Category Archives: Film Festivals

Special Screening: 20 FEET FROM STARDOM

twenty feet from stardomComing to NYC’s Rooftop Films this Saturday, June 8: 20 FEET FROM STARDOM

Morgan Neville’s look at the careers and lives of backup singers made its debut as one of the opening night films of Sundance earlier this year. Since then, it has screened extensively, including at SXSW, Miami, Sarasota, Dallas, Maui, Seattle, Ann Arbor, and the upcoming Nantucket.

My pre-Sundance profile may be found here.

Note: This free screening will include a live performance by one of the film’s subjects, Darlene Love; a Q&A with Neville; and an afterparty.

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Special Screening & In Theatres: DIRTY WARS

dirty warsComing to NYC’s Stranger Than Fiction this Wednesday, June 5 and to theatres this Friday, June 7: DIRTY WARS

Richard Rowley’s profile of Jeremy Scahill and America’s secret wars debuted at Sundance earlier this year, where it picked up the documentary cinematography award. Its fest circuit has included True/False, IFF Boston, Seattle, Dallas, New Zealand, and Little Rock, among others.

I profiled the doc before Sundance here.

Note: STF’s screening will include a post-screening Q&A with Rowley and Scahill.

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On DVD: THE LAW IN THESE PARTS

Coming to DVD tomorrow, Tuesday, June 4: THE LAW IN THESE PARTS

Ra’Anan Alexandrowicz’s look at law under occupation premiered at Jerusalem in 2011, winning best documentary. It made its US debut at Sundance, where it won the World Cinema jury prize. Among other fests, it went on to Full Frame and Hot Docs, winning awards at both.

My pre-Sundance profile may be found here.

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In Theatres: PUSSY RIOT – A PUNK PRAYER

pussy riotComing to NYC’s Village East today, Friday, May 31: PUSSY RIOT – A PUNK PRAYER

Mike Lerner and Maxim Pozdorovkin’s chronicle of the infamous Russian activists and their show trial made its debut at Sundance earlier this year, where it picked up a special jury prize. It’s since gone on to screen at True/False, SXSW, Hot Docs, Sydney, and Full Frame, among many others. It’s set to kick off HBO Documentaries’ Summer Series next week.

My pre-Sundance profile of the doc may be found here.

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Green Screens 2013 Overview

film societyAfter several years of regular monthly screenings, the Film Society of Lincoln Center’s environmental documentary series Green Screens gets the fest treatment for a six-day program beginning tomorrow, Friday, May 31 and running through Wednesday, June 5.





blackfishAmong the thirteen doc features in the program are a few films I’ve previously written about, including Sundance title BLACKFISH (pictured), on the dangers of keeping killer whales in captivity; Hot Docs 2012 special jury prize winner PEACE OUT, on large scale energy projects in Canada’s Peace River region; and SXSW alum XMAS WITHOUT CHINA, on America’s dependence on Chinese industry, including fears about toxic products entering the marketplace.

silentsnow3Among the remaining are a few titles that are familiar from elsewhere on the festival circuit, and some others that are less so, including Hannes Lang’s PEAK, about the artificial means needed to maintain enough snowfall in the Alps for tourism in the face of climate change; Scott Elliott’s INTO THE GYRE, an exploration of plastic pollution in the Atlantic marine ecosystem; Jan Van Den Berg and Pipaluk Knudsen-Ostermann’s SILENT SNOW: THE INVISIBLE POISONING OF THE WORLD (pictured), tracing the surprising spread of pesticides into the Arctic; Bettina Borgfeld and David Bernet’s RAISING RESISTANCE, a look at small Paraguayan farmers struggling to maintain their land and crops in the face of larger chemically treated neighboring farms; and Edward Brown’s UNACCEPTABLE LEVELS, a consideration of the stark increase in humans’ exposure to chemicals and their impact on our bodies.

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Brooklyn Film Festival 2013: Documentary Overview

The Brooklyn Film Festival returns for its sixteenth edition beginning this Friday, May 31. Running through Sunday, June 9, this year’s fest, led by the theme word “Magnetic,” presents 100 films from 24 countries, including nineteen docs, eight of which are features. Notably, given the organizers connection to festival venue indieScreen, prizes include one-week theatrical releases for the winners of best nonfiction and best fiction feature at the Brooklyn single-screen cinema.

mr angelAmong the doc contenders are three I’ve previously written about: Inigo Westmeier’s DRAGON GIRLS, about Chinese teenage Kung Fu students; Amy Finkel’s FUREVER, on how people deal with the loss of their animal companions; and Dan Hunt’s MR ANGEL (pictured), a portrait of FTM trans porn star turned activist Buck Angel.

