Category Archives: Film

In Theatres: CHARGE

chargeComing to theatres via Cinedigm’s Docurama Festival initiative next Tuesday, May 21: CHARGE

Mark Neale’s chronicle of the trials and triumphs of developing zero emissions motorcycles seems to have largely bypassed film festivals, though it did win an award at Vegas Independent in 2011. The film is part of Cinedigm’s new seven-film program bringing feature documentaries to theatres weekly in up to fifteen US markets, including NYC, LA, Pasadena, Encino, San Diego, Palm Desert, Austin, San Antonio, Phoenix, Cleveland, Columbus, Pittsburgh, Hartford, New Haven, Ithaca, Richmond, and Helena. The films are also available for additional theatrical-on-demand screenings via Tugg. In NYC, Cinema Village will screen the doc next Tuesday, Thursday, and Saturday.

Narrated by racing fan Ewan McGregor, Neale’s film focuses on the world’s first zero-emissions motorcycle grand prix, held in the Summer of 2009 on the Isle of Man, home of the most legendary and difficult course in the sport. With practice courses and other prep for the annual regular race already taxing the Isle’s infrastructure, and the patience of its residents, the decision to devote even more time to an unorthodox electric vehicle version is met with skepticism if not downright resistance. Neale follows several teams in the lead-up to the race, out to prove the viability of an electric motorcycle that can complete the challenging course on one charge with the same thrill as their fossil-fueled kin. At the center of this international assemblage are the cocky US team, MotoCzysz, who have sunk $350,000 into their bike, and Team Agni, which taps into the genius of Cedric Lynch, an eccentric pioneer whose innovative motor design is used in several of the competitors’ vehicles. Mechanically minded viewers would likely find more to appreciate in numerous garage and workshop scenes as engineers work out kinks and discuss torque and whatnot, but even those with zero interest in racing will find the film engaging. Neale is able to generate genuine tension about whether the teams will successfully finish their designs, make it to the race, and even finish – both at the inaugural event in 2009 and at the follow up in 2010 – and the green theme at its core should draw an unlikely but appreciative additional audience.

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In Theatres: VALENTINO’S GHOST

normal_valentino_s_ghost_005_stillComing to theatres today, Friday, May 17: VALENTINO’S GHOST

Michael Singh’s examination of cinematic portrayals of Arabs and Muslims made its debut at Venice last year. The doc went on to screen at IDFA, Doha, It’s All True, and DocumentaMadrid. It opens at NYC’s Quad Cinema and the Laemmle Pasadena Playhouse 7 Theatre.

I included the doc in my IDFA roundup here.

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In Theatres: BIDDER 70

bidder-70Coming to theatres tomorrow, Friday, May 17: BIDDER 70

Beth and George Gage’s portrait of the consequences of civil disobedience had its world premiere at the 2012 Mountainfilm in Telluride, winning an award. It went on to screen at numerous festivals, including Cleveland, Human Rights Watch, Washington DC Environmental, Mill Valley, and Traverse City, picking up an award at the latter as well.

During the end of the Bush administration, a shady federal auction threatened thousands of acres of Utah wilderness with destructive drilling in the name of fossil fuels. Concerned about the lack of transparency to the process, college student Tim DeChristopher attended, and, on the spur of the moment, decided to begin bidding for the land, winning 22,000 acres at the cost of nearly $2 million – with no intention of drilling or ability to pay. He did this as a conscious act of civil disobedience, disrupting a process he believed to be unjust, and willing to face the consequences. The Gages’ film quickly relates this already well-publicized background and then moves on to follow DeChristopher as he becomes the catalyst for a grassroots climate justice movement, and as he waits for his day in court after numerous postponements. While the former serves as a hopeful development, scenes of scrappy protest sign painting and demonstrations by DeChristopher’s Peaceful Uprising activist group often feel like filler and take on a cheesy edge with some poor music choices. More compelling are the pre-trial developments about the illegality of the auction and comments from his attorney about potential defense strategy, but these are given shortshrift. Still, sharing DeChristopher’s story is really the point of his act of disruption – as his defense attorney reminds us, the point of civil disobedience is to force others to examine their own conscience and to inspire change, even at the cost of one’s own personal liberty – and, to that extent, the Gages’ film delivers.

