Category Archives: Documentary

2016 Sundance Awards

sundance 2016While the 2016 edition of the Sundance Film Festival officially still has a full day of screenings ahead, tonight saw the essential end of the event with the annual awards ceremony. w(n)td will resume regular posting starting Monday, but until then, a summary of the awards announcement follows: Continue reading

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Special Note: w(n)td & 2016 Sundance

sundance 2016Tonight, Thursday, January 21, sees the kickoff for the 2016 Sundance Film Festival, for which I’m a Documentary Programming Associate. For that reason, w(n)td will be on hiatus for the duration of the festival, which runs through Sunday, January 31, with normal daily weekday posting to resume on Monday, February 1.

Follow me on Twitter, to keep up with Sundance, and also follow my Sundance filmmaker class of 2016 Twitter list to experience the festival through the eyes of this year’s filmmakers.

To catch up with Sundance doc programming, here are links to my series of 2016 Sundance documentary profiles, divided by festival section:

US Documentary Competition
kate plays christineAUDRIE & DAISY

AUTHOR: THE JT LEROY STORY

THE BAD KIDS

GLEASON

HOLY HELL

HOW TO LET GO OF THE WORLD (AND LOVE ALL THE THINGS CLIMATE CAN’T CHANGE)

JIM

KATE PLAYS CHRISTINE (pictured)

KIKI

LIFE, ANIMATED

NEWTOWN

NUTS!

SUITED

TRAPPED

UNCLE HOWARD

WEINER

World Cinema Documentary Competition
lovers and the despotALL THESE SLEEPLESS NIGHTS

A FLAG WITHOUT A COUNTRY

HOOLIGAN SPARROW

THE LAND OF THE ENLIGHTENED

THE LOVERS AND THE DESPOT (pictured)

PLAZA DE LA SOLEDAD

THE SETTLERS

SKY LADDER: THE ART OF CAI GUO-QIANG

SONITA

TICKLED

WE ARE X

WHEN TWO WORLDS COLLIDE

Documentary Premieres
nothing left unsaidBECOMING MIKE NICHOLS

EAT THAT QUESTION – FRANK ZAPPA IN HIS OWN WORDS

FILM HAWK

LO AND BEHOLD, REVERIES OF THE CONNECTED WORLD

MAPPLETHORPE: LOOK AT THE PICTURES

MAYA ANGELOU: AND STILL I RISE

MICHAEL JACKSON’S JOURNEY FROM MOTOWN TO OFF THE WALL

NORMAN LEAR: JUST ANOTHER VERSION OF YOU

NOTHING LEFT UNSAID: GLORIA VANDERBILT & ANDERSON COOPER (pictured)

RESILIENCE

RICHARD LINKLATER: DREAM IS DESTINY

UNDER THE GUN

UNLOCKING THE CAGE

New Frontier
camerapersonCAMERAPERSON (pictured)

THE ILLINOIS PARABLES

NOTES ON BLINDNESS

 

 

Special Events
ojAMERICAN EPIC

CHELSEA DOES

OJ: MADE IN AMERICA (pictured)

 

 

Park City at Midnight
blackoutTHE BLACKOUT EXPERIMENTS

 

 

 

 

Sundance Kids
eagle huntressTHE EAGLE HUNTRESS

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In Theatres: REQUIEM FOR THE AMERICAN DREAM

requiem_for_the_american_dream_stillComing to theatres next Friday, January 29: REQUIEM FOR THE AMERICAN DREAM

Peter Hutchison, Kelly Nyks, and Jared P Scott’s cogent exploration of inequality in America had its world premiere at Tribeca last year. Screenings followed at IDFA, AFI Docs, Vancouver, Antenna, Adelaide, and DocPoint, among other events.

While the topic of inequality has been covered in several documentaries over the past decade, Hutchison, Nyks, and Scott’s essay film benefits from placing their entire focus on one man’s take: Noam Chomsky. Claiming that the four years of interviews that make up the project constitute the famed linguistics professor’s last extended participation in such projects, the filmmakers make the most of the octogenarian intellectual’s analysis, thought-provoking and far-reaching despite a relatively concise presentation. Ten chapters lay out Chomsky’s principle of the concentration of wealth and power, demonstrating how the American system of democracy has essentially been hijacked by corporate interests with the aim of maintaining a divide between the super wealthy and everyone else. Presented as an extended talking head interview, the filmmaking trio liven things up visually with striking money-themed graphics, but even in their absence, Chomsky’s measured, thoughtful delivery proves captivating. While much of what he says is, by his own admission, hardly a surprise, its assemblage and tidy organization here makes this an essential contribution to the body of work exploring modern inequality.

