Category Archives: Documentary

In Theatres: CHARLIE VICTOR ROMEO

charlie victor romeoComing to NYC’s Film Forum this Wednesday, January 29: CHARLIE VICTOR ROMEO

Robert Berger and Karlyn Michelson’s experimental black box-based airline emergency film debuted at Sundance last year. It also went on to screen at the New York Film Festival, DocPoint, AFI Fest, CPH:DOX, and Hamptons.

My pre-Sundance profile of the film may be found here.

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On Cable: HERBLOCK

herblockComing to HBO tonight, Monday, January 27: HERBLOCK: THE BLACK & THE WHITE

Michael Stevens’ love letter to the influential editorial cartoonist debuted at Tribeca last year. Other festival berths included AFI Docs and Martha’s Vineyard.

I included the film in my AFI Docs coverage here.

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Special Note: w(n)td & 2014 Sundance

sundance 2014 logo betterWith the 2014 Sundance Film Festival beginning tonight, Thursday, January 16, and running through Sunday, January 26, my responsibilities as Programming Associate for the festival will keep me from posting here, so w(n)td will be on hiatus for the duration. Normal, daily posting will resume on Monday, January 27.

To keep up with goings on in Park City, follow me on Twitter, or follow my Sundance filmmaker class of 2014 Twitter list.

Finally, before I sign off, here are links to each of my 2014 Sundance documentary profiles, divided by section:

US Documentary Competition
RichHill2
ALIVE INSIDE: A STORY OF MUSIC & MEMORY

ALL THE BEAUTIFUL THINGS

CAPTIVATED: THE TRIALS OF PAMELA SMART

THE CASE AGAINST 8

CESAR’S LAST FAST

DINOSAUR 13

E-TEAM

FED UP

THE INTERNET’S OWN BOY: THE STORY OF AARON SWARTZ

IVORY TOWER

MARMATO

NO NO: A DOCKUMENTARY

THE OVERNIGHTERS

PRIVATE VIOLENCE

RICH HILL (pictured)

WATCHERS OF THE SKY

World Cinema Documentary Competition
concerning violence
20,000 DAYS ON EARTH

CONCERNING VIOLENCE (pictured)

THE GREEN PRINCE

HAPPINESS

LOVE CHILD

Mr leos caraX

MY PRAIRIE HOME

THE NOTORIOUS MR BOUT

RETURN TO HOMS

SEPIDEH – REACHING FOR THE STARS

WE COME AS FRIENDS

WEB JUNKIE

Documentary Premieres
life itself
THE BATTERED BASTARDS OF BASEBALL

FINDING FELA

FREEDOM SUMMER

HAPPY VALLEY

LAMBERT & STAMP

LAST DAYS IN VIETNAM

LIFE ITSELF (pictured)

MITT

THIS MAY BE THE LAST TIME

TO BE TAKEI

WE ARE THE GIANT

WHITEY: UNITED STATES OF AMERICA V JAMES J BULGER

Premieres
nick offerman
NICK OFFERMAN: AMERICAN HAM







Park City at Midnight
under the electric sky
UNDER THE ELECTRIC SKY (EDC 2013)







New Frontier
living stars
LIVING STARS (pictured)

THE MEASURE OF ALL THINGS

THROUGH A LENS DARKLY: BLACK PHOTOGRAPHERS AND THE EMERGENCE OF A PEOPLE

From the Collection
hoop dreams
HOOP DREAMS

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In Theatres: AATSINKI: THE STORY OF ARCTIC COWBOYS

large_aatsinki_1Coming to NYC’s IFC Center next Friday, January 24: AATSINKI: THE STORY OF ARCTIC COWBOYS

Jessica Oreck’s chronicle of a year in the life of reindeer herders had its world premiere at Tribeca last year. It went on to screen at Hot Docs, Vancouver, BFI London, New Orleans, and Abu Dhabi, among other events.

I previously wrote about the doc out of Tribeca here.

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In Theatres: MERCEDES SOSA: THE VOICE OF LATIN AMERICA

Mercedes-Sosa-Key-Image-280x140Coming to NYC’s Cinema Village next Friday, January 24: MERCEDES SOSA: THE VOICE OF LATIN AMERICA

Rodrigo H Vila’s portrait of the iconic performer made its debut at the IFF Panama last year. It also screened at DOC NYC, IDFA, Havana’s International Festival of New Latin American Cinema, and Sydney Latin American, among others.

A legend in Latin America, where her career spanned nearly half a century, Argentine Sosa reached beyond the confines of the region to build a fan base around the world, performing at thousands of concerts from Carnegie Hall to the Roman Colosseum. Recording forty albums that sold in the millions, the Grammy award winning performer popularized folk music from her native Argentina, as well as sounds from Brazil, Cuba, and elsewhere, simultaneously drawing attention to the political struggles in the region. Vila’s intimate portrait of the late singer explores her music and legacy through archival performances, interviews, and tributes from collaborators and admirers.