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On Cable: INSIDE OUT

large_Inside_out_3Coming to HBO this Monday, May 20: INSIDE OUT: THE PEOPLE’S ART PROJECT

Alastair Siddons exploration of a worldwide participatory art project just made its world premiere at Tribeca last month. It makes its cable broadcast premiere via HBO Documentaries.

I included the doc in my Tribeca roundup here.

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Tribeca 2013: Docs in Brief, Part Three: Spotlight

large_lil_bub_friendz_pubThis post wraps up my coverage of Tribeca with a look at eight docs from the festival’s Spotlight section, a programming strand meant to straddle indie and mainstream sensibilities. I should note that Spotlight included two additional docs that I didn’t get a chance to watch – GASLAND PART II and IN GOD WE TRUST – and a couple whose subject matter just didn’t pique my interest enough to watch – MCCONKEY and THE MOTIVATION. Continue reading

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On VOD: TO MAKE A FARM

to make a farmNow on VOD: TO MAKE A FARM

Steve Suderman’s profile of young Canadian farmers debuted at Vancouver in 2011, where it was one of the top ten audience favorites. It went on to screen at Big Sky, Washington DC Environmental, Minneapolis St Paul, Shanghai, Princeton Environmental, and several other environmental and food-related events. FilmBuff released the film on iTunes, Amazon, YouTube, XBOX, nook, Cinemanow, and Vudu yesterday.

Coming from a farm background himself, Suderman narrates this nicely-shot look at three sets of small-scale farmers in Ontario and Manitoba, Canada – two couples, Tarrah and Nathan and Leslie and Jeff, and one-man-band Wes. Following them over the course of a year as they set up their farms, plant and harvest their crops, and tend to their animals, the engaging film gives viewers a clear sense of the challenges of their endeavor – physically, emotionally, and economically. Being Canadian, the subjects are affable without being naive, candidly expressing the sometimes utopian sentiments that led them to pursue farming, but also honest enough about how hard it is to make it work. They make the point that they’re largely starting from scratch – even if they’ve studied organic farming, they’re at a disadvantage compared to past farmers who drew on generational knowledge that has in many ways been lost with the move to large-scale industrial farming. For his part, director Suderman comments on this transformation of agriculture, but his occasional anti-industrial narration feels like an ill-fit with the more successful observational footage of the farmers going about their various chores.

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Tribeca 2013: Docs in Brief, Part Two: Gala & Special Screenings

mistaken for strangersContinuing my belated roundup of last month’s Tribeca Film Festival, this post covers the fest’s high profile Gala slots and the catch-all Special Screenings, which includes several of the ESPN Sports Film Festival sidebar. One additional post will follow later this week covering the Spotlight section. Continue reading

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On DVD: BEWARE OF MR BAKER

Coming to DVD today, Tuesday, May 14: BEWARE OF MR BAKER

Jay Bulger’s profile of drummer Ginger Baker debuted at SXSW last year, picking up the Best Documentary Award. Its fest circuit included Hot Docs, Seattle, Silverdocs, and London, among others, as well as a limited theatrical and VOD release.

I included the doc in my SXSW coverage here.

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On DVD/VOD: OF TWO MINDS

Coming to DVD and VOD today, Tuesday, May 14: OF TWO MINDS

Doug Blush and Lisa Klein’s look at bipolar disorder premiered at Cleveland last year. It has also screened at Newport Beach, Napa Valley, St Louis, and the LA/NY/SF United Film Fests, and had a theatrical run as part of DocuWeeks.

I previously wrote about the doc here.

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Tribeca 2013: Docs in Brief, Part One: Competition & Viewpoints

large_let_the_fire_burn_pubsThe twelfth edition of NYC’s Tribeca Film Festival came to a close just over two weeks ago, but my back-to-back travel schedule has delayed my roundup until now – as it is, I’m writing this from my Reykjavik hotel room with spotty Internet. While readers have likely already noted Tribeca’s awards, for the sake of comprehensiveness, the doc winners included: Best Documentary to THE KILL TEAM, with a Special Mention to OXYANA, which also received the jury award for Best New Documentary Director; Best Editing to LET THE FIRE BURN (pictured); Tribeca (Online) Best Feature to LIL BUB & FRIENDZ; and Documentary Audience Award to BRIDEGROOM. I managed to miss the two bookending award winners, but cover OXYANA and LET THE FIRE BURN below, which covers docs from the Competition and Viewpoints categories, with LIL BUB in a follow up post that includes the Gala, Spotlight, and Special Screenings sections. Continue reading

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