Category Archives: Film

Coming to CNN Films tomorrow, Thursday, January 9: SOLE SURVIVOR

Ky Dickens’ exploration of the personal aftermath of aviation tragedies made its debut at Traverse City last Fall. It has screened at DOC NYC, Austin, Midwest Independent, and Napa Valley, among other events.

I previously wrote about the film for the DOC NYC program guide, saying:
Just seventeen at the time, George Lamson was the only survivor of the 1985 Galaxy Airlines crash that claimed the lives of the 73 other passengers on board, including his father. More than two decades later, he still wrestles with the experience, turning to the only people who can relate: the handful of other sole survivors of major commercial plane crashes. Speaking publicly for the first time since their accidents, four of them share their complex reactions to their miraculous survival in Dickens’ thoughtfully constructed, emotionally affecting meditation on life-changing loss, isolating survivor’s guilt, and the pressures of overdetermined expectations.

Coming to PBS’s Independent Lens this coming Monday, January 13: AT BERKELEY

Frederick Wiseman’s singular exploration of the Northern Californian public university made its premiere at Venice last year. Its fest circuit has included Toronto, New York, London, Chicago, and Stockholm, and it enjoyed a limited theatrical release this Winter.

I previously wrote about the doc out of Toronto here.

Coming to NYC’s IFC Center tomorrow, Wednesday, January 8: THE GREAT FLOOD

Bill Morrison’s elegiac reflection on the Great Mississippi River Flood of 1927 was commissioned by and debuted at the University of Illinois at Urbana-Champaign in 2011. Following revisions, it went on to screen at festivals including Cleveland, Vancouver, Adelaide, and Viennale, and has had special performances at Carnegie Hall, Chicago’s Symphony Hall, London’s Queen Elizabeth Hall, and Los Angeles’ Royce Hall, among others.

The third collaboration between Morrison and acclaimed guitarist/composer Bill Frisell, the film chronicles the most destructive river flood in US history, which saw nearly 150 breaks in the Mississippi’s levees, flooding of 27,000 square miles, the deaths of 250 people in seven states, and damages estimated at over $400 million. As in his previous work, Morrison turned to decaying archival footage of the actual flood to convey the story of the flood, its deterioration lending a poignant, faraway, dreamlike quality to the project. Dialogue-free, with minimal text, the lovely monochromatic footage marries well with Frisell’s original score, inspired by the evolution of period music into various forms – blues, jazz, gospel, soul, rock, and r&b – that followed the forced migration north of sharecroppers displaced by the disaster. The result creates an almost hypnotic effect, more suited for an immersive theatrical or concert setting than home viewing. Still, this is decidedly esoteric arthouse territory, and will likely be an endurance experience for most audiences, even at a relatively brief 80 minute running time.