rinkRemaining feature docs include: Belisario Franca’s ETERNAL AMAZON, an examination of if and how the Amazon rainforest can be used sustainably; Sarah Friedland’s THE RINK (pictured), about a Newark roller rink and the different people who use it; Cary McClelland’s WITHOUT SHEPHERDS, a multi-character perspective on modern-day Pakistan; Anne Thoma’s MILES & WAR, a portrait of independent peace mediators in conflict zones; and Barbara Miller’s FORBIDDEN VOICES, profiles of three female bloggers fighting censorship in Cuba, Iran, and China.

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In Theatres: THE TIMES OF HARVEY MILK

Times_of_Harvey_MilkOpening at NYC’s Quad Cinema today, Friday, May 24: THE TIMES OF HARVEY MILK

Rob Epstein’s chronicle of the career of San Francisco’s first openly gay elected official had its world premiere at Telluride in 1984. Its initial fest circuit included other notable events including New York, Chicago, Berlin, and Sundance, where it took home a special jury prize. The film went on to win the Academy Award for Best Feature Documentary the following year, solidifying its place in both the nonfiction and LGBT film canons, as noted by its inclusion last year in the National Film Registry. Notably, Gus Van Sant went on to retell and further popularize Milk’s story in 2008’s fictional MILK, which went on to win Oscars for Best Actor in a Leading Role for Sean Penn and Best Original Screenplay for Dustin Lance Black, galvanizing the latter as a new, public spookesman for LGBT rights.

The Quad’s re-release of Epstein’s doc comes a few days after Harvey Milk Day, commemorating Milk’s birthday, May 22, and, more importantly, after a series of anti-gay hate crimes in New York City which sadly have included the Greenwich Village murder of Mark Carson on May 18 and the attack on Dan Contarino on May 20. Epstein’s film tells the story of Harvey Milk, a Castro Street camera store owner who turned to gay rights activism and local political organizing, running for office several times before being elected to the San Francisco Board of Supervisors in 1977. Tragically, after just under a year in office, Milk and San Francisco Mayor George Moscone were both gunned down by Dan White, a fellow city supervisor who had recently resigned after several clashes with Milk and other board members. Narrated by Harvey Fierstein, and featuring extensive archival footage of Milk, Moscone, White, and other San Francisco civic figures in addition to contemporary interviews, Epstein’s elegaic film demonstrates Milk’s charisma and importance to not only his fellow San Franciscans, but to the LGBT community as a whole, as manifested in several key scenes. The footage of his election victory captures the dawning awareness of validation and the possibility of true change by his supporters, the candlelight vigil in response to his murder serves as a poignant reminder of the reality of their struggle, and the riots that ensue after White’s lenient sentence reflect the LGBT community’s rage at being treated like second class citizens, as well as their still unresolved grief at their leader’s assassination. Unabashedly political, Epstein’s expertly crafted and always affecting documentary takes up Milk’s call for full LGBT equality, and, as indicated by these recent bias-motivated crimes, remains as essential now as it did upon its initial release.

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Hot Docs 2013 in Brief, Part Four: Nightvision, Rule Breakers & Next

hip hop hoaxWrapping up my reactions to films from this year’s Hot Docs, this post looks at a few of the remaining programming sections not covered in previous posts (here, here, and here). These include the playful and subversive Nightvision, thematic focus on Rule Breakers & Innovators, and the art, music, and culture strand Next. Continue reading

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On TV: DETROPIA

Coming to PBS’ Independent Lens next Monday, May 27: DETROPIA

Heidi Ewing and Rachel Grady’s impressionistic portrait of Detroit made its debut at Sundance last year, picking up the best documentary editing award. Its fest circuit included True/False, Cleveland, Hot Docs, DocAviv, Silverdocs, Milwaukee, Documentary Edge, and Traverse City, among others. Following a theatrical release, the doc made the Oscar shortlist for Best Documentary Feature.

I profiled the film before Sundance here.

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In Theatres: WE STEAL SECRETS

we steal secretsComing to theatres tomorrow, Friday, May 24: WE STEAL SECRETS: THE STORY OF WIKILEAKS

Alex Gibney’s exploration of the history of Julian Assange’s controversial site, and its intersection with Bradley Manning, had its world premiere earlier this year at Sundance. Since then, the doc has screened at Sydney and is part of Seattle’s lineup.

My pre-Sundance profile on the doc may be found here.

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