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On DVD: MEET THE PATELS

1201x782-KEY-IMAGE-Meet-the-Patels-Image-1credit-Four-in-a-Billion-Pictures-1160x652Coming to DVD next Tuesday, January 26: MEET THE PATELS

Geeta V Patel and Ravi V Patel’s comedic look at love, tradition, and family had its world premiere at Hot Docs in 2014, where it picked up an award. Further fest exposure followed at DOC NYC, Los Angeles, Traverse City, Hamptons, San Diego Asian, Dubai, Bentonville, Seattle, and Sydney, among many others, as well as news that a fiction version of the film is in development.

I previously wrote about the doc here.

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On DVD: IN MY FATHER’S HOUSE

in my father'sComing to DVD next Tuesday, January 26: IN MY FATHER’S HOUSE

Ricki Stern and Annie Sundberg’s look at a father and son’s second chance debuted at Tribeca last year. Other fests included Nantucket, New Orleans, Bentonville, Nashville, Provincetown, Martha’s Vineyard, and Monrtclair, among others.

I previously wrote about the doc here.

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On TV: DRUNK STONED BRILLIANT DEAD

drunk stonedComing to Showtime this Friday, January 22 and to the History Channel this Saturday, January 23: DRUNK STONED BRILLIANT DEAD: THE STORY OF THE NATIONAL LAMPOON

Douglas Tirola’s look back at the popularity and influence of the satiric humor magazine debuted at Sundance last year. The doc went on to screen at Nantucket, Tribeca, Hot Docs, Full Frame, AFI Docs, Traverse City, Edinburgh, Melbourne, Sarasota, Montclair, and Sydney, among others.

My pre-Sundance profile of the doc may be found here.

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In Theatres & On VOD: PRESCRIPTION THUGS

prescription_thugs_1Coming to theatres and VOD this Friday, January 22: PRESCRIPTION THUGS

Chris Bell, Josh Alexander and GB Young’s exploration of prescription drug abuse made its bow at Tribeca last year. It also screened at Traverse City, and now, in addition to a limited theatrical release, the doc also comes to VOD via iTunes.

A follow up to his feature debut, BIGGER STRONGER FASTER*, an exposé on steroid use that focused on his brothers, Bell’s new project takes on a significantly larger target. While the film begins and ends on a more personal note, detailing first the prescription drug abuse that ultimately led to the death of one of his brothers and later offering revelations that hit even closer to home, the earnest director moves beyond his family to address the national epidemic. Adopting a Michael Moore/Morgan Spurlock approach which finds him often on camera and otherwise endlessly narrating, Bell covers familiar territory – and ultimately too much of it, too broadly – offering faux-naïveté in the face of Big Pharma’s greed and when confronted with unsurprising but still disturbing statistics about overprescriptions and their health consequences. Still, there is emotional heft in more genuine scenes with his parents and with his brother’s friends, and in the personal turn the film takes in its closing stretch. Ultimately, as one of his most engaging interview subjects – a former pharmaceutical rep-turned-whistleblower – suggests, the value of Bell’s project is in spreading the word, even if it’s ultimately a familiar tale.

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On TV: IN FOOTBALL WE TRUST

in football we trustComing to PBS’s Independent Lens next Monday, January 25: IN FOOTBALL WE TRUST

Tony Vainuku and Erika Cohn’s look at Polynesian teenagers’ dreams of success through sports made its bow at Sundance last year. The doc has gone on to screen at Los Angeles, DocUtah, CAAMFest, Hawaii, Twin Cities, and the San Diego Asian film fests, among others.

I profiled the doc before Sundance here.

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2016 Sundance Docs in Focus: THE EAGLE HUNTRESS

eagle huntressAnd finally, I’ve reached the final doc of this year’s fest lineup, from Sundance Kids: THE EAGLE HUNTRESS, Otto Bell’s look at a Mongolian teenager determined to cross a millennia-old gender barrier.

Festival Section:
Sundance Kids
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2016 Sundance Docs in Focus: THE BLACKOUT EXPERIMENTS

blackoutToday brings us to the last of this year’s Sundance nonfiction, beginning with the sole doc in the Midnight section: THE BLACKOUT EXPERIMENTS, Rich Fox’s exploration of the secret world of an individualized immersive fright experience and its adherents.

Festival Section:
Midnight
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