth edition beginning this Friday, May 31. Running through Sunday, June 9, this year’s fest, led by the theme word “Magnetic,” presents 100 films from 24 countries, including nineteen docs, eight of which are features. Notably, given the organizers connection to festival venue indieScreen, prizes include one-week theatrical releases for the winners of best nonfiction and best fiction feature at the Brooklyn single-screen cinema.

mr angelAmong the doc contenders are three I’ve previously written about: Inigo Westmeier’s DRAGON GIRLS, about Chinese teenage Kung Fu students; Amy Finkel’s FUREVER, on how people deal with the loss of their animal companions; and Dan Hunt’s MR ANGEL (pictured), a portrait of FTM trans porn star turned activist Buck Angel.

rinkRemaining feature docs include: Belisario Franca’s ETERNAL AMAZON, an examination of if and how the Amazon rainforest can be used sustainably; Sarah Friedland’s THE RINK (pictured), about a Newark roller rink and the different people who use it; Cary McClelland’s WITHOUT SHEPHERDS, a multi-character perspective on modern-day Pakistan; Anne Thoma’s MILES & WAR, a portrait of independent peace mediators in conflict zones; and Barbara Miller’s FORBIDDEN VOICES, profiles of three female bloggers fighting censorship in Cuba, Iran, and China.

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On DVD: A GOOD DAY TO DIE

A_Good_Day_To_DieComing to DVD today, Tuesday, May 28: A GOOD DAY TO DIE

David Mueller and Lynn Salt’s portrait of Dennis Banks and the American Indian Movement made its debut at deadCENTER in 2010, where it won best documentary. It went on to screen at Denver, Cork, Hot Springs, imagineNATIVE, and the San Francisco American Indian festivals, among others.

Banks is one of the founders and leaders of the late 1960s-1970s activist organization AIM, a Native American advocacy group borne out of frustration with authorities and the non-responsiveness of the federal government Bureau of Indian Affairs. Mueller and Salt focus to a large extent on Banks’ life, which mirrored the experiences of many Native Americans of his generation – forced separation from family, community, and language at Native boarding schools; government-supported assimilation into cities via the Indian Relocation Program; military service; and jail – the latter a product of discriminatory and often hostile policing. While incarcerated, Banks and fellow Native prisoners educated themselves via the prison library, learning of the strides made through activism around civil rights, women’s rights, and the anti-war movement, and becoming politicized in turn, forming AIM. Banks and associates relate a number of AIM’s key actions, such as the taking over of Mt Rushmore and the Bureau of Indian Affairs, neither of which employed Natives; several protests around the murders and cover-ups of Native people, including a march on Custer SD that gives the doc its title; and the infamous standoff at Wounded Knee, which sent Banks into hiding for nearly a decade, and effecitvely led to the shut down of AIM. Expertly blending interviews with ample archival material, Mueller and Salt provide an engrossing overview of the modern history of Native American activism that is sadly probably not as well known as it should be.

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On DVD: THE LOVING STORY

Coming to DVD tomorrow, Tuesday, May 28: THE LOVING STORY

Nancy Buirski’s exploration of the story behind the landmark Supreme Court case Loving v Virginia debuted at Tribeca in 2011. It went on to screen at Full Frame, Silverdocs, Hamptons, Traverse City, and United Nations Association, among others. The doc enjoyed a brief theatrical run and won a Peabody Award, and comes to DVD just before the Supreme Court is expected to rule on another high profile marriage equality case next month.

I wrote about the doc out of Tribeca here.

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On DVD: CHARGE

chargeComing to DVD tomorrow, Tuesday, May 28: CHARGE

Mark Neale’s look at the efforts of several groups to develop electric motorcycles just wrapped up a multi-city week-long run via Cinedigm.

I previously wrote about the doc here.