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On VOD: THE SQUARE

squareComing to Netflix tomorrow, Friday, January 17: THE SQUARE (AL MIDAN)

Jehane Noujaim’s riveting look at Egypt’s 2011 Revolution and what followed made its debut at Sundance last year, picking up an audience award. A retooled version of the film made its bow at Toronto, and repeated the audience award win, and went on to screen at the New York Film Festival, DOC NYC, and Dubai, among others. After its theatrical run this past Fall, the film was nominated for the Best Documentary Oscar, and now comes to Netflix as one of first original doc acquisitions.

I wrote about the film out of Toronto here.

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On TV: SALINGER

salingerComing to PBS’s American Masters next Tuesday, January 21: SALINGER

Shane Salerno’s investigation into the famously reclusive shy author of THE CATCHER IN THE RYE debuted at Telluride last year just days before its theatrical release via The Weinstein Company. It also screened at Toronto and IDFA.

When Salerno’s film was announced, speculation ran rampant regarding its contents. Early teasers framed the doc as a mystery, and insiders wouldn’t confirm or deny if the filmmaker had managed to secure an interview with his eponymous subject before the latter’s death in 2010 (spoiler: he did not). Upon its world premiere at Telluride, critical response was decidedly mixed to negative, with many reviewers likening the film to the “phony” world that Salinger’s famed protagonist Holden Caulfield railed against. Nearly a decade in the making, Salerno’s doc aims to make sense of the author, who retreated from public life half a century ago, never publishing another novel, and to uncover what he’s really been doing in smalltown New Hampshire ever since. Salerno’s hardly the first to try – he interviews others here who felt compelled to seek an audience, strangely convinced that in his refusal to be in the public eye, Salinger perversely coveted their attention and would offer them great truths, when in fact, the man just wanted to be left alone and to avoid the kind of bombastic hype that is in evidence in Salerno’s own film. Beyond this paparazzo-like fetishization, where it really goes wrong is in its parade of CATCHER admirers, none adding much of substance, its over-the-top score and stylized re-enactments, and Salerno’s over-psychologizing the impact of WWII combat on the author. What are more successful, and intriguing, are the stories of those closest to Salinger – much younger women like Jean Miller and Joyce Maynard, featured here, with whom he was in relationships – or Salinger’s neglected wife and daughter. As a whole, while watchable, the film unfortunately too often feels more like a special edition of UNSOLVED MYSTERIES than a nuanced exploration of Salinger’s work, its cultural impact, or the pressures and pitfalls of fame.

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On Cable: I LEARN AMERICA

I-Learn-America-Key-Photo-by-Andrew-Freiband-280x140Coming to Al Jazeera America Presents this Sunday, January 19: I LEARN AMERICA

Gitte Peng and Jean-Michel Dissard’s portrait of youthful new Americans had its world premiere at AFI Docs last year. It went on to screen at DOC NYC, Nantucket, Denver, and St Louis, as well as several community screenings around the country.

I previously wrote about the doc out of AFI Docs for Indiewire, saying:
Another title debuting here also addressing immigration is Gitte Peng and Jean-Michel Dissard’s appealing look at Brooklyn’s International High School at Lafayette, which provides a safe and nurturing space for new immigrants. Focusing on five teenagers hailing from Poland, Pakistan, Guatemala, Myanmar, and the Dominican Republic who contend with learning new languages, traditional parental expectations, and immigration status, the film shows the importance of programs like this in shaping the next generation of Americans. Perhaps most significantly, Peng and Dissard demonstrate commonalities across cultural differences, as their subjects face familiar high school rituals like prom and graduation, or schoolwork-affecting distractions in the form of sports and girls.

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On TV: DOWNEAST

downeast-1Coming to WORLD Channel’s America ReFramed series next Tuesday, January 21: DOWNEAST

David Redmon and Ashley Sabin’s look at an economically depressed rural Maine town debuted at Tribeca in 2012. It went on to screen at Hot Docs, Silverdocs, Provincetown, Sidewalk, Camden, RIDM, DOK.Leipzig, CPH:DOX, and Big Sky, among others, and enjoyed a limited theatrical campaign through Maine.

I previously included the film in my Tribeca roundup here.

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86th Oscars: Best Documentary Feature Nominees

cutieThe Best Documentary Feature Oscar finalists were announced this morning, together with all the other categories – view the entire list of nominees here. The documentaries are listed below. Congratulations to all the nominees – including four Sundance alums and four DOC NYC Short List titles!

THE ACT OF KILLING

CUTIE AND THE BOXER

DIRTY WARS

THE SQUARE

20 FEET FROM STARDOM

Congrats also to the Documentary Shorts nominees, which include one DOC NYC alum:

CAVEDIGGER
FACING FEAR
KARAMA HAS NO WALLS
THE LADY IN NUMBER 6: MUSIC SAVED MY LIFE
PRISON TERMINAL: THE LAST DAYS OF PRIVATE JACK HALL

And to THE MISSING PICTURE for being the sole doc nominated for Best Foreign Language Film!

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