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In Theatres: THE TIMES OF HARVEY MILK

Times_of_Harvey_MilkOpening at NYC’s Quad Cinema today, Friday, May 24: THE TIMES OF HARVEY MILK

Rob Epstein’s chronicle of the career of San Francisco’s first openly gay elected official had its world premiere at Telluride in 1984. Its initial fest circuit included other notable events including New York, Chicago, Berlin, and Sundance, where it took home a special jury prize. The film went on to win the Academy Award for Best Feature Documentary the following year, solidifying its place in both the nonfiction and LGBT film canons, as noted by its inclusion last year in the National Film Registry. Notably, Gus Van Sant went on to retell and further popularize Milk’s story in 2008’s fictional MILK, which went on to win Oscars for Best Actor in a Leading Role for Sean Penn and Best Original Screenplay for Dustin Lance Black, galvanizing the latter as a new, public spookesman for LGBT rights.

The Quad’s re-release of Epstein’s doc comes a few days after Harvey Milk Day, commemorating Milk’s birthday, May 22, and, more importantly, after a series of anti-gay hate crimes in New York City which sadly have included the Greenwich Village murder of Mark Carson on May 18 and the attack on Dan Contarino on May 20. Epstein’s film tells the story of Harvey Milk, a Castro Street camera store owner who turned to gay rights activism and local political organizing, running for office several times before being elected to the San Francisco Board of Supervisors in 1977. Tragically, after just under a year in office, Milk and San Francisco Mayor George Moscone were both gunned down by Dan White, a fellow city supervisor who had recently resigned after several clashes with Milk and other board members. Narrated by Harvey Fierstein, and featuring extensive archival footage of Milk, Moscone, White, and other San Francisco civic figures in addition to contemporary interviews, Epstein’s elegaic film demonstrates Milk’s charisma and importance to not only his fellow San Franciscans, but to the LGBT community as a whole, as manifested in several key scenes. The footage of his election victory captures the dawning awareness of validation and the possibility of true change by his supporters, the candlelight vigil in response to his murder serves as a poignant reminder of the reality of their struggle, and the riots that ensue after White’s lenient sentence reflect the LGBT community’s rage at being treated like second class citizens, as well as their still unresolved grief at their leader’s assassination. Unabashedly political, Epstein’s expertly crafted and always affecting documentary takes up Milk’s call for full LGBT equality, and, as indicated by these recent bias-motivated crimes, remains as essential now as it did upon its initial release.

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Hot Docs 2013 in Brief, Part Four: Nightvision, Rule Breakers & Next

hip hop hoaxWrapping up my reactions to films from this year’s Hot Docs, this post looks at a few of the remaining programming sections not covered in previous posts (here, here, and here). These include the playful and subversive Nightvision, thematic focus on Rule Breakers & Innovators, and the art, music, and culture strand Next. Continue reading →

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On TV: DETROPIA

Coming to PBS’ Independent Lens next Monday, May 27: DETROPIA

Heidi Ewing and Rachel Grady’s impressionistic portrait of Detroit made its debut at Sundance last year, picking up the best documentary editing award. Its fest circuit included True/False, Cleveland, Hot Docs, DocAviv, Silverdocs, Milwaukee, Documentary Edge, and Traverse City, among others. Following a theatrical release, the doc made the Oscar shortlist for Best Documentary Feature.

I profiled the film before Sundance here.

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In Theatres: WE STEAL SECRETS

we steal secretsComing to theatres tomorrow, Friday, May 24: WE STEAL SECRETS: THE STORY OF WIKILEAKS

Alex Gibney’s exploration of the history of Julian Assange’s controversial site, and its intersection with Bradley Manning, had its world premiere earlier this year at Sundance. Since then, the doc has screened at Sydney and is part of Seattle’s lineup.

My pre-Sundance profile on the doc may be found here.

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Hot Docs 2013 in Brief, Part Three: Special Presentations & World Showcase

The_Manor_1.470x264Next in my Hot Docs coverage catch up are a selection of films appearing in the festival’s non-competitive Special Presentations and World Showcase sections. I’ll round it up with one additional post later this week looking at the remaining programming strands. Continue reading